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The Shipment - Paul Haslinger



     
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The Shipment Lyrics


It ain't Indonesia, China White
Purple haired Thai, big H Delight
Take my shit, we gon' have to fight
I'm always rollin' dirty, so be actin' rightIt ain't Indonesia, China White
Purple haired Thai, big H Delight
Take my shit, we gon' have to fight
I'm always rollin' dirty, so be actin' rightI'm bombing uppercut swipes as my knuckles ignite
More strikes than a teachin' staff's fight for pay hikes
Like cleats wit' spikes I clings to my turf tight
Get, low like a Smurf might earth is my birthrightYou salivate at the sound of the bell
I come sick and make your lymph nodes swekk
Nickel-plated teeth and tongue as well so you can tell
When I'm shootin' off my mouth the politicians start to bail
When I shoot, Fuhrman scoot I'm yellin', "Gimme all the loot"Bourgeoisie pimpin' me now my digits don't compute
Chillin' in a house of ill repute
But is you wearin' canvasols or purple-pinstripe suits?
Fact of earth and comets: macroeconomicsYack, until you vomit or come up on a lick
Sweat oozin' my skin just to get another fin'

Changed my name to Valerie so I can get WIC
Savage Storm Troopers be less than seduciveJail time producin', silly Lilliputians
This Gulliver, come equipped with a fo', fo'
And twelve comrades in a box Chev' fo' do'
Skirtin' down the strip with a mission to render
And we don't give a fuck if we missin' a fender
Mix it in a blender, you ain't home return to sender
Can't be saved by cokenders or a public defenderThis ain't no macrobiotic chemical colonic
This political symphonic lyrical narcotic
Somethin' much mo' potent that we plotted
Come and get some if you ain't got itIt ain't Indonesia, China White
Purple haired Thai, big H Delight
Take my shit, we gon' have to fight
I'm always rollin' dirty, so be actin' rightEx, ex, ex, ex, ex, exhilaratin', I accuse you of nigga hatin'
And exploitatin' for profit making, don't cop a plea
'Cause I'm B double O T from the C O U the P
I feel my epidermis at it's firmest just befo' a skirmishIf you want green like Kermit keep it heated like a Thermos
Aspired to be famous, puttin' fire in their anus
Made the rulin' class hate us more than child sup-port payments
To Rosemary's baby, shick a shick shadyPissin' in your gumbo and they tell you, "It's all gravy"
See you can't trust a big grip and a smile
And I slang rocks but Palestinian style
Now there's a rumble in the jungleNever mumble though I humble
Couple rappers took a tumble but my folks still want to rumble
Who's pimpin', your bundle? I'm fly like, Seth Brundle
If you're snitchin' to Columbo we gon' drop you like a fumbleNow what you make is point oh one
Percent of what the boss make
And what the boss take is keepin' us from livin' great
If this ain't straight you think you
Wanna sit down and negotiateYou better have a crew to help you shutdown his estate
Don't get frustrated, discombobulated
Don't stand and debate it, get a mob and take it
'Til then it's food stamps, vouchers, mildew-smellin' couchesOverturned garbage cans wit' no Oscar the Grouches
Makin' money sellin' plastic pouches as Mystikal would say
"My flo' is covered wit' roaches", absotively, posolutely
Can't do without it, the shipment is delivered
Come and get it if you bout itIt ain't Indonesia, China White
Purple haired Thai, big H Delight
Take my shit, we gon' have to fight
I'm always rollin' dirty, so be actin' rightSystematic playa-hation
Green paper complications
Got my ass an education
Can I get an application?Pam the funkstress
Thank you for a funky time
It's kinda funky
Mat machine gun, Kelly

Enjoy the lyrics !!!
Austrian-born Paul Haslinger has secured a distinctive reputation for composing film scores, which incorporate both robust classical elements and compelling electronica. Formally trained in his hometown of Linz, Haslinger ventured to Vienna, where he continued his classical studies while exploring the new domain of electronic music. Auditions for the band Tangerine Dream led to a five year collaboration, four albums, and several films, including Miracle Mile, Near Dark, and Canyon Dreams.

After his “Dream” period, Haslinger released three solo albums and scored two landmark animated science-fiction films, Planetary Traveler and Infinity’s Child. He continued perfecting his film scoring skills as the programmer for Graeme Revell, supplying memorable textures and atmospheric style to Blow, the Negotiator, The Siege, Pitch Black, and Tomb Raider, to name a few.

Haslinger earned his first solo credit as a film composer for the 2000 movie Cheaters, directed by John Stockwell. Since then, he has worked on Stockwell’s Crazy/Beautiful, Blue Crush, and last summer’s Into The Blue, starring Jessica Alba and Paul Walker.
2002 found Haslinger composing and producing musical segments for Steven Spielberg’s thriller Minority Report. In 2003, Haslinger scored Len Wiseman’s Underworld, his first film to open #1 at the US box office. In recent years, Haslinger has made a conscious effort to expand and diversify his work. His scores for Ubisoft’s Xbox releases Far Cry: Instincts and RainbowSix – Vegas were enthusiastically received by the gaming community; while his work on the Golden Globe & Emmy nominated series SleeperCell (Showtime) received wide critical acclaim for its mix of Western and Middle East music elements. He continues to be in high demand as a film composer having recently completed work on several feature releases including Turistas (dir John Stockwell), Crank (dirs Brian Taylor and Mark Neveldine), Gardener of Eden (dir Kevin Connolly) and most recently Sony Screen Gems’ thriller Vacancy (dir Nimrod Antal) and the upcoming New Line thriller/dark comedy Shoot Em Up (dir Michael Davis).

Haslinger’s immense vision embraces film, games, albums and live performance in a modern musical world without boundaries.

TAKEN FROM PAUL HASLINGER`S OFFICIAL SITE. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Paul Haslinger