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Tush Tush Tush (A Token of My Extreme) - Frank Zappa



     
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Tush Tush Tush (A Token of My Extreme) Lyrics


Frank zappa (lead guitar, vocals)
Napoleon murphy brock (saxophone, vocals)
George duke (keyboards, vocals)
Ruth underwood (percussion)
Tom fowler (bass)
Chester thompson (drums)Everybody gotta say: "heh heh heh"Oh yeah!It's a, it, it,
It's about all the sunshine here in fin... fin... finland
And all that kinda stuff that makes you wanna have a little...Tush tush tushAnd then I told,
I said why don't you and me get together goin' up to my...Wait a minute!
What's that you pullin' outa your mush?But she, she said...Wait a minute, I said what?Heh heh hehNapoleon says he don't use them things and he ain't...What's wrong with you anyway?
But why would you use that for anyway?
I've never seen one like that in my lifeWhat do you think I was ... like a little video?Tush tush tushExcept when I laid in ah, wherever it was...
And ah...Hey, wait a minute...No, I ain't done much
She gave everybody in the group about twelve of them
Son-of-a-guns
And I said a black one, a pink one and a...Heh heh hehI said I could use them, soI told I could use 'em either but she gave 'emI owned 'em for about six months and then I could ...But she said... ha, ha, ha!Y'all is great!It was nice and pretty thoughHeh heh hehBut ruth said she wouldn't go give up
Unless you all use some of them kfmr...And she said after the show, brian
All you have to do is come in to ring the bell and draw a

Three-holeHeh heh heh ha ha haOh yeah
Oh yeahI must say that you guys are gonna take some cheese outta that
RestaurantTush tush tushThat's what I was tryin' to do last night
When that m... wouldn't let me in the god... pickin'It's the protein and the energy and the...Bafflin' to get me in her room...
Wouldn't let me in the hotel...Wait a minuteOh, I got a key to the...Heh heh hehLadies and gentlemen!
Welcome to our program tonight
Which features ruth underwood on percussion,
Napoleon murphy brock on tush tush tush
Chester thompson on drums
Tom fowler on bass
And george duke on keyboardsAnd the name of the very first song that we're going to play
Tonight
Is stink-foot(squeak squeak squeak)

Enjoy the lyrics !!!
Frank Vincent Zappa (1940-1993) was an American composer, guitarist, singer, bandleader and producer. He was one of the most prolific musicians of his time, releasing over fifty albums of original material spanning over a thirty-five year career.

Born on 21st December 1940 in Baltimore, Maryland, Zappa's earliest influences were 1950s pop and rock (such as doo-wop and rhythm and blues), and 20th-century classical composers including Igor Stravinsky and Edgard Varèse. His output was divided between adventurous instrumental compositions and succinct, catchy rock songs with ribald, satirical, or comically absurd lyrics. On stage he demanded virtuosity and spontaneity from his musicians, and employed many performers who would later go on to achieve fame in their own rights. He directed and released a number of films featuring himself, his musicians and entourage, including 200 Motels and Baby Snakes.

His career started in 1955. His earliest recordings date from the mid-1960s, and include collaborations with his school friend Captain Beefheart. In 1965 he joined a bar-band called The Soul Giants, quickly dominating its musical direction and rechristening it The Mothers. Their first release (as The Mothers of Invention; the name alteration requested by their record company) was the 1966 double album Freak Out!. The line-up of the Mothers gradually expanded to accommodate Zappa's increasingly ambitious and avant-garde music, but by 1969 he decided to work outside the band structure, focusing on his solo career, and effectively disbanding the Mothers in 1971.

The beginnings of his solo career in the late sixties and early seventies was characterised by a strong free jazz influence, with albums containing little, if any, lyrical content, such as Hot Rats, Waka/Jawaka and The Grand Wazoo. Towards the mid-seventies his albums became more rock-orientated, with a combination of jazz fusion instrumentation and rock song structures. This more accessible sound bore reasonable mainstream appeal, especially with the release of the well-advertised albums Over-Nite Sensation and Apostrophe (') (which both went Gold), but Zappa's unpredictably eclectic output never led to solid mainstream recognition. He receieved uniformly lukewarm reviews from popular music publications such as Rolling Stone throughout his career. In his late seventies' output, the gulf between his humorous songs and more lengthy, complex instrumental music widened, and albums, such as Zappa In New York, Joe's Garage: Acts I, II & III, and Sleep Dirt displayed, by track, both sides firmly segregated.

Zappa saw a second run of success in the early eighties with the release of many albums with predominantly comedic rock songs, but later continued to experiment with virtually every style of music through the eighties, and was productive as ever until his death. His output in this later-career period included two albums of strikingly original classical music with the London Symphony Orchestra, an electronic take on 18th-century chamber music (written by the obscure Italian composer 'Francesco Zappa', no relation), an album of synclavier compositions (misleadingly titled Jazz From Hell which garnered a Grammy award), a double-CD release of electric guitar instrumental music (the laconically titled Guitar) and a plenitude of official live releases, revisiting fan-favourites as well as showcasing Zappa's talent for reinventing the music of others; his version of Stairway To Heaven becoming a word-of-mouth favourite.

Zappa produced almost all of his own albums, spending many hours in the studio recording and manipulating tracks, and was always at the forefront of emerging technologies; from tape editing, collage, multitrack and overdubbing in the sixties to digital recording, electronic instruments and sampling in the eighties. Conversely, Zappa was also a obsessive self-archivist, recording virtually every one of his live performances, and often using live recordings of new material without needing to enter the studio. The archive of tapes at his family home in Los Angeles continues to be a source of posthumous releases for the Zappa Family Trust. He was also noted as a spotter of talent and his shifting line-up of musicians included Lowell George, Jean-Luc Ponty, Terry Bozzio, Chad Wackerman, George Duke, Mike Keneally, Adrian Belew and Steve Vai, as well as giving Alice Cooper his first break in music and working again with his old collaborator Captain Beefheart when his career was in decline.

In the late 1980s he became active in politics, campaigning against the PMRC's music censorship scheme and acting as culture and trade representative for Czechoslovakia in 1989; and considered running as an independent candidate for president of the US.

His death in Los Angeles, California, on 4th December 1993 came three years after he was diagnosed with prostate cancer.

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