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Welcome to the Terrordome (X-Games Remix) - Public Enemy



     
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Welcome to the Terrordome (X-Games Remix) Lyrics


I got so much trouble on my mind
I refuse to lose
Here's your ticket
Hear the drummer get wicked
The crew to you to push the back to Black
Attack so I sat and japped
Then slapped the Mac(Intosh)
Now I'm ready to mike it
(You know I like it) huh
Hear my favoritism roll "Oh"
Never be a brother like to go solo
Lazer, anastasia, maze ya
Ways to blaze your brain and train ya
The way I'm livin', forgiven'
What I'm givin' up
X on the flex hit me now
I don't know about later
As for now I know how to avoid the paranoid

Man I've had it up to here
Gear I wear got 'em goin' in fear
Rhetoric said
Read just a bit ago
Not quittin' though
Signed the hard rhymer
Work to keep from gettin' jerked
Changin' some ways
To way back in the better days
Raw metaphysically bold
Never followed a code
Still dropped a load
Never question what I am God knows
Cause it's comin' from the heart
What I got better get some
(Get on up) hustler of culture
Snakebitten
Been spit in the face
But the rhymes keep fittin'
Respects been givin' how's ya livin'
Now I can't protect a pad off defect
Check the record
An reckon an intentional wreck
Played off as some intellect
Made the call, took the fall
Broke the laws
Not my fault they're fallin' off
Known as fair square
Throughout my years
So I growl at the livin' foul
Black to the bone my home is your home
So welcome to the Terrordome
Subordinate terror
Kickin' off an era
Cold deliverin' pain
My 98 was 87 on a record yo
So now I go Bronco
Crucifixion ain't no fiction
So called chosen frozen
Apology made to who ever pleases
Still they got me like Jesus
I rather sing, bring, think reminisce
'Bout a brother while I'm in sync
Every brother ain't a brother cause a color
Just as well could be undercover
Backstabbed, grabbed a flag
From the back of the lab
Told a Rab get off the rag
Sad to say I got sold down the river
Still some quiver when I deliver
Never to say I never know or had a clue
Word was heard, plus hard on the boulevard
Lies, scandalizin', basin'
Traits of hate who's celebratin' wit satan?
I rope a dope the evil with righteous
Bobbin' and weavin' and let the good get even
C'mon down
And welcome to the Terrordome.
Caught in the race against time
The pit and the pendulum
Check the rhythm and rhymes
While I'm bendin' 'em
Snakes blowin' up the lines of design
Tryin' to blind the science I'm snedin' 'em
How to fight the power
Cannot run and hide
But it shouldn't be suicide
In a game a fool without the rules
Got a hell of a nerve to just criticize
Every brother ain't a brother
Cause a Black hand
Squeezed on Malcom X the man
The shootin' of Huey Newton
From a hand of a Nigger who pulled the trigger
It's weak to speak and blame somebody else
When you destroy yourself
First nothing's worse than a mother's pain
Of a son slain in Bensonhurst
Can't wait for the state to decide the fate
So this jam I dedicate
Places with racist faces
Just an example of one of many cases
The Greek weekend speech I speak
From a lesson learned in Virginia (Beach)
I don't smile in the line of fire
I go wildin'
But it's on bass and drums even violins
Watcha do gitcha head ready
Instead of gettin' physically sweaty
When I get mad
I put it down on a pad
Give ya somethin' that cha never had controllin'
Fear of high rollin'
God bless your soul and keep livin'
Never allowed, kickin' it loud
Droppin' a bomb
Brain game intellectual Vietnam
Move as a team
Never move alone
But
Welcome to the Terrordome
Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

Enjoy the lyrics !!!
Public Enemy, also known as P.E., is a seminal Golden Age era Hip-Hop group known for their densely layered production and politically charged lyrics demonstrating their interest in the concerns of the African American community.

PE formed in Long Island, New York, in 1982 around a WBAU radio show as Spectrum City. After one less-than-successful single, they regrouped and signed to the still developing Def Jam record label after Rick Rubin heard Chuck D freestyling on a demo. Their debut, ‘Yo! Bum Rush The Show’, was released in 1987 to mild critical acclaim, although the Hip-Hop climate changed dramatically due to sampling during the time of release. As a response, they went on to release the revolutionary ‘It Takes a Nation of Millions to Hold Us Back’ in 1988, which performed better in the charts than their previous release, and included the hit single ‘Don’t Believe the Hype’.

Slightly less militant than their previous releases Public Enemy’s, ‘Fear Of A Black Planet’ was officially recognised as being the most successful and influential of the Public Enemy recordings when, in 2004, it became one of 50 recordings, chosen that year by the Library of Congress, to be added to the National Recording Registry. Sales-wise it was the most successful of any of their albums to date. It included the powerful and controversial singles ‘911 is a Joke’ (which criticized emergency response units for taking longer to arrive at emergencies in the black community than those in the white community), and ‘Fight the Power’, which is considered by many to be the group’s premier self-describing anthem. The song is considered to be amongst the most popular and influential in Hip Hop history and was the theme song for Spike Lee’s landmark film ‘Do The Right Thing’.

Public Enemy are to be considered musical pioneers for a broad variety of reasons. For instance, Terminator X elevated DJing to a refined art. Some of his most innovative scratching tricks can be heard on the track ‘Rebel Without A Pause’. PE’s production team, ‘The Bomb Squad’, offered up a web of innovative samples and beats; critic Steven Thomas Earlewine declared that PE “brought in elements of free jazz, hard funk, even musique concrète, via their [production] team, the Bomb Squad, creating a dense, ferocious sound unlike anything that came before.”

PE revolutionized the rap world with their political, social and cultural consciousness. These themes became infused into skilled and poetic rhymes with jazzy backbeats. They are recognised as the first Hip Hop group to make extended world tours, leading to huge popularity and influence within the Hip Hop communities of Europe and Asia. They also changed the internet’s music distribution capability by being the first group to release MP3 albums, a format virtually unknown at the time.

Public Enemy, in keeping with their ‘pioneer’ status, also helped to form and define the so-called ‘crossover’ genre of music (heavy rock music spliced with hip hop) by collaborating with New York thrash metal outfit Anthrax in 1991. The single ‘Bring The Noise’ was a remarkable potpourri of semi-militant pro-black lyrics, grinding guitars and sporadic humour. The two bands, cemented by a mutual respect, and the personal friendship between Chuck D and his Anthrax counterpart Scott Ian, introduced a hitherto alien genre to rock fans.

During the seemingly unlikely tour of Anthrax and Public Enemy, Flavor Flav made his famous pronouncement onstage that “They said this tour would never happen” (heard on Anthrax’s Live: The Island Years CD). This has become something of legendary significance in both rock and rap circles. There is some justification for the theory that without this unlikely musical partnership, bands such as Rage Against The Machine and Linkin Park would not have existed, and the genres of rap rock, nu metal and their related offshoots might have never developed.

Members of Public Enemy

Chuck D
Real name: Carlton Douglas Ridenhour
Role: Group leader, lyricist, main vocalist, and artwork
Birthdate: August 1, 1960

Flavor Flav
Real name: William Jonathan Drayton, Jr.
Role: Lyricist, vocalist, hype-man, and comic relief.
Birthdate: March 16, 1959

Professor Griff
Real name: Richard Griffin
Role: Head of S1W, liaison between PE and S1W, road manager. Ensured that the chaotic Flavor Flav was available when needed. Occasional vocalist and/or producer, plays drums at live shows.
Birthdate: August 1, 1960 (the same as Chuck D)

Terminator X
Real name: Norman Rogers
Role: DJ, Producer
Birthdate: August 25, 1966

Dj Lord
Real name: Lord Aswod
Role: DJ, Producer

The following are a part of The Bomb Squad, the revolutionary production group which is closely associated with (and sometimes considered a part of) Public Enemy:

Hank Shocklee
Real name: Hank Boxley
Bill Stephany
Keith Shocklee
Eric “Vietnam” Sadler
Chuck D - often listed as a member of the Bomb Squad under the pseudonymn “Carl Ryder”, a shortened form of his real name.

The S1W’s are sometimes considered a part of Public Enemy, as well.

There are three other groups named Public Enemy:

2) The first Public Enemy, an Oi!/punk band formed in 1984 who released one LP album (England's Glory) and one 7 inch (Skinheads). This band was never white supremacist and has no connection to the "revived" Public Enemy:

3) White Power group from the UK, formed by Paul Burnley (of No Remorse). Released 3 CDs: “Paul Burnley Is The Real Public Enemy”, "There is only one..." and “Archives”.

4) Public Enemy was a Hardcore/Punk group from Tuscon, Arizona.

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Public Enemy