DamnLyrics - The center provides all the lyrics

The Last Scene - Sinch



     
Page format: Left Center Right
Direct link:
BB code:
Embed:

The Last Scene Lyrics


Something wrong out of lines to keep the rats distracted
A hollow shell, habit trail, symptoms of getting older
But I'm not searching for the answers
I know there are no answers here and I'm letting it goAnd on we roll, through the stars, slowly we're learning
We've all been patrons for too long, so turn your head look away
And Hollywood's burning, but I've got a part in the last scene
They saved it just for me, saved it just for meA shot rings out but no one cares citizens keep their distance
While the politics of self control, massage our cruel temptations
But I'm not searching for redemption I know
I'm lost in confusion here and I'm letting it goAnd on we roll through the stars, slowly we're learning
We've all been patient for too long, so turn your heads
Look away and Hollywood's burning, but I've got a part in the last scene
They saved it just for meHow's it my heart couldn't stand up to your Gods
Couldn't reach enlightenment, couldn't touch the sky
Why have we got this all wrong
White and blue collar clones, we're hardly aloneWhen we walk the same and talk the same
And I would give you anything, but you're asking too much from me
And carelessly you're slowly hailing to the thieves

Of our system down, no one made a soundAnd on it rolls the title track, slowly we're learning
We've all been patient for too long, so turn your heads look away
And Washington's burning, but I've got a part in the
Yeah, I've got a part in the last scene, the last scene

Enjoy the lyrics !!!
It's no surprise that four bored suburban kids might decide to start a band in high school, maybe play a few "gigs", maybe even stick together for a few years and try to make it in the "big city." This may sum up how Sinch began in vocalist Jamie Stem's parents' garage circa 1994. But, their collective desire to create new sounds and incorporate technology into their music and performance has brought them to a greater path. Despite hitting myriad roadblocks along the way, Sinch has remained completely intact since 1994, dedicated to their pursuit.

Sinch consists of five core members that come together to create, to construct, and deconstruct the art in their surroundings. Using guitarist Tony Lannutti's ominous guitar tones and singer Stem's ability to switch, with ease, from soft, passionate melodies into taut unnatural screams, the band steadily creeps its way into explosions. The intensity of emotions erupts through the group's collective pores. With Mike Abramson's driving bass lines and Dan McFarland's intricate drumming providing both the engine and fuel, there is just something special about this band that you can't quite put your finger on, and maybe don't want to.

Anchored in the Philadelphia suburbs, Sinch's popularity has grown year after year. With the March 22, 2005 release of Clearing The Channel on Rock Ridge Music, the band continues on its journey and takes the next giant leap. The 11-track album is replete with haunting melodies, lashing riffs, and slicing lyrics; it's a shining example of modern hard rock. Co-produced by Sinch and Drew Mazurek (Linkin Park, Nothingface, Dog Fashion Disco), Clearing The Channel features such tunes as "Silence Broken," "Dead Sentinels," and "Hydroplane," showcasing the band's passion, talent, and commitment to using technology to enhance the musical experience.

The undeniable proof of this facet of the band's arsenal is Jay Smith, the fifth member of Sinch. In order to add a visual element to the performance, Smith invented and patented the Viditar, a full-on editing console contained in a device that looks much like a Lucite guitar. Onstage, armed with this "ocular noise machine" and a hard drive full of CNN footage and odd visual loops (like Osama Bin Laden morphing into Jesus morphing into Hillary Clinton), Smith edits and cuts at breakneck speed on stage, playing alongside the musicians, sweating out each and every drop of video brilliance. His contribution is essential, creating palpable connections between the images, the lyrics, and the sound. The full multi-media spectacle is the true Sinch experience.

By taking chances mixed with equal doses of innovation, the Sinch boys have since been dubbed the "brothers of invention" by Philadelphia Weekly and continue to evolve their already intriguing live show with each and every performance. For tour dates and more information, visit www.sinch.net.

User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.

View All

Sinch