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The Unlocking - The Roots



     
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The Unlocking Lyrics


Hello?
Yo, who dis?
Yo, this [unverified]
Yo, whattup man?
Yo, whassup dude?
This is the Black Ill
Oh, whassup G?
Y'know, yo
What?
We down in the studio yo
Word?
Yo, we got a jawn
Yo, is she live?
Yeah, she's live
Sup wit her?
She's just, real nice to talk
Sometimes I used to knock off
Word how she be swingin'?

Oh yeah, she's swingin' like that y'know it's on
Oh, word?
I called a couple other heads and shit y'know
Aight, who else, who else, who else widdit?
I mean she widdit like that?
Yeah, you know
Ain't no bullshit?
The whole Reservoir Dog squad n shit
We gon' be eight deep, oh aight, word
So come on down, it's on yo
Aiyyo it's it's it's just us?
Yeah, it's just us
Oh damn, whassup with some more jawns?
Oh yes, it's just her and some weed y'know sayin'?
Fuck some other shit
Fuck it, aight, bet, what the?
Y'know, whassup for real, for real
Word, yo so come through
Aight what time yo?
Umm
Like now?
Yeah, come through no
Peace
Peace
I the voyeur, peer, as she begins her, ritual
Paying sexual ties for few and untrue
Words of admiration, translation sucker ass, lines of trash
Spewing from first one's unskilled lips
That beg for pussy tricks that make his dick go quickly limp
She pimps her innocence as Second One demands
Entrance through the back door
"Bend over bitch, you know this is what you were born for
To dig those soft and lotion knees into the floor
And take it in, that sweetly spread ass like a real pro whore"
Her subsequent screams seemed to praise
Sent messages of pleasure and pain to his fuck tainted brain
But her screams masked laughs at his dumb ass
As he quicker comes, then third and fourth one just as dumb
Invite themselves to join in
Third One wants to hit the skins old fashioned style
While Fourth One says, "Don't she got some DSL's
Make a nigga joint just swell, to think? I wanna sink my inches
Into that bitch's, berry-framed mouth"
So one goes North, the other South
To sanctified places where in house spirits
Will later wash away all traces, of their ill spoken words
And complacent faces and then, like their minutemen, predecessors
Lude, aggrandized sexual endeavors, end up rough
'Cause neither one of them could keep that weak shit up
Corrupt, fifth one steps to her
Hip hop clothed just to
Think he gonna impress her
"Hey Slim, I heard you was a spinna sit on up
Top this thing, black dick, and work it like a winner"
With the quickness he got his pseudo-thickness all up in her
But suddenly he, stops mid thrust
Seems she nameless to 'cuz
Got his stuff in a death cunt clutch
He fast falls from the force of her tight pussy punch
Just like the rest of that sorry ass bunch
Now, here comes Six, ready to add
His inactive shit to the mix
Talkin' smack at that saying, "Girl, I'ma wax that ass
And stick that slit so hard, you gonna be calling me God"
So he proceeds to poke and prod
With clumsy finger and wack sex slinger
"Condoms make me last longer", wrong, 'cause her
Motions of snatch, however detached from the situation
'Cause his pre, pre, pre-ejaculation
It seems she just wastin' good pussy and time
On dudes like number Seven, who ain't learned their lesson
He wants to enter the flesh divine
By dropping a kind of semi-sweet line
"Your honey hole so fine and mile deep, I'm gonna leap
Into you like an ocean do you right and make your head spin"
So he jumped in and then, he drowned
Got lost and found in her Tart Canal
Slave to the waves, made him cum for days
Eighth and last One turn arise
Plys her with familiar lies
Even more familiar still, 'cause him, she used to love
But he never could quite see above, her mound
A pound of flesh is all she was, no name no face or even voice
So poised, she rises Phoenix from the flame
Finally bored with their feeble fuck games
She smooth reaches behind her and takes straight aim
At eight shriveled up cocks with a fully loaded Glock
Parts lips, not expressly made for milding dicks
And then, she speaks, “Your shrieks of horror bring me bliss
I must admit the thought that I could shred your tips
With eight quick flips excites me, see y'all fuck with the pussy
But I fuck with your minds, lack of soul and respect is the crime
This was a set up, now tell me what, what's my name?”

Enjoy the lyrics !!!
The Roots, also known as The Legendary Roots Crew, The Square Roots and The Foundation, are an influential, Grammy winning hip hop group based out of Philadelphia, Pennsylvania, famed for a heavily jazzy sound and live instrumentation. Inspired by the "hip-hop band" concept pioneered by Stetsasonic, the Roots themselves have garnered critical acclaim and influenced later hip-hop and R&B acts.

The Roots' original lineup included Black Thought (MC vocals) and Ahmir "?uestlove" Thompson (drums), who were classmates at the Philadelphia High School for Creative Performing Arts. As they began to play at school and on the streets, they added another MC named Malik B., bassist Leonard Hubbardand keyboardist Scott Storch. Another MC, Dice Raw, frequently made album appearances with the group from 1995 to 1999 before leaving to record a solo album. Scott Storch also left to pursue career as a producer following the Do You Want More?!!!??! album, He produced songs such as Still D.R.E. by Dr Dre. The Roots filled his void with another keyboardist, Kamal who is still a member. A beatboxer named Rahzel also joined the group and contributed from 1995-1999. Alongside Rahzel was vocal turntablist, Scratch who greatly contributed to The Roots' sound, most notably in live concerts. He left the group in 2003. Malik B. left the group in 2000. A guitarist, Ben Kenney, enjoyed a short stint with the group and contributed to their Phrenology album, but left to join Incubus. A percussionist, Knuckles, was added in 2002 and guitarist, Kirk Douglas (a.k.a. "Captain Kirk") repleaced Kenney. A vocalist, Martin Luther toured with The Roots in 2003 and 2004 and contributed to their album The Tipping Point. The current members of The Roots are Black Thought (MC vocals), ?uestlove (drums), Hub (bass), Kamal (keyboard), Knuckles (percussion), and Captain Kirk (guitar).

The Roots' debut album, Organix released in 1993, was actually a live recording from a concert in Germany that the Roots sold at their shows. The album earned enough industry buzz to earn the Roots offers from major record labels, and they signed with DGC records, which at the time was better known for its grunge music releases.

The Roots' first album for DGC, Do You Want More?!!!??! (recorded live without the use of samples), was a moderate hit on alternative radio. Their 1996 release Illadelph Halflife was the group's first album to crack the Top 40 on Billboard's album chart, spurred in part by MTV's airplay of the video for "What They Do", a parody of rap video clichés such as the "beatdown shot," and "Clones" which was their first to single to reach the top five on the rap charts.

In 1999, The Roots released Things Fall Apart (named after a novel by Chinua Achebe), their breakthrough album. The track "You Got Me", duet with R'n'B singer Erykah Badu, earned them a Grammy award for Best rap Performance By A Duo Or Group.

In 2000, Dice Raw left the group to record his solo debut album, Reclaiming the Dead.

The Roots' reputation as a hip-hop live band made Jay-Z call on them for his MTV Unplugged album in 2002. The album featured good recreations of many of his great songs, played by the band with a little help from female vocalist Jaguar Wright.

2002's Phrenology introduced a more mainstream sound for the Roots, earning a Grammy nomination for Best Rap Album. The album's sales were boosted by radio and TV airplay for two duets on the album, "Break You Off" (featuring Musiq Soulchild) and "The Seed 2.0" (featuring cody chestnutt). The video for "The Seed 2.0" earned a nomination for the MTV2 Award at the 2003 MTV Video Music Awards. "The Seed" was also featured on the soundtrack to the Mandy Moore movie Chasing Liberty. Phrenology was certified gold (signifying U.S. sales of at least 500,000 units) in June 2003.

The Roots' 2004 release, The Tipping Point, took its name from a 2000 book by Malcolm Gladwell. The album earned two more Grammy nominations: one for Best Urban/Alternative Performance for the track "Star", and another for Best Rap Performance By A Duo Or Group for the track "Don't Say Nuthin'". The album was an immediate hit, debuting at #4 on the Billboard album chart and selling over 100,000 copies in its first week of release.

On November 15, 2005 The Roots released two compilation albums, Home Grown! The Beginner's Guide To Understanding The Roots, Volumes 1 & 2. These two separately sold discs are a compilation of past hits, live performances, and rare remixes compiled by ?uestlove himself. They also feature 70 pages of liner notes written by ?uestlove. These two albums marked the Roots' last releases on Geffen Records.

The Roots' album, Game Theory, was released on August 29, 2006. The album, which features a track that samples the song "You and Whose Army" by Radiohead, was released on Jay-Z's Def Jam.

The Roots next album 'Rising Down' was released on April 29th 2008. Features tracks with Common, Mos Def, Talib Kweli, Saigon, and other greats.

The Make Me Songfacts reports that The Roots' eleventh album, Undun, is their first concept album. It tells the story of a man called Redford Stephens who died in 1999 at the age of 25. We hear Redford retelling his life post-mortem and attempting to deconstruct what led to his undoing.

The Roots are also the house band on Late Night with Jimmy Fallon airing first on March 2nd, 2009.

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The Roots