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The Highwayman - Loreena McKennitt



     
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The Highwayman Lyrics


The wind was a torrent of darkness
Among the gusty trees
The moon was a ghostly galleon
Tossed upon the cloudy seas
The road was a ribbon of moonlight
Over the purple moor
When the highwayman came riding
Riding, riding,
The highwayman came riding
Up to the old inn doorHe'd a french cocked hat at his forehead
A bunch of lace at his chin
A coat of claret velvet
And breeches of brown doe-skin
They fitted with nary a wrinkle
His boots were up to the thigh
And he rode with a jeweled twinkle
His pistol butts a-twinkle
His rapier hilt a-twinkle

Under the jeweled skyAnd over cobbles he clattered
And clashed in the dark inn-yard
And he tapped with his whip on the shutters
But all was locked and barred
He whistled a tune to the window
And who should be waiting there
But the landlord's black-eyed daughter
Bess, the landlord's daughter
Plaiting a dark red love knot
Into her long black hair"One kiss my bonny sweetheart
I'm after a prize tonight
But I should be back with the yellow gold
Before the morning light
Yet if they press me sharply
And harry me through the day
Then look for me by the moonlight
Watch for me by the moonlight
I'll come to thee by the moonlight
Though hell should bar the way."He rose up right in the stirrups
He scarce could reach her hand
But she loosened her hair in the casement
His face burned like a brand
As a black cascade of perfume
Came tumbling over his breast
And he kissed its waves in the moonlight
Oh, sweet waves in the moonlight
He tugged at his rein in the moonlight
And galloped away to the westHe did not come at the dawning
He did not come at noon
And out of the tawny sunset
Before the rise of the moon
When the road was a gypsy's ribbon
Looping the purple moor
A redcoat troop came marching
Marching, marching
King George's men came marching
Up to the old inn doorThey said no word to the landlord
They drank his ale instead
But they gagged his daughter and bound her
To the foot of her narrow bed
Two of them knelt at the casement
With muskets at their side
There was death at every window
Hell at one dark window
For Bess could see through the casement
The road that he would rideThey had tied her up to attention
With many a sniggering jest
They had bound a musket beside her
With the barrel beneath her breast
"Now keep good watch" and they kissed her
She heard the dead man say
"Look for me by the moonlight
Watch for me by the moonlight
I'll come to thee by the moonlight
Though hell should bar the way."She twisted her hands behind her
But all the knots held good!
But she writhed her hands 'til her fingers
Were wet with sweat or blood
They stretched and strained in the darkness
And the hours crawled by like years
Till now on the stroke of midnight
Cold on the stroke of midnight
The tip of her finger touched it
The trigger at least was hersTot-a-lot, tot-a-lot had they heard it?
The horse's hooves rang clear
Tot-a-lot, tot-a-lot in the distance
Were they deaf they did not hear?
Down the ribbon of moonlight
Over the brow of the hill
The highwayman came riding
Riding, riding
The redcoats looked to their priming
She stood up straight and stillTot-a-lot in the frosty silence
Tot-a-lot in the echoing night
Nearer he came and nearer
Her face was like a light
Her eyes grew wide for a moment
She drew a last deep breath
Then her finger moved in the moonlight
Her musket shattered the moonlight
Shattered her breast in the moonlight
And warned him with her deathHe turned, he spurred to the west
He did not know she stood
Bowed with her head o'er musket
Drenched with her own red blood
Not till the dawn he heard it
His face grew grey to hear
How Bess the landlord's daughter
The landlord's black-eyed daughter
Had watched for her love in the moonlight
And died in the darkness thereAnd back he spurred like a madman
Shrieking a curse to the sky!
With the white road smoking behind him
And his rapier brandished high!
Blood-red were the spurs in the golden noon
Wine-red was his velvet coat
When they shot him down in the highway
Down like a dog on the highway
And he lay in his blood in the highway
With a bunch of lace at his throatStill on a winter's night they say
When the wind is in the trees
When the moon is a ghostly galleon
Tossed upon the cloudy seas
When the road is a ribbon of moonlight
Over the purple moor
A highwayman comes riding
Riding, riding,
A highwayman comes riding
Up to the old inn door
Songwriters
PHIL OCHS, ALFRED NOYESPublished by
Lyrics © THE BICYCLE MUSIC COMPANY Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

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Canadian singer and composer Loreena McKennitt is self-managed, self-produced and head of her own record label - Quinlan Road. In a recording career spanning three decades, McKennitt's “eclectic Celtic” music has won critical acclaim worldwide and gold, platinum and multi-platinum sales awards in fifteen countries across four continents. Her most successful record is 1997's "The Book of Secrets", which spun off the single "The Mummers' Dance", a surprise hit on American Top 40 and alternative rock radio.

McKennitt blends world-music with folk, Celtic and exotic Mediterranean sounds using instruments such as the hurdy gurdy, kanoun, uilleann pipes, Turkish clarinet, bouzouki and nyckelharpa alongside traditional instruments like guitar, drums and bass and the harp, piano and accordion, the three instruments she plays.

Born in Morden, Manitoba, Canada in February 17, 1957, Loreena moved to Stratford, Ontario, Canada in 1981, where she still resides. She has acted and sung in, and composed music for, Stratford Festival of Canada productions ranging from The Tempest (1982) to The Merchant Of Venice (2001).

Her recording career began in 1985 with the album Elemental. In the fledgling years of her label Quinlan Road, Loreena ran its operations from her kitchen table, selling recordings by mail order and producing her own concert tours across the country. Quinlan Road's catalogue is currently distributed around the world by Warner Music (US), Universal Music (Canada and other territories including Italy and Spain) and a number of independents including Keltia Music (France) and SPV (Germany).

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Loreena Mckennitt