The Bomb - Antonio Pinto



     
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The Bomb Lyrics


Girl, you wanna sex me
Girl, why don't you let me
You really turn me on
I think we could swing it
Girl that's why I'm sayin'
Baby, you're the bomb
Well it was just the other day
I was walkin' down the street
And I saw you standin' by yourself
You were looking so cute
In your black daisy dukes
Thought you probably had a man or two
Then you stepped to me and asked me my name
I gave you my number and the time we could meet
Then I watched that booty swingin' as you walked away
I knew it was on cause
Oh baby, you're the bomb
Ya baby, you're the bomb

I went to pick you up, you were lookin' so tough
In your tight black mini skirt
Your curves were jumpin' out, I had to close my mouth
'Cause baby you're a piece of work
And then I took you to the club, we turned the party out
I wanna take you home, do some sexin' on the couch
You gotta let me know
If this thing is really on
I'm sprung on you baby
'Cause baby, you're the bomb
Girl, you wanna sex me
Girl, why don't you let me?
You really turn me on
I think we could swing it
Girl that's why I'm sayin'
Baby, you're the bomb?
Ooo baby, you're the bomb
I wanna make love to you, baby
And I'm about to explode
Come on let's get it on
Wanna do ya, all night long
You got it goin' on
Ooo baby, you're the bomb
Baby, you're the bomb
You really turn me on
Baby, you're the bomb
Swing it girl let's
Girl, you wanna sex me
Girl, why don't you let me
You really turn me on
I think we could swing it
Girl that's why I'm sayin'
Baby, you're the bomb
Ooo baby, you're the bomb
You really turn me on
Girl, you wanna sex me
Girl, why don't you let me
You really turn me on
I think we could swing it
Girl that's why I'm sayin'
Baby, you're the bomb
Ooo baby, you're the bomb
Girl, you wanna sex me
Girl, why don't you let me
You really turn me on
I think we could swing it
Girl that's why I'm sayin'
Baby, you're the bomb

Enjoy the lyrics !!!

Brazilian film composer Antonio Pinto has scored independent film hits such as Central Station and City of God, among other Brazilian features. Recently, however, Hollywood came calling when director Michael Mann selected Pinto to compose several cues, including the end credit, "Requiem," for the Tom Cruise/Jamie Foxx thriller Collateral. As part of the 2003 Flanders International Film Festival in Ghent, Belgium, Pinto was named Discovery of the Year at the World Soundtrack Awards, and he attended the Festival again in October, 2004.

Read more about Antonio Pinto on Last.fm.


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Antonio Pinto