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We Will Walk - Matisyahu



     
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We Will Walk Lyrics


I told her you must go you can't stay here
She said, "I know since the death blow
My soul's been old like sand, I'm so tired
It's like my spirit expired"Remember when I was just a child
Now I feel like a star at daybreak
'Bout to expire and get lost in the sun
Me and you we got to leave and just run and runDon't wait for me while I'm down
'Cause I might not get up
All I have is right now
Gonna give you what I gotYou are the only good thing that I have ever done
We will walk until my blood runs out
Until my heart is burnt you are not aloneYou are the only good thing that I have ever done
(Run, yeah, run, yeah, running away, come we stun you here to stay)
(Up and down so look both ways trying to live most everyday)
(If you don't well that's okay, bound to the one and will not sway)We will walk until my blood runs out
(Found again his majesty record power radio play)
(Climb and climb to outer space, give and take, it's time to taste)
(Make the best, don't leave no waste)Until my heart is burnt you are not alone

(World moves fast, don't lose your place)
(Wanna build tall, gotta have a strong base)
(And play like kids and meditate)He sits on top of a mountain
Pumping blood through the veins of creation
Land and sky, he aches for her
But can't find his way, can't live no moreAnd I ache for her but can't find my way
I can't live no more, she is not alone
Just before the light goes away comes a child
That collects all the reasonsTo be the laughs, the smiles, moments of clarity
Exchanging them for another day
Exchanging them for another day
And so my heart continues to sayYou are the only good thing that I have ever done
We will walk until my blood runs out
Until my heart is burnt you are not aloneYou are the only good thing that I have ever done
(Here we go, it's you and me, gotta let go, gotta believe)
(Rip through negativity, find some place where we can be)
(Oh, I agree inevitably we can't stay here, it's time to leave)We will walk until my blood runs out
Until my heart is burnt you are not alone
(Slip and slide the day has come)
(Undone, bottoms up don't be a crumb, undumb)
(Children dance sing and drum, lighten up, don't weigh a ton)You are the only good thing that I have ever done
(She said, "We got to go, we can't stay here")
(I said," I know but got no place to go)
(The nights are cold and we need a place to be")We will walk until my blood runs out
Until my heart is burnt you are not alone
(Remember when I was just a child)
(Now I feel like a star at daybreak 'bout to expire)
(And get lost in the sun)
(Me and you we gotta leave and just run and run)You are the only good thing that I have ever done
(Run and run, run and run away)
(We can't stay, we can't stay)We will walk until my blood runs out
Until my heart is burnt you are not alone
(Run and run, run and run)

Enjoy the lyrics !!!
Matisyahu (born Matthew Paul Miller, June 30, 1979) is an American reggae musician.

Known for blending traditional Jewish themes with reggae, rock and hip hop sounds, Matisyahu is most recognizable for being an orthodox Jew and writing a number of songs based on his faith and beliefs. Since 2004, he has released four studio albums as well as one live album, two remix CDs and one DVD featuring a live concert, and a number of interviews. Through his short career, Matisyahu has teamed up with some of the biggest names in reggae production including Bill Laswell and duo Sly & Robbie. The Tel Aviv'n Songfacts states several tracks of his fourth studio album, Spark Seeker, were recorded in Tel Aviv, Israel.

Since his debut, Matisyahu has received positive reviews from both rock and reggae outlets. Most recently, he was named Top Reggae Artist of 2006 by Billboard as well as being named a spokesperson for Kenneth Cole.

Matthew Miller was born in West Chester, Pennsylvania, USA on June 30th 1979, corresponding to the Jewish date of the 5th of Tamuz 5740. Shortly after his birth, the Miller family moved to Berkeley, CA and eventually settled in White Plains, NY. Growing up, Matisyahu's parents sent him to Hebrew School a couple of times a week, but like many kids, he resisted the additional school hours and was frequently threatened with expulsion for disrupting the lessons.

By the age of 14, Matthew Miller slid comfortably into the laid-back lifestyle of a teenage hippie. Having fallen in with the "Dead-Head" crowd, he grew dreadlocks and wore his Birkenstocks all winter long. He played his bongos in the lunchroom and learned how to beat-box in the back of class. By 11th grade, despite his carefree days, Matisyahu couldn't ignore the void in his life. After nearly burning down his chemistry class, he knew his mission must begin immediately. He decided to set off on a camping trip in Colorado. Away from his suburban life in White Plains, Matisyahu had the opportunity to take an introspective look at himself and contemplate his environment. It was there in the awe-inspiring landscape of the Rocky Mountains, that Matisyahu had an eye-opening realization: there is a God.

After Colorado, his spiritual curiosity piqued and Matisyahu took his first trip to Israel. There, for the first time in his life, he felt a connection to the God he discovered in Colorado. Israel was a major turning point. Matisyahu relished the time he spent there, praying, exploring, and dancing in Jerusalem. In every nook he encountered, his dormant Jewish identity stirred into consciousness.

Leaving Israel proved to be a difficult transition. Once back in White Plains, Matisyahu didn't know how to maintain his new connection with Judaism. Feeling dejected, he fatefully dropped out of high school and began following Phish on a national tour. On the road, Matisyahu thought seriously about his life, his music, and his thirst for Judaism.

After a few months, burnt out and broke, he returned home. By this time his parents insisted that Matisyahu go and "straighten" himself out at a wilderness school in Bend, Oregon. The school encouraged artistic pursuits and Matisyahu took advantage of this time to delve further into his music. He studied up on reggae and hip-hop. He attended a weekly open-mic where he rapped, sang, beat-boxed, and did almost anything he could to stay creatively charged. It was then that he started to develop the unique reggae-hip hop sound for which he would one day become known.

After 2 years in the "sticks," the 19-year old Matisyahu returned to New York a changed man. He moved to the city to attend The New School where he continued honing his musical craft, and also dabbled in the theater. During this time, he happened on the Carlebach Shul, a synagogue on the Upper West Side, well known for its hippie-friendly vibe and exuberant singing. This encounter further fueled his soul-fire, turning him on to the mystical power of song in Hasidic Judaism. Now, instead of beat boxing in the back of the classroom, he was leaving the classroom to pray on the school's roof. (Religious or not, this guy ain't made for the classrooms.)

While studying at New School, Matisyahu wrote a play entitled "Echad" (One). The play was about a boy who meets a Hasidic rabbi in Washington Square Park and through him becomes religious. Shortly after the play's performance, Matisyahu's life strangely imitated his art. Indeed, years after the initial sparks were lit, Matisyahu met a Lubavitcher rabbi in the park, spurring his transformation from Matthew to Matisyahu.

A person who was once skeptical of authority and rules, Matisyahu began to explore and eventually fully take on the Lubavitch Hasidic lifestyle. He thrived on the discipline and structure of Judaism, making every attempt to abide by Jewish Law. The Chabad-Lubavitch philosophy proved to be a powerful guide for Matisyahu. It surrounded him with the spiritual dialogue and intellectual challenge he had been seeking for the past decade. The turmoil and frustration of his search subsided, and now, 2 years later, Matisyahu lives in Crown Heights, splitting his time between the stage and his yeshiva.

Drawing from the sounds of Bob Marley, Shlomo Carlebach, Buju Banton, and Sizzla, yet remaining wholly original, Matisyahu's performance is an uplifting, powerful experience for all in his presence. Even the most pessimistic in his audience is inspired by his ability to so honestly convey such a delicate topic as faith/spirituality. It is his dedication to his belief and openness to others that compels one to respect his artistry and message. It's in that fleeting moment when our skepticism melts and our souls open up, that Matisyahu enters with his booming sound of faith.

http://www.matisyahuworld.com/

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Matisyahu