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The Tenth World - Joni Mitchell



     
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The Tenth World Lyrics


Baila mi rumba
Batela, goza why mira mama
Baila, mira mama
Batela, goza, mira eh
Rumbando bello es que yo voy
Bailala bailala bailala
Bailala baila baila
Eh eh mama
[??????]
Baila baila my rumbo[?]
Ele eh ele eh
Bailala bailala baila
Din din baragadin dan dan [this is onomatopoeia]
Baila baila baila baila
Venezolano en Nueva York
En California why en todos lados
Te la traigo
Para que vos...para que gozes gozes cosa buena

Gozes con todo el mundo
El africano why todo el mundo
Bailala
Bailala
Bailala
Bailala
Bailala
Gringos!
Izquierdo! Izquierdo! Vamos, oye!
[onomatopoeic sounds, interjections, sighs, whistling, bits of dialogue among the musicians that sound like instructions or encouragement to keep on playing and dancing]
Me voy
Me voy
Me voy
Me voy
Me voy
Me voy
Me voy
Me voy
[More chanting and onomatopoeia]
[Translation:]
Dance to my rumba
Beat it [maybe a drum?], enjoy, look mama [maybe meaning "look at me and learn the steps."]
Dance, look mama
Beat it, enjoy, look
Dancing the rumba beautifully. That's how I go.
Hey hey mama
Dance to it, dance
Dance
Dance this way [This a tentative translation, the expression I hear is actually unidiomatic]
Dance to it, dance
A Venezuelan in New York [maybe referring to himself]
In California and everywhere
I bring it to you [the rumba]
So that you will enjoy a good thing
Enjoy it with the rest of the world
With the African and the rest of the world
Dance to it
Gringos! [This is funny. "Gringo" is a pejorative way that some South Americans have to refer to Anglo-Saxons. It's clear that some Americans are actually dancing to the music in the studio and receiving instructions from the singer, including this veiled semi-insult. Was Joni there too?]
Left! Left! [maybe meaning use your left foot now]
I say, Come on!
I'm going now! [Or it could also be I'm "coming"!]
Songwriters
MITCHELL/ALIAS/BADRENA/ACUNA/MOREIRA/PASTORIUSPublished by
Lyrics © Sony/ATV Music Publishing LLC

Enjoy the lyrics !!!
Joni Mitchell, CC, (born Roberta Joan Anderson; 7 November 1943 - Fort Macleod, Alberta, Canada) is a musician, singer-songwriter, poet and painter. Mitchell began singing in small nightclubs in her native Western Canada and then busking on the streets of Toronto. Her writing and art talent emerged before her exposure as a gifted musician performing in Western Canada, including Winnipeg, where she met Neil Young. She then associated with the burgeoning folk music scene of the mid-1960s in New York City.

Recording her début album in 1968 and achieving fame first as a songwriter ("Urge for Going", "Chelsea Morning", "Both Sides, Now", "Woodstock") and then as a singer in her own right. Finally settling in Southern California, Mitchell played a key part in the folk rock movement then sweeping the musical landscape. Blue, her starkly personal 1971 album, is regarded as one of the strongest and most influential records of the time. Mitchell also had pop hits such as "Big Yellow Taxi", "Free Man in Paris", and "Help Me", the last two from 1974's best-selling Court and Spark.

In 1975 Joni released "The Hissing of Summer Lawns" which can be seen as an artistic turning point, and the beginning of her unique blend of folk, jazz and rock. It was intended as a concept album of sorts, with the "concept" being the contrast being freedom and slavery, and the idea that wealth and status sometimes ironically place a great many constraints on people's behavior.

Mitchell is also an accomplished visual artist. She has, through photography or painting, created the artwork for each of her albums, and has described herself as a "painter derailed by circumstance". A blunt critic of the music industry, Mitchell has stopped recording over the last several years, and now focuses mainly on her visual art, although she released a new album - Shine on 25th September 2007.

Official website: http://www.jonimitchell.com

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Joni Mitchell