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UNIverse at War (feat. Common Sense) - The Roots



     
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UNIverse at War (feat. Common Sense) Lyrics


Yeah, U.N.I.Verse
At war
U.N.I.Verse (when you and I verse)
At war motherfucker
We gonna do this Chi-town style (verse at war)
Illadelph, you know how we get down
You know the business (Illtown illanoid)
Bringin it straight to your chest (comin thru with the iller category)
Yessah, hah, yeah (preacher man with the Com)
Break it down one two (we about to drop a bomb, check it)When you and I verse at war (U.N.I.Verse at War)
And your verse at core, for what you thought before
Steppin up into a zone you should never explore
The next level or, level of the whole conceptor
When you and I verse at war (U.N.I.Verse at War)
And your verse at core, for what you thought before
Steppin up into a zone you should never explore
The next level or, level of the whole conceptorCheck it, rappers
Get on the mic talk about cars and clothes

Sounding like hoes
Ain't been exposed to the foes,the moes, disciples
I'm from the state that is Ill, the rap son of man
Rotated down to Phil, to say what I feel
Get it off my bird chest, my word becomes flesh
War, going on between the West and the East
Of the land, niggas don't own a piece
Grease is the word, Murray slides some pimp oil to me
My lady friend sneaks my beer in the movie
Throw your hands in the air, if you the true and living
Beware, the new world order, the devil's new religion
Sent my homey to the number two division
Sellin bootleg movies, got my VCR on a ove' smove'
Be at Fat Tuesday's, drinkin tropical it's just sittin
At a table with sophisticated bitches
Nah that ain't nothin I would call my mother
Nor do I call every nigga my brother
Gotta have Black Thought, it's sorta B like Malik
So don't Question a Brother, to the Roots I get deepYo, enter the last era
Your scholarship into the world of politics
And mascara, we operate within this artificial op-era
I bring hip-hop terror like the Fuhrer
The Ace Ventura into the horror
Laboratory laborer, venture beyond the border
I'll struc-ture a style destroy your whole aura
Plus you're a-drenalin'll rise before your eyes
And mortalize, my image hit the skies
Deceive the devil in disguise
My music I parenthesize
Represent the wise, through this be how we enterprise
Kid no compromise (yeah, yeah) I'm thinkin fast like Rama-
Dan, I wear your mind away like Alzheimer
I pull a mic up out my bomber big up to Bahama-
Dia, A-O this year we leavin em in trauma
Then after me, I plan to leave behind, the legacy
Or history of the family, the fifth dynasty
For humanity, to bear witness to this
Del-val-syllable stylist
You know the time kidWhen you and I verse at war (U.N.I.Verse at War)
And your verse at core, for what you thought before
Steppin up into a zone you should never explore
The next level or, level of the whole conceptor
When you and I verse at war (U.N.I.Verse at War)
And your verse at core, for what you thought before
Steppin up into a zone you should never explore
The next level or, level of the whole conceptorYo, the general flows, kids compose on tablet
Expose how they was average
And they thoughts not rapid
Here comes the hot package, through your block like traffic
The rock was typed graphic now watch the mic blast it
Shootin at the stars with emphatic rap static
See the mirror shatter from thoughts, I'm bustin back at it
The Lieuten-ant, the ele-phant, sippin automatic
Mic, rippin asiatic, architects out to have it
The turn of the century, the planet's like a penitentiary
Exaggerated, niggas is livin highly medicated
I Used to Love Her but now she violated
Hip-hop holocaust and camps, old champs are concentrated
They outdated and incarcerated
Loved and appreciated hated and very debated
For every career created was eliminated
And that's the way the balance of yin and yang relatedEvery Block is divine
Niggas swing on in a safari
Wild niggas, like I'm high on latari
Some let the block, block they mind, if they could see what I see
Get out the city for a sec be at the places I be
Hey, I'mma be back on the deck, opening
Business in places for you to cash your check
My, neck of the woods ain't all good ain't all bad
You can live in the burbs, and still get had
The sad part about it niggas had houses on the lake
They tryin to move us out, the land we ain't appreciate
For peace we skate, crackers be rollerblading on hate
Call each other cuz cause of how we relate
I see way too many Cadillacs with dope man plates
Through the wind and blow-ups, is how niggas communicate
Harmonizing through beeper and reefer
The city got my peoples in a sleeper, talk is getting cheaperWhen you and I verse at war (U.N.I.Verse at War)
And your verse at core, for what you thought before
Steppin up into a zone you should never explore
The next level or, level of the whole conceptor
When you and I verse at war (U.N.I.Verse at War)
And your verse at core, for what you thought before
Steppin up into a zone you should never explore
The next level or, level of the whole conceptor
When you and I verse at war (U.N.I.Verse at War)
And your verse at core, for what you thought before
Steppin up into a zone you should never explore
The next level or, level of the whole conceptor
Songwriters
LONNIE RASHID LYNN, MEL LEWIS, TARIK L. COLLINSPublished by
Lyrics © Universal Music Publishing Group Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

Enjoy the lyrics !!!
The Roots, also known as The Legendary Roots Crew, The Square Roots and The Foundation, are an influential, Grammy winning hip hop group based out of Philadelphia, Pennsylvania, famed for a heavily jazzy sound and live instrumentation. Inspired by the "hip-hop band" concept pioneered by Stetsasonic, the Roots themselves have garnered critical acclaim and influenced later hip-hop and R&B acts.

The Roots' original lineup included Black Thought (MC vocals) and Ahmir "?uestlove" Thompson (drums), who were classmates at the Philadelphia High School for Creative Performing Arts. As they began to play at school and on the streets, they added another MC named Malik B., bassist Leonard Hubbardand keyboardist Scott Storch. Another MC, Dice Raw, frequently made album appearances with the group from 1995 to 1999 before leaving to record a solo album. Scott Storch also left to pursue career as a producer following the Do You Want More?!!!??! album, He produced songs such as Still D.R.E. by Dr Dre. The Roots filled his void with another keyboardist, Kamal who is still a member. A beatboxer named Rahzel also joined the group and contributed from 1995-1999. Alongside Rahzel was vocal turntablist, Scratch who greatly contributed to The Roots' sound, most notably in live concerts. He left the group in 2003. Malik B. left the group in 2000. A guitarist, Ben Kenney, enjoyed a short stint with the group and contributed to their Phrenology album, but left to join Incubus. A percussionist, Knuckles, was added in 2002 and guitarist, Kirk Douglas (a.k.a. "Captain Kirk") repleaced Kenney. A vocalist, Martin Luther toured with The Roots in 2003 and 2004 and contributed to their album The Tipping Point. The current members of The Roots are Black Thought (MC vocals), ?uestlove (drums), Hub (bass), Kamal (keyboard), Knuckles (percussion), and Captain Kirk (guitar).

The Roots' debut album, Organix released in 1993, was actually a live recording from a concert in Germany that the Roots sold at their shows. The album earned enough industry buzz to earn the Roots offers from major record labels, and they signed with DGC records, which at the time was better known for its grunge music releases.

The Roots' first album for DGC, Do You Want More?!!!??! (recorded live without the use of samples), was a moderate hit on alternative radio. Their 1996 release Illadelph Halflife was the group's first album to crack the Top 40 on Billboard's album chart, spurred in part by MTV's airplay of the video for "What They Do", a parody of rap video clichés such as the "beatdown shot," and "Clones" which was their first to single to reach the top five on the rap charts.

In 1999, The Roots released Things Fall Apart (named after a novel by Chinua Achebe), their breakthrough album. The track "You Got Me", duet with R'n'B singer Erykah Badu, earned them a Grammy award for Best rap Performance By A Duo Or Group.

In 2000, Dice Raw left the group to record his solo debut album, Reclaiming the Dead.

The Roots' reputation as a hip-hop live band made Jay-Z call on them for his MTV Unplugged album in 2002. The album featured good recreations of many of his great songs, played by the band with a little help from female vocalist Jaguar Wright.

2002's Phrenology introduced a more mainstream sound for the Roots, earning a Grammy nomination for Best Rap Album. The album's sales were boosted by radio and TV airplay for two duets on the album, "Break You Off" (featuring Musiq Soulchild) and "The Seed 2.0" (featuring cody chestnutt). The video for "The Seed 2.0" earned a nomination for the MTV2 Award at the 2003 MTV Video Music Awards. "The Seed" was also featured on the soundtrack to the Mandy Moore movie Chasing Liberty. Phrenology was certified gold (signifying U.S. sales of at least 500,000 units) in June 2003.

The Roots' 2004 release, The Tipping Point, took its name from a 2000 book by Malcolm Gladwell. The album earned two more Grammy nominations: one for Best Urban/Alternative Performance for the track "Star", and another for Best Rap Performance By A Duo Or Group for the track "Don't Say Nuthin'". The album was an immediate hit, debuting at #4 on the Billboard album chart and selling over 100,000 copies in its first week of release.

On November 15, 2005 The Roots released two compilation albums, Home Grown! The Beginner's Guide To Understanding The Roots, Volumes 1 & 2. These two separately sold discs are a compilation of past hits, live performances, and rare remixes compiled by ?uestlove himself. They also feature 70 pages of liner notes written by ?uestlove. These two albums marked the Roots' last releases on Geffen Records.

The Roots' album, Game Theory, was released on August 29, 2006. The album, which features a track that samples the song "You and Whose Army" by Radiohead, was released on Jay-Z's Def Jam.

The Roots next album 'Rising Down' was released on April 29th 2008. Features tracks with Common, Mos Def, Talib Kweli, Saigon, and other greats.

The Make Me Songfacts reports that The Roots' eleventh album, Undun, is their first concept album. It tells the story of a man called Redford Stephens who died in 1999 at the age of 25. We hear Redford retelling his life post-mortem and attempting to deconstruct what led to his undoing.

The Roots are also the house band on Late Night with Jimmy Fallon airing first on March 2nd, 2009.

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The Roots