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Verbal Intercourse (feat. Nas & Ghostface Killah) - Raekwon



     
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Verbal Intercourse (feat. Nas & Ghostface Killah) Lyrics


Through the lights cameras and action, glamour glitters and gold
I unfold the scroll, plant seeds to stampede the globe
When I'm deceased, by then the beast arise like yeast
To conquer peace leaving savages to roam in the streets
Live on the run, police paying me to give in my gun
Trick my wisdom with the system that imprisoned my son
Smoke a gold leaf I hold heat, nonchalantly
I'm raunchy, the things I do is real it never haunts me
While, funny style niggas roll in the pile
Rooster heads profile on a bus to Riker's Isle
Holding weed inside they pussy with they minds on the pretty things in life
Props is a true thug's wife
It's like a cycle, niggas come home, some'll go in
Do a bullet, come back, do the same shit again
From the womb to the tomb, presume the unpredictable
Guns salute life, rapidly, that's the ritualPerhaps bullets bust niggas discuss mad money
True lies and white guys, we can see it through the eyes
Catch the most on tape, kilos disintegrate

Pyrex pots, we break, fiends licking plates
In the building niggas building, like little children, staring
Them older niggas ain't caring
Sirens circling fiends are lurking in your baggage
Oh, one's gone now, what, smack him in his cabbage
In the woodwork, crack sales bubble like Woolworth's
In the projects, richest niggas rocking all the real worth
Police questioning, rooftop cats invested in
Trading in they Lexuses, GS's, sending messages
Two and two makes four, Cristal's crazily pour
Gun wars my crew feel 'em like swordsWith the green leathers, hundred pound snakes and cakes
Fiends found in lakes, jealously Jakes we shake
What I strive for is what I live for
Infatuated by material things in this wild life of war
Like somewhere over the rainbow, I see a big pot of gold
Future stacks so I hold
Thousands of cracks bagged up inside the shoebox
Don't keep jack in my lab, don't wanna see 2Pac
Got two spots, a new lot, flooded with rocks
Shoot-outs making me hot, crooked cops Bad Tony and the ball drop
In the 'nile, I'm banging niggas for slot time
Hurry up duke I'm next on line
And what the fuck is you looking at?
By the way young blood, hit me off with that Green Bay hat
Watch your back inside the hall, new niggas slide through
Like doors yo, you're staring in the mess hall
Your adrenaline runs, cigarette niggas be swindling
New jacks surrendering, come home not remembering
Made bail with different size kicks on, a white dress shirt
Looking gay in the yard, and you got hurt
Flashbacks, of the day room, mop wringer style
Your faggot ass got bashed trying to turn the dial
You told your boo you was wiling
Once you heard Wu, out of the blue, your family's from Shaolin
High class cooks, throw on vests out of phone books
Infirmary niggas are screaming, "I got juxed!"
Sharpened toothbrushes, 190 mixed with baby oil and shit
Your man's in the kitchen stashing ice picks
Well I'ma end this with a big red cherry on top
Me, Nas and Rae got the best product on the block

Enjoy the lyrics !!!
Corey Woods (born January 12, 1970) is an American rapper most well known as Raekwon (the Chef), one of the nine Wu-Tang Clan members. Raekwon joined Wu-Tang Clan, a hip hop group based in Staten Island, New York in 1992. When the time came for him to release his first solo album, Only Built 4 Cuban Linx... (1995), hip-hop, once again, underwent a momentous transformation. The album moves from track to track like a film moves from scene to scene. With its invigorating instrumentals and dramatic lyrical tales, Raekwon painted vivid pictures and presented powerful imagery through his enchanting verbal expression.

Rae's groundbreaking debut album helped to bring the flavour of flossing to wax as well as the use of the moniker among Wu brethren and other prominent emcees. The single "Verbal Intercourse" featured the first appearance of Nas Escobar, Nas' alter ego. Similarly, Raekwon and Ghostface Killah, who served as Rae's partner in rhyme throughout the entire Cuban Linx album, also developed a slew of other identities. Identities like Lex Diamond, one of the flashy, witty and intellectually stimulating personas of the multifaceted Raekwon.

In the years after the release of Cuban Linx, Raekwon continued to record several albums with the Clan including the platinum Wu-Tang Forver (1997) and The W (2000), as well as the gold Iron Flag (2001). He also starred in the critically acclaimed film Black and White, before releasing his second solo album, Immobilarity in 1999. Four years later, it's time for another masterpiece from Raekwon.

The Lex Diamond Story, Raekwon's forthcoming third solo album is that desperately needed effort. This new LP is as much a reflection of his first musical triumph Cuban Linx, as it is a manifestation of the future and what is to come from this great emcee. Raekwon is like the E.F. Hutton of hip-hop: when he speaks, everyone listens. The current void in hip-hop is filled with this rap veteran's
crafty verbal gymnastics and artistic form of storytelling. The Lex Diamond Story takes the top shelf elements of the Wu's first album and the finest sentiments of Raekwon's debut and joins them together to deliver another classic album to the masses.

A lyrical gourmet meal, The Lex Diamond Story shows that The Chef still possesses the recipe to cook up a jambalaya of words with the main ingredient being superior skills. Animated and intense, Raekwon's stealth delivery is filled with emotion, skilled cadence and an array of diverse stories, hooks, and topics. The track, "All Over Again (The Way We Were)" touches on the flavour of "Can It Be All So Simple" with its tale of street survival. Meanwhile, "Pit Bull Fights" is reminiscent of the ferocious lyrical beating inflicted on "Incarcerated Scarfaces." Raekwon is indisputably at his creative beast. Unchained and uninhibited, he is assertive with his music and focused on his goals.

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