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The Calling - Hilltop Hoods



     
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The Calling Lyrics


Verse One - Pressure
For many years I was seeking asylum, in the bleakest environments,
Rhyme possessed me, while many started speaking retirement,
So as I rose they all fell in the fashion of yelling and trashing,
For what it's worth there was no quelling the passion,
Their love was dead, I was writing papes but getting fuck all said,
So I polished my shit until my knuckles bled,
Treading thin ice and all I caught were chills,
Sacrifices were appetisers, mics instead of meals,
This hand was mine, so I played it until I made it expand my mind,
And burned my name into the sands of time,
Then rhyme gave me strength to less avail,
Got used to these backstabbers, so now I sleep on a bed of nails,
I never fail, but turning tides are moving too slow,
I swam the depths of every ocean just to prove I could flow,
So from the cradle to the grave, turntable to Holy Father,
I swear I didn't slit my wrists I got the hip-hop stigmata.Chorus
You got to pray to hip-hop almighty,

We bless the microphone nightly,
Open up the lyric from inside me,
It's our calling that's why we say,
You got to pray to hip-hop almighty,
We bless the microphone nightly,
Open up the lyric from inside me,
It's our calling that's why we say...Verse Two - Suffa
This be calling, we could never be fake,
Thanks to hip-hop I got a bed in every state,
And without it I'd roam the city with no purpose,
Without the underground I'm a clown without circus,
I flip verses, you feeling me, abilities,
My currency with which I buy credibility,
Facilities were built, just to be torn down,
Till the wheels fall off, and my pencils all worn down,
Till death comes to collect his debt, I'll wreck the set,
When heads check in retrospect, I'll get respect
Cos I did what I was called to do,
It's hip hop, I did it all for you
We true to this, got clout on turntables getting played,
We doing this without a label not getting payed
So from the cradle to the grave, microphone to retirement home
I'll be on stage; I'll never leave the rhyme alone.Chorus
You got to pray to hip-hop almighty,
We bless the microphone nightly,
Open up the lyric from inside me,
It's our calling that's why we say,
You got to pray to hip-hop almighty,
We bless the microphone nightly,
Open up the lyric from inside me,
It's our calling that's why we say...
Verse Three - Suffa & Pressure
Either we're all out, or we're all in,
And if we fall out, then we're all falling,
It's the calling; it's what I hear in my sleep,
It's that shiver up my spine when I'm feeling the beat,
It's that fear of defeat, the need to better myself,
It's the culture; it's not about spreading the wealth,
It's forgetting the time when you're perfecting a rhyme,
It's every drop of sweat that I shed getting mine.
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Enjoy the lyrics !!!
Hilltop Hoods is a hip hop group, formed in 1991, from Adelaide, South Australia, Australia. Their name refers to Hilltop Road In Blackwood, an Adelaide suburb in which they lived as children, and a part of Adelaide known by all the local B-Boys as The Hilltop. One day, another local rapper, Flak from the Cross Bred Mongrels, said that's what they should call themselves, and the name stuck.

The group formed when MCs Suffa and Pressure met at high school. When they later hooked up with DJ Debris through a mutual friend, the trio was complete.

They were inspired by American hip hop artists such as KRS-One, Gang Starr and Pete Rock, who encouraged them to spread this style of music in Australia.

The Hilltop Hoods have released eight successful recordings - Back Once Again (EP - 1997), A Matter of Time (LP - 1999), Left Foot, Right Foot (LP - 2001), The Calling (LP - 2003), The Hard Road (LP - 2006), The Hard Road: Restrung (LP-2007) ,State Of The Art (LP - 2009) and Drinking From The Sun (LP - 2012). The Calling achieved gold status in Australia (35,000+ copies sold), the first hip-hop album to do so. Two tracks (The Nosebleed Section and Dumb Enough) received places in the Triple J Hottest 100, 2003, at 9th and 44th respectively. The Nosebleed Section also came in at number 17 in the Triple J Hottest Hundred Of All Time, making it the highest ranked Australian song on the list, and the only hip-hop track to make the cut. LP The Hard Road also topped the Australian charts, another first for Australian Hip-Hop.


Aside from their own albums, they have featured on a number of highly respected compilation albums, including Obesecity and Culture of Kings Vol. 1 & 2, and have collaborated with most of the main players of the Australian hip hop scene including Koolism, Mass MC, Pegz, Muphin, Layla, Hyjak and Bonez.

They have played many large Australian music festivals, including the Big Day Out, Splendour in the Grass and Falls Festivals. They have received nominations for the Best Hip Hop Act in 2001 and 2002 at the 3D World Dance Music Awards, won the APRA award for best up-coming group as well as receiving number one positions in independent charts all around Australia.

Origin Adelaide
Country Australia
Years active 1991–present
Genres Australian Hip-Hop
Labels Obese Records, Golden Era Records (State of the Art)
Members Suffa, Pressure, DJ Debris
Past members DJ Next

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Hilltop Hoods