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Westside Slaughterhouse - Mack 10



     
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Westside Slaughterhouse Lyrics


Advisory - the following lyrics contain explicit language:
WestsideMicrophone check 10 from the West Coast beller and tella
I cuss like a sella when you see her she's a gonna
Moved to California blew the bitch up
And put the gangsta twist on herSunny Southern Cal it never snows
Niggas yellin' ha's and ho's we dumpin' out of 64's
When it comes to the gun play we vets
It's West Coast for life no crew only setsIt's the dog breathen out the smog
I'm a hog of this gangster shit don of the click
All you suckas want to dis the Pacific
But you buster niggas never get specificUsed to love her mad 'cause we fucked her

Pussy whipped bitch with no common sense
Hip hop started in the West
Ice Cube bailin' through the East without a vestNow as I look to my riznight and to my left
I see motherfuckers staring like they wanna step
So I'm grabin' my rusty screw driver
In case I got to cut ya deeper than Vanessa Del Rio's VaginaFinda notha crew of niggas who can fuck with this
Lyrical bully given verbal bruises to crews fool
You must be on dick dope and dynamite
How you figure speed on before you get peed on nigga, yeahFool what side is you red or the blue?
While as the L.A. zoo it's round two
I ignite grab the mic tight strike like a rattle
Bring the rhymes and nines to the motherfuckin' battleSo sun down to sun up run up with my gun up
All brakes get to pumpin' they know a nigga dumpin'
You dred like a rasta when I lock like a terrier
Mack 10 that nigga with the heat that'll berry yaOh ah, oh ah, do a walk by and watch everybody die
Niggas into gangs thangs and narcotics
Freak bitches riches and hydrolics
Pull heat knock you off yo feetClear the whole block both sides of the street
Even crips and bloods hear my thuds
Fee fy foe fum a nigga where you from?
West sideFuck all you niggas I'm yellin'
This is mad circle to the fullest everybody 187um
Toons play the piano fuck a battle
I'm socking rappers like mad man Santiago'Cause you niggas ain't impressin' me plus you singin' big red records
So nigga fuck what you tellin' me
Sit down Jr. you couldn't see me if you wanted to
Look y'all it Mack 10, Cube and the double UWestside's on the map
Niggas represent the 70's and still never win gold
Westside's on the map
Niggas represent the 70's and still never win goldI just had a scrap fo' the neighborhood Inglewood stereotype
Got to deal with the hype
Known to kick back with the fat sack fuck that
Where my gat at these nigga trippin' off my bulls hatAbout to let loose with the chrome tray dude 5 shots
And I put holes in yo Bandanna
I push a Benz you still rollin' Gs
Nigga miss me with the set trip and start slangin' keysWhen I say itchy citchy niggas get bitchy bitchy
'Cause they heard of ah natural born murderah
I'm like Frankenstein is spankin' time
Layin' in the sunshine with only one nineSo who wants to bust with the never rust
Goin' platinum plus every time I cuss
So fuck the whole world black
Niggas better hope I don't grow my jeri curl backSteper murderah stepin' out a Chevrolet
Sportin' a beenie like Marvin Gaye
Stalkin' walkin' in my big black chuck's
Standin' tall in your freestyle session holdin' my ballsI'm peepin' game like a ref in '95
'Cause niggas be foul and bittin' other niggas styles
But if you're bittin' this you better bring the dentist
'Cause sucking these balls ah give yo ass lock jaws foolWhich way shall I go nigga what should I do?
Should I bang with the red or should I truce with the blue?
Should I rock dope beats and grab the mic and stay down?
Or should I shoot out of town and flip this pound?Shit I never thought that my nuts ah get bigger
Checkin' major figures I'm hangin' with platinum niggas
It's Mack 10 and I'm Inglewood swangin'
No time fo bangin' but still got my cackeys hangin'Fuck one love it's the bloody glove killin' honkey hoes
Leaving blood stains on Broncos
In a Hertz rental I drive on the 405
Is he dead or alive?Motherfuck court took another snort
Jumpin' over chairs as I run through the airport
So I can catch a flight away from the drama
Number 32 chillin' in the BahamasSucky ducky quack quack niggas ain't knowin' how to act
Sucka ducks play the back
Nigga use to dis but now it's turning around and like Brandy
Motherfuckers wanna be downWith this West Coast rap game I can give a fuck
If you wasn't down at first you can buck these nuts
Transformers get stole on boom
Get the picture killa Cali home of the body bags niggaWestside's on the map
Niggas represent the 70's and still never win gold
Westside's on the map
Niggas represent the 70's and still never win goldWestside

Enjoy the lyrics !!!
Dedrick Rolison, (born August 9, 1971), better known by his stage name Mack 10 is an American rapper and actor. He was a member of hip hop trio Westside Connection, along with Ice Cube and WC. When the West Coast first rose atop the rap industry in the mid-'90s, Mack 10 emerged as one of the coast's most promising talents alongside his longtime associate Ice Cube. The two Los Angeles rappers co-wrote "Foe Life," Mack 10's 1995 breakthrough hit, and united a year later with WC to form the trio Westside Connection, a West Coast gangsta rap supergroup. The Westside Connection album became a sizable hit, rocketing to number two on the Billboard album chart and boasting the anthemic "Bow Down." Mack 10 continued his affiliation with Ice Cube on each successive album while at the same time launching a label of his own, Hoo Bangin' Records. As the '90s came to a close, the rapper's popularity dipped a bit, and he signed with leading Dirty South label Cash Money Records in 2001, where his career underwent some unlikely twists.


Born Dedrick D'Mon Rolison in 1971, Mack 10 perpetually represented Inglewood, California throughout his career, the Los Angeles neighborhood he called home. His professional rap career began in 1995 when he signed with Priority, the premier label for West Coast rap at the time, and released his self-titled album. The West Coast gangsta movement was peaking around this time, and Mack 10 capitalized on the trend with "Foe Life," a song he wrote with Ice Cube, one of the West Coast's reigning talents. The partnership struck gold, and the song became a coastal anthem, opening the door for a successive single, "On Them Thangs." Mack 10 then partnered with Ice Cube again a year later to form the West Coast supergroup Westside Connection along with another Los Angeles rapper, WC. The three had united for a standout song on Mack 10's debut album, "Westside Slaughterhouse," and hoped to reprise their camaraderie for the Westside Connection album. They certainly did so, recording the boastful lead single "Bow Down," which taunted the East Coast, along with several other songs discussing the East-West tension that dominated rap at the time.


Mack 10 followed the number two-charting Westside Connection album with his second album, Based on a True Story, and its lead single, "Backyard Boogie," in 1997. The album became his most successful, peaking at number 14 on the Billboard album chart, and confirmed his quick ascendance to fame. Moreover, the album is generally considered to be Mack 10's career highlight: it features a modest number of guests (Snoop Dogg, E-40, Ice Cube), top-notch G-funk-era producers (Ant Banks, Soopafly), and little of the filler that would begin to populate his successive releases. Mack 10 returned a year later with another Top 20 album, Recipe, which is notable for its abundance of guests. In fact, only one song featured Mack 10 alone; every other song featured at least one guest, if not more; everyone from Master P and Mystikal to Jermaine Dupri and Ol' Dirty Bastard. Following the extravagencies of Recipe in 1997, Mack 10's career began to slowly spiral downward, much like the West Coast gangsta rap scene he rode to fame. His only release in 1998 was Hoo Bangin': Mix Tape, more of a showcase for the many up-and-coming rappers on his Hoo Bangin' label than for himself, and listeners weren't very interested. When Mack 10 finally did return with another full-length of his own, The Paper Route, in 2000, three years after Recipe, listeners similarly weren't very interested.

The relative disappointment of The Paper Route brought Mack 10's souring relationship with Priority Records to an end, and along came Cash Money Records, who happily signed the rapper to a contract. The partnership seemed somewhat unlikely. Cash Money was a leading Dirty South label with a small roster of in-house rappers such as Juvenile and Lil Wayne; however, the label was looking to expand its roster as well as its reach, and Mack 10 offered it a great opportunity to unite the West Coast and Dirty South. The resulting album, Bang or Ball (2001), neither topped the charts nor garnered substantial attention despite boasting "Hate in Yo Eyes," a Dr. Dre production that interpolated the Bee Gees' "Stayin' Alive." The album nonetheless signaled a new direction for Mack 10, who sounded surprisingly comfortable working with one of the Dirty South's premier producers, Manny Fresh. Less than a year later in summer 2002 came Mack 10 Presents da Hood, a Hoo Bangin' release prominently featuring numerous up-and-coming West Coast rappers: K-Mac, Deviossi, Skoop, Cousteau, and Techniec. More importantly, though, the album featured "L.A. for Ya," an anthemic song that was customized for the West Coast's leading radio stations as well as for Lakers and Clippers home games. The customized versions worked, and the song garnered quite a bit of airplay on the West Coast, making it one of Mack 10's biggest hits in years. Ghetto, Gutter and Gangster appeared in 2003 followed by Hustla's Handbook two years later

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