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Trapeze Swinger - Iron & Wine



     
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Trapeze Swinger Lyrics


Please, remember me
Happily
By the rosebush laughing
With bruises on my chin
The time when
We counted every black car passing
Your house beneath the hill
And up until
Someone caught us in the kitchen
With maps, a mountain range,
A piggy bank
A vision too removed to mention
ButPlease, remember me
Fondly
I heard from someone you're still pretty
And then
They went on to say
That the pearly gates

Had some eloquent graffiti
Like 'We'll meet again'
And 'Fuck the man'
And 'Tell my mother not to worry'
And angels with their gray
Handshakes
Were always done in such a hurry
AndPlease, remember me
At Halloween
Making fools of all the neighbors
Our faces painted white
By midnight
We'd forgotten one another
And when the morning came
I was ashamed
Only now it seems so silly
That season left the world
And then returned
And now you're lit up by the city
SoPlease, remember me
Mistakenly
In the window of the tallest tower call
Then pass us by
But much too high
To see the empty road at happy hour
Leave and resonate
Just like the gates
Around the holy kingdom
With words like 'Lost and Found' and 'Don't Look Down'
And 'Someone Save Temptation'
AndPlease, remember me
As in the dream
We had as rug-burned babies
Among the fallen trees
And fast asleep
Aside the lions and the ladies
That called you what you like
And even might
Give a gift for your behavior
A fleeting chance to see
A trapeze
Swing as high as any savior
ButPlease, remember me
My misery
And how it lost me all I wanted
Those dogs that love the rain
And chasing trains
The colored birds above there running
In circles round the well
And where it spells
On the wall behind St. Peter's
So bright with cinder gray
And spray paint
'Who the hell can see forever?'
AndPlease, remember me
Seldomly
In the car behind the carnival
My hand between your knees
You turn from me
And said 'The trapeze act was wonderful
But never meant to last'
The clown that passed
Saw me just come up with anger
When it filled with circus dogs
The parking lot
Had an element of danger
SoPlease, remember me
Finally
And all my uphill clawing
My dear
But if I make
The pearly gates
Do my best to make a drawing
Of G-d and Lucifer
A boy and girl
An angel kissing on a sinner
A monkey and a man
A marching band
All around the frightened trapeze swingers
Songwriters
BEAM, SAMUELPublished by
Lyrics © Warner/Chappell Music, Inc., Universal Music Publishing Group Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

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Iron & Wine is the stage and recording name of folk rock singer and composer Sam Beam (born July 26, 1974). He currently resides in Dripping Springs, Texas, outside Austin. He has released four studio albums, several EPs and singles, as well as a few download-only releases, which include a live album (a recording of his 2005 Bonnaroo performance). The name Iron & Wine is taken from a dietary supplement named "Beef Iron & Wine" that he found in a general store.

Beam was raised outside Columbia, South Carolina, United States where his father worked in land management and his mother was a schoolteacher. He graduated from Virginia Commonwealth University with a bachelor's degree and the Florida State University Film School with an MFA degree. Until the first Iron & Wine album, Beam's main source of income was as a professor of film and cinematography at the University of Miami and Miami International University of Art & Design. He had been writing songs for over seven years before a friend lent him a four-track recorder. His friends handed out copies of demos that he had made, and the owner of Sub Pop Records personally contacted Beam and proposed a deal.

Beam released his first album, The Creek Drank the Cradle, on the Sub Pop label in 2002; Beam wrote, performed, recorded, and produced every track on the album by himself at a studio in his home. The album features acoustic guitars, banjo, and slide guitar; its music has been compared, variously, to that of Nick Drake, Simon and Garfunkel, Neil Young, Elliott Smith, and Ralph Stanley.

In 2003 The Sea & the Rhythm was released, an EP collecting other home-recorded tracks along the same lines as those on the debut. Beam's second album, Our Endless Numbered Days (2004), was recorded in a professional studio with a significant increase in fidelity. The focus still lies on acoustic material, but the inclusion of other band members gives rise to a very different sound.

Beam released an EP titled Woman King in February 2005, and the EP In the Reins, a collaboration with Calexico was released in September 2005. This joint work mostly features new full-band versions of previously recorded Iron and Wine rarities.

One of his most famous songs is a cover, which was featured on a commercial for M&M’s candies and in the 2004 film “Garden State” (and on its popular soundtrack), of "Such Great Heights" by The Postal Service.

"Kiss Each Other Clean" is the fourth studio album by Iron & Wine, released January 25, 2011. The album's title is taken from the lyrics of track 10, "Your Fake Name Is Good Enough for Me". The album marks a further change in style – in an interview with SPIN magazine, Beam said “It’s more of a focused pop record. It sounds like the music people heard in their parent’s car growing up… that early-to-mid-’70s FM, radio-friendly music."

http://www.ironandwine.com/



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