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Time Stands Still - The All-American Rejects



     
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Time Stands Still Lyrics


All I want is for my time with you to slow down
Don't really make it in town like I used to
So for now
All I want is for my time with you to slow down
Don't really make it in town like I used to
So for now
I appreciate your patience
What am I doin' without you?
Never hear no bad shit out here
In the streets about you
Love just must have made you smart
Jealousy is the counterpart
Life has made us stripped apart
No more willing to embark
But we remained friends throughout
All those years from then to now
Both those feelings trust and doubt
Argue until you storm out

Other dude gave you a kid
He didn't have you like I did
I pieced you out and then y'all broke up
And you called me again
Drunk and crying on the phone
Next flight out you gon' be home
Flight delayed, I still wait
Call me when you reach the gate
Pick you up at baggage claim
Tunnel vision just begun
'Cause you and your son
Look like you and my son
All I want is for my time with you to slow down
Don't really make it in town like I used to
So for now
All I want is for my time with you to slow down
Don't really make it in town like I used to
So for now
All I need is more time
Is having you right beside me, you're mine
And only for a couple minutes more, slow down
Somebody say five and time a pillow
Know that if I could then I would pay full time
On some major shit, slow down
Dodgin' every minute like a bullet
Somebody say five and time a pillow
Let me get your bags out of the truck
Get the keys and go upstairs
Cover tattoos on your arm
That's just memories, souvenirs
We got plans tonight
We goin' to the cheese cake factory
And drink a little and reminisce about
How you used to laugh at me
You didn't think I would go too far
I mean being from Compton and all
But still I grabbed some corks, some yarn
And rubber and made myself a ball
I know your momma proud of me
'Cause she looked down on me
She knew I had it
She said that I would make it if I just stayed at it
Now how's your niece
The one who used to stay with you
When you lived on over by the street
The one who like my nephew Kiana
She used to do her hair like Rihanna
You remember my
Why you kiss me when I'm talking?
Just had to bring back all them old memories
So you ready to go?
You sure you don't wanna another drink?
Okay, let me get the check
All I need is more time
Is having you right beside me, you're mine
And only for a couple minutes more, slow down
Somebody say five and time a pillow
Know that if I could then I would pay full time
On some major shit, slow down
Dodgin' every minute like a bullet
Somebody say five and time a pillow, a pillow, a pillow
All I want is for my time with you to slow down
Don't really make it in town like I used to
So for now
All I want is for my time with you to slow down
Don't really make it in town like I used to
So for now

Enjoy the lyrics !!!
The All-American Rejects are a rock band that formed in Stillwater, Oklahoma, United States in the late 1990s by high school friends Tyson Ritter (on vocals, bass, piano) and Nick Wheeler (lead guitar, vocals and keys). Other current members are Chris Gaylor (on drums and percussion) and Mike Kennerty (rhythm guitar and vocals). They released their first independent album in the spring of 2000, and eventually built up a large local fanbase.

In the summer of 2001, the Rejects released the EP Same Girl, New Songs and began to tour the American Midwest. By the tour's end, the band had signed a contract with Doghouse Records, the label of such bands as River City High and The Get Up Kids.

In 2002 the Rejects recorded their debut album. From this album came the single Swing, Swing for which the Rejects were first known. It got them a deal with DreamWorks, who picked up the album from Doghouse Records. Speaking with Songfacts in a 2012 interview, Nick Wheeler recalled: "We knew that was special, but we were on a little label that didn't really talk to radio or MTV, so there really wasn't talk of a single. Turns out it turned the heads of a lot of publishers and label people."

In 2005, The All-American Rejects released their new album, Move Along. This album features the song Dirty Little Secret, which was the first single. Their music video for the song features postcards from the book "Post Secret" by Frank Warren. The second release from the album was Move Along, recognised by its far from ordinary video, followed by It Ends Tonight which got some publicity from being featured on the third season of the MTV show, Laguna Beach. They also appeared in the TV series 'Smallville' where they played It Ends Tonight on the party of Lex Luthor. Before that, you also heard their songs Swing, Swing and Dirty Little Secret on the same show.

Top Of The World and It Ends Tonight (with a new acoustic version to "Laguna Beach" soundtrack) were the other two singles.

Top Of The World was also featured in the videogame "Burnout Revenge" and Night Drive from the same album is also in the soundtrack to the videogame "Cars".

The Album Move Along also made waves in Europe, where the album also featured 2 bonus tracks, and received a lot of publicity from the UK.

The band released their follow-up to Move Along, When The World Comes Down, on December 16th, 2008. The first singles from the album are Gives You Hell and Mona Lisa (When The World Comes Down).

Beekeeper's Daughter was the first official single off The All-American Rejects' fourth studio album, Kids in the Street. The song will be premiered on the January 24, 2011 episode of the American teen drama 90210, when the band will perform it live at the re-launch of Liam's bar, the Offshore. It will be digitally released the same day. (Beekeeper's Daughter Songfacts)

The All-American Rejects current line-up is: Tyson Ritter (vocals, bass,) Nick Wheeler (Guitar/programming,) Mike Kennerty (back-up vocals, rhythm guitar,) Chris Gaylor (drums.)

Tyson Ritter took lessons in June of 2005 from renowned voice coach Linda Rabelstein to improve the high end of his vocal range. Critics have given the falsetto of Mike Kennerty rave reviews, hence Tyson Ritter's sudden interest in learning how to sing like a chorus soprano. There are rumors that the rest of the band are planning to also take lessons from Linda Rabelstein so that all four may make a harmony similar to the sirens in Homer's "The Oddessy". Hot Potato magazine critic Jan Ausfahren has called the venture "Risky" and "A recipe for disaster. Their male contingent certainly would not want to hear them sing like women."

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The All-american Rejects