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[The Grave Prelude] - Mobb Deep



     
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[The Grave Prelude] Lyrics


Forever wild from the cradle to the grave
Kid watch your back one time it's comin' always
They lock me up for 12 days I can't comprehend
Now I'm a free man on the streets again
Chasin' St. Ides down with some Seagrams Gin
Life is like a dice game and I'm into win
On the scene from the 41st side of Queens
We get the cream laid up love love for dame
'Cause I mean what I mean, I'm out to claim king
Doin my thing, do wild stakes my namell reign
To all my peoples locked down comin back to life
In the world once again though ya fear was trife
While you was gone, we was goin to war and even more
Saw my man layin' dead on the floor, kid I swore
That our crew will live forever, I guess I was wrong
No, until we meet again, hold ya head and stay strong (yeah)
Yo, got my mind on a place to hide from police(where)
Sweatin' dogs as I'm runnin' cross 12th Street

Just as I approach the block
I spot a jake on the creep down by Vicks weed spot(so what)
Made a you-ey up the hill plus a change of plans
I had to hurry back so I could warn my man
Ya had me stressin' little son, had my heart rapidly pumpin'
Niggas start a guttin' behind the bushes duckin'
My ears rung, I punch a clip into the guns
Got in the arm, one slug hit my son
He was bleedin' from the head I couldn't believe it
We was defeated if it was a case I couldnt beat it
Felt like cryin' (the temperatures risin)
I saw my man helpless, damn near on the verge of dyin'
So to P I passed the ironKid you ain't lyin'
I went to stash the murder weapon, plus I'm relyin'
On a door to be open, goin' in the building, it's a trap
Police buckin' at me, they try to twist my tongue back
Jetted up the staircase to the third floor
Reached behind the sink, throw the heater on the floor
Locked the door, police grabbed me up and tried to break my jaw
So where's the gun we saw? (I dont know)
We know you was there at the homicide scene (I know nuttin')
And if it wasn't you, was somebody from ya teamFrom the cradle to the grave
(From the cradle to the grave)Straight from the motherfuckin' cradle to the graveYo, it's the real drama kills, nobody moves, stand still
Bottle you drop that ass off in a land fill
Son bless me with the iron, I got beef
With some niggas from the other side over some weak shit
Load up the heaters, greet em with the hollow tips
Flip 'em like the Gotti clip my crew shift the body shift
The cradle to the grave is where I'll end up
Fuck gettin' sent up north, son I'm better
Doin' my dirt on a low
Fuckin' wit them mobbers like a crowd
No doubt you gonna blow you never know
He didnt even have to go there
Unprepared now he's six below
Why know I'm chillin', I gots no time for catchin' feelings
Get that money I wants, some brothers want to act funny
But it's all good I still die for the hoodFor my peoples, yeah knock on wood
Triple L, rollin' dice while I put you on
To the drama what I gotta say is short not long
This nigga that I'm beginning to dislike he got me fed
If he doesnt discontinue his bullshit he might be dead
Know him well and probably go way back
But I don't care if hes your man doin' shit like that
I hope the word gets back to him, 'cause I screw him
He shitted on my man and we got plans to do him
Lets get it over with quick, I'm tired of waitin'
Ain't no fair overhead there we just debatin' on when and how
Later on right now, spoke to Killa yesterdayHe said to chill for a while
But it's hard acting like everything is alright
I get the chills when I see that nigga in my sight
A dead man walking not only that hes still talkin'(about what)
About how what he did buried off and you dont know
How much I fiend to put his ass in a coffin
One day my man and the next hes not
Didn't know him long anyway so fuck it
It's funny how things change(word up)Word up man
Why know what I'm sayin' we gonna die
It's for real, kid no games bein' played
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Mobb Deep is a hip-hop duo made up of Havoc and Prodigy. Both members are natives of Queensbridge, New York; located in Long Island City. They are perhaps most famous for their landmark album, The Infamous, and the accompanying hit single, Shook Ones Pt. II.

1992–1994: Early Career

Prodigy and Havoc met one another while attending the prestigious High School of Art & Design in Manhattan. Coming from similar backgrounds, the duo broke into the rap game in 1992. Growing up in hostile environments that included the prevalence of poverty, drugs, and gang violence, Mobb Deep attempted to express their life experiences through rapping circa 1992. Before Havoc and P were known as Mobb Deep they were a couple of teenaged rappers known as Poetical Profits. The world first heard of them via the Source's Unsigned Hype column and this is the demo track that was quoted in that feature. The song would later see the light of day on their debut LP Juvenile Hell.

"Flavor 4 The Non Believers" (demo version) They released their first album, Juvenille Hell, in 1993. At a time when East Coast hip hop was dominated by the jazziness of A Tribe Called Quest and De La Soul, and the Afro-centric stylings of Brand Nubian and Public Enemy, their style of music eschewed the popular conscious hip hop of the time, and reflected the harsh climate of New York City in the late-1980s and early-1990s. Because both Prodigy and Havoc were still in their teens at the time of their debut, many were surprised by the violent nature of the album. Although the album was not well-received by the public, it displayed the raw talent of the duo; the unique chemistry of Prodigy's lyrical delivery combined with Havoc's melancholy beats. Through this unique style, the duo were signed by Loud Records, and began recording their sophomore album, The Infamous, in 1995, which would establish the duo in the Hardcore hip hop community.

1995–2000: Rise to Success

Following its release, The Infamous became perhaps one of the most influential hip hop albums of the East Coast hardcore rap genre. Still at a young age, the duo powered themselves to the top of the hardcore rap scene through their straight forward narration of street life. As with their first lyrical production, Mobb Deep portrayed the struggles of living in New York City's Queensbridge. Their production also was noticed as the beats were often hard hitting and direct, a testament to Havoc, who produced the duos' tracks almost exclusively throughout their careers. Furthermore, the hit single Shook Ones Pt. II, received acclaim as one of the greatest rap songs ever. Their third album, Hell On Earth was released in 1996, debuting at number six on the Billboard album chart. The album continued their portrayal of harsh street life, while further pushing them to the forefront of the hardcore rap scene, along with contemporary East Coast rappers such as Notorious B.I.G., The Wu-Tang Clan collective, Jay-Z, and fellow Queensbridge associate, Nas.

In 1999, the duo released the highly anticipated Murda Musik album. Despite extensive bootlegging (nearly thirty songs of unreleased material leaked onto the internet) and countless delays, the album debuted at number three on Billboard and quickly went platinum —further highlighted by the popular single, Quiet Storm. Shortly afterwards, Prodigy released his long awaited solo album H.N.I.C (2000), in which the rapper collaborated with other artists and producers (including The Alchemist).

2001–2004: Decline

Some time after the release of Murda Muzik, rapper Jay-Z, spoke out against the duo, leading to an increase in publicity. At the Hot 97 Summer Jam show of 2001, Jay-Z performed the freestyle, "Takeover", which he later re-recorded for the The Blueprint LP, dissing Prodigy. He also revealed photographs allegedly of Prodigy wearing a dance leotard in 1988. Mobb Deep subsequently released Infamy in 2001. The album marked a major stylistic change that saw the duo move away from the raw, minimalist, stripped-down beats of their hardcore roots, towards more commercial fare with such songs as Hey Luv. This transition fostered accusations of "selling out" — upsetting many long-time fans who did not wish to see them veer away from their original style. Although this stylistic adjustment opened up Mobb's audience to a wider variety, many critics and fans credit Prodigy's feud with Jay-Z with damaging Mobb Deep's gangster image and record sales (most evident when comparing the platinum-selling Murda Muzik to Infamy barely reaching the gold status). Not to be fazed, Prodigy noted that his lifelong bout with sickle cell anemia and his beef with Jay-Z had changed his outlook.

In 2003, the group split with Loud Records and released The Murda Mixtape which proclaimed "Free Agents" on the cover, addressing the group's split with Loud and search for a new label. Jive Records signed the duo later in the year and subsequently released Amerikaz Nightmare in 2004, which was seen by the general rap audience as a weaker release by the two - resulting in poor sales and the subsequent dropping of the duo from Jive.

2005–Present

In the spring of 2005, it was announced that the duo signed with G-Unit Records. This came as a surprise to many, as 50 Cent aimed a sly diss at them on the "Piggy Bank" track. The duo made it known that this was not the case as Havoc stated in an interview, "Mobb Deep isn't gonna change and when we first got here 50 was like, 'Listen, I want y'all to keep doing what you been doing.' That's it." 50 Cent has a connection to the duo, as he grew up in nearby Jamaica, Queens and also has used Havoc as a producer for several different beats. The relationship became deeper than business as the Mobb and 50 Cent got tattoos to pledge their loyalty to each other. Prodigy has the words "G-Unit" tattooed on his right hand and 50 has "Mobb Deep" tattooed on his wrist. Upon signing to G-Unit, both Prodigy and Havoc were given new Porsches, for two artists who have received very little monetary compensation in the past.

They currently have recorded their album, titled Blood Money which was released on May 2, 2006. It features G-Unit members 50 Cent, Lloyd Banks, Tony Yayo, and Young Buck. This marks their seventh release and has vaulted the duo into the hip-hop spotlight. As one of the most recognized names in hip-hop, it is hoped that G-Unit will help Mobb Deep attract a new fanbase. As Havoc stated shortly after the deal, “As an artist, you want to be able to reach the furthest audience as you can. We put in hard work on our previous albums and still hit our core fan base. The difference this time around is that more people will hear this product this time.” Despite this, many of the Mobb's longtime fans are skeptical as G-Unit is known for their mainstream crossover music, and fear that Mobb Deep will conform to this style.

Technique

Early on, Mobb Deep gained their critical acclaim for a dark, dynamic, grimey sound with haunting melodies--Havoc's production--that to many represented "street" in a way not done by many or any before. Additionally, Prodigy's penchant for starting off a verse with an attention-grabbing line, writing compelling rhymes based heavily on Queensbridge slang, and a rambling but clear delivery appealed to fans on the lyrical aspect.

For some time, Prodigy was the star MC of the duo, Havoc sounding less focused on the lyrical aspect and more on production. This continued until The Alchemist was brought in to do a few beats for each album, after which Havoc seemed to begin concentrating more on his verbal prowess, slowly developing his own style. After the beef with Jay-Z, Prodigy changed his style, rhyming words less and slowing down his delivery, while Havoc increasingly contributed more to the rhyme end of the duo. After being on independant labels, such as LOUD, and then a larger label JIVE, styles from the grimy, gritty styles from the QB duo changed greatly, much to the despair of the mainstream fans, never fully recovering from the Jay-Z beef, they were forced into the limelight, and after releasing the street wood effort of Infamy, never reclaiming the status of the best kept secret. Signing with G-Unit seems to have worsened their career and Blood Money, their first album released on G-Unit, only sold approximately 110,000 in its first week, coming in at #3 on the Billboard 200.

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