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Touchdown - Yo Gotti



     
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Touchdown Lyrics


aye you know im cocaine crazy right ?
These niggas go
white dis , white dat
(quit fucking with me , white everything)
a lil bitch i fuck with talk bout she want white cat .
You know dis my city right ?
(hoe you crazy)
Pussy ass niggaI got base in the trunk, highs on the inside, marshmallow paint 49ers on the inside
Touchdown, a nigga going long, field goal, extra point a nigga going strong
210 on the dash, blue jean inside, white wit blue top, like the yankees when i come past
Home run, that boy out the park, bases loaded, world series, that boy hustle smartStreets Talkin Gotti been doing good
niggas wanna try em, couple niggas from the hood
you know how that go, niggas say you dont fuck wit em, truth be told wen i hustlin i aint fuck wit em
same nigga still owe me on a pack, think a nigga forgot becuz im rappin? nah...
When i get off the road I shoot back to my town
new whips, new watch, fuck with me, its goin down
own family hatin, niggas looking mad, guess it be little better if a nigga was doin bad,
but momma got a smile, brother still wild i gotta get this money i just had another child,

they say im gettin fat,guess im eatin good
20 racks in the motor, got my name under the hood, YO GOTTI,
Sometimes i think back, I could of went fed, this a chance in a lifetime i gotta think aheadI got base in the trunk, highs on the inside, marshmallow paint 49ers on the inside
Touchdown, a nigga going long, field goal, extra point a nigga going strong
210 on the dash, blue jeans inside, white with blue top, like the yankees when i come past
Home run, that boy out the park, bases loaded, world series, that boy hustle smartMy city rootin for me the club owners mad cause i wont come to kick it
for under 25 bands & u taking it personal im just tryna feed my mans
see u aint a real nigga so dats sumthin u wouldnt understand
but if it wasnt for my homeboys and if it wasnt for my fans i would of been clicked on u bitches nd doin a quarter off n da can but imma keep on grindin nd keep on shinin cuss dats wut u cant stand imma kill u bitches softly every time i ride pass
what da fuck make u wanna beef wit me like u street as me running round here talking down bitch u aint use to be wit me bitch u aint use to tote heat wit me bitch u aint use to eat wit me bitch i was thuggin n ridgecrest yo funky ass was somewhere down da street yo fuck ass aint no real g tell me where dey do dat at gang bang in yo neighborhood but round me wouldn't even throw up your set
Motherfuckers do anything for a check, ok dats cool but dont fuck around & let project pat and juicy j get yo ass wet
On another note im da same nigga wit mo paper nd mo bigger & wen ever im n town bitch im rite here on shady vista my jewlry on my car parked my shirt off wit no pistol aint nan nigga gone take nuttn my lil niggaz a shake sumtn my lil niggas got mo paper my lil niggas dont even rap runnin round talk bout u got signed bitch u still livin in da trap!!!!!!I got base in the trunk, highs on the inside, marshmallow paint 49ers on the inside
Touchdown, a nigga going long, field goal, extra point a nigga going strong
210 on the dash, blue jeans inside, white with blue top, like the yankees when i come past
Home run, that boy out the park, bases loaded, world series, that boy hustle smart

Enjoy the lyrics !!!
Mario Mims (born May 19, 1981 in Memphis, Tennessee), better known by his stage name Yo Gotti, is an American rapper signed to Cash Money Records. Formerly known as Lil Yo in the 90's, he released his first album, From Da Dope Game 2 Da Rap Game, in 2000. Since then he has released 2001's Self-Explanatory, 2003's Life, 2006's Back 2 Da Basics, 2008's Cocaine Muzik, 2009's CM2 (Cocaine Muzik 2 hosted by DJ Drama), and The Pyrex King: Street Runnaz Special Edition.

As one of the six epicenters of Southern hip hop, Memphis has always had a thriving underground capable of producing major platinum superstars such as Eightball & MJG, 3-6 Mafia and Project Pat,Skip a.k.a Gianni Booker. All of the above-mentioned artists at one point in time literally dominated the city’s underground rap scene before going on to become national superstars. Next up to bat is Yo Gotti, M-Town’s current underground rap kingpin. Like his namesake John Gotti, the Memphis based rapper has been running the Southern underground scene with an iron fist for the past. Known and respected throughout the South for his skill and finesse on the microphone, Yo Gotti is one the South’s most respected young rappers.
Born Mario Mims, Yo Gotti grew up in the infamous Ridge Crest Apartments in a North Memphis neighborhood called Frazier. His childhood was typical for a poor ghetto youth in the Deep South. Raised in a family of hustlers and exposed to hard times 24 hours a day the Tennessee rap titan soon turned to the only thing that he knew could get him paid, hustling. “Being from the hood things like hustling will come your way,” says Yo Gotti. “Everybody in my family hustled in some kinda way.” Ironically, hustling is what ultimately led Yo Gotti to rapping.
Taking his cue from Memphis rap legends such as Eightball & MJG, Al Kapone, Gangsta Black, Triple 6 Mafia and Kingpin Skinny Pimp, all of whom he lists as influences, Yo Gotti released his own underground tape entitled, Youngster on the Come Up and placed it on consignment at local mom & pop record stores as well as hustling it out the trunk. The tape sold like hotcakes on the street and made Yo Gotti the hottest rapper on the streets of Memphis. From the Dope Game to the Rap Game, Yo Gotti’s sophomore effort sold so well that Select-O-Hits, a local based independent distributor offered him a small deal and the Memphis rapper more than doubled his fan base with absolutely no marketing or promotions. Soon he found himself ranked among the city’s top rappers. In addition to being featured on the cover of Murderdog Magazine along side his idols Kingpin Skinny Pimp and Al Kapone his record From the Dope Game to the Rap Game made the list for the magazine’s top independent record for the year 2000.
Two years later he inked a distribution deal with TVT Records and released the critically acclaimed album Life, which did respectable numbers for an independent label. “It sold about 40 or 50,000, with no promotions or video,” says Yo Gotti. “That record did what it did on its own.” But as the old saying goes when one door is closed another opened. Gotti’s reputation as the king of Memphis continued to spread and that eventually led him to a production deal with Cash Money/Universal records for his group the Block Burnaz. With his TVT sophomore album entitled Back 2 Da Basics, Yo Gotti returns with the same hardcore street flavor that his die-hard fans have come to know and love, only this time around the true king of Memphis has elevated his game a bit. Given the fact that his last record didn’t do the type of big number he’d hope for you’d think that Yo Gotti would switch up his style to reach a larger audience. Right? Wrong! According to Gotti his street credibility with his underground fans means more to him than gold or platinum status.
“The one thing that you have to understand is that when you create a fan base off of street product the last thing you wanna do is disrespect them by changing because of the record companies and stuff like that. When you do that you change what created you. To me it is very important that I keep in tune with the people that helped to sell 40,000 records independently. That’s why I call my record Back 2 Da Basics.”
Produced by DJ Thoomp, Mannie Fresh, Carlos Brody and newcomers Street Tunes, Back 2 Da Basics offers fans a gritty, insider’s view into the real streets of Memphis as seen through the eyes of Yo Gotti. Nowhere is this viewpoint more intense than on “Full Time,” the amped up lead single –and featured in the MTV Films’ Hustle & Flow movie - with a thunderous bass and intoxicating beat that espouses Gotti’s formula to success –hustle full time.
“A lotta cats wanna be a rapper or a street hustler but they don’t wanna put in the time that it takes,” says Yo Gotti. “They want the money and the cars and the girls, but they don’t wanna work hard for it. But to be successful at anything you gotta grind for it.” On the song “Mama We Gone Be Alright,” he waxes introspective by reflecting on all of the hard times that he and his family have suffered through the years and offers her hope-filled words encouragement. “Mama We Gone Be Alright” along with the gripping tune “My Story” emerges as two of the most interesting songs on Back 2 Da Basics. These three titles along with club banging songs like “Shorty” featuring Baby make Back 2 Da Basics one of the best albums of the year.

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Yo Gotti