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Work - Mack 10



     
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Work Lyrics


Nigga wanna hustle
Nigga wanna sell dope where we grow up nigga
Ride with me and learn something nigga
If not, stay away my playground nigga
Yeah, this shit right here is for real hustle niggas
Real street niggas, y'all follow me
Squared niggas, kick back and listen how is shit really go, uh
Cabbage work hoes goes spoke and pistols
Last in getting away hearin' whistles
Scopin' down map gestural back full of chips
A hot ass scraps ski mask and two in the clips
Scoop on 'em motophone let 'em know it's on
I pack use 'em draws homeboy, nigga we goners
Beep on 'em Mexican though we won't work
No Baking Soda slides twenty on 'em for the dirt
Got 'em, strap on 'em my shell with ducktapes
See nervous while the Greyhouse escpae across Interstate
Jumpin' up in the friendly scotia down chicken weight

For the work show up and really do be straight
They pull up bread all the lookin' flawless us a show dog
Twenty bird and rally car like she a mother law
Damn, she'll need no duck the law
Bitch got us switch walkin' with the work like motherfuck the law
That's the shit nigga ball fo', how they dope that they wall fo'?
Jumpin' on 'em hoes, they floss the hoes
We carry choppers stole us on homies with calicos
With the funk kick wishin' y'all holy copy with those
Banged out, thanged out, everybody hangin' out
Whole crews anybody sayin' we bust used
Go back blast the gas about to shootin' us
For cabbage work hoes and hundred fo's
Now in the N and N.Y. talkin' to why dies with the bitch
And some load ki's me insider
It's now and never, turn back why should we
Let's turn this bitch upside down
(How could we?)
First to be unnoticed, I don't trust that bitch
She fine but she mixed with rat the lil' snitch
I don't feel right I know crass bustin' bust pipe
And the fed I had up on punk ass snitch all night
Where we better do is send that bitch to the [unverified]
Take the ki's to the rally car and get that bitch the cap
She go be mad about it 'cause she getting cut out
But just let it know her job is done
(Bitch butt out)
Why we here for?
(Nigga we here paper chasin')
Okay then well, let's made this put reservatoins
Bust train or even train station
If you got motophone we can start this operation
That's the shit nigga ball fo', how they dope that they wall fo'?
Jumpin' on 'em hoes, they floss the hoes
We carry choppers stole us on homies with calicos
With funk kick wishin' y'all holy copy with those
Banged out, thanged out, everybody hangin' out
Whole crews anybody sayin' we bust used
Go back, blast the gas about to shootin' us
For cabbage work hoes and hundred hoes
Now I'm the king of rock for my work
One time shoot the block, I did my sack about the dirt
Like a dream team both feams tryin' around me like impressed
Takin' fifth G horse and spork the dope 'port
Like a hell is seen hot for shit, I ain't trippin'
Got folks in the bushes with the chop, chop so I ain't slippin'
None of these out of town C's and Beems
Niggas playin' 'em gueens street they never seen the pontrees
Hobbed on the plane, I'm back on stinky greens
And Inglewood floss and faded the whole scene
1-0 back Ol' T dope grindin'
Fresh gear, big wheels, jewels shinnin'
So I hit Shall Sunday, watchin' with low-low's hot
Me and my N.O. partners on the strippin' new drops
Bentleys, Warreys, Benzes, Hummers
With none full of fall for the next twenty Summers
That's the shit nigga ball fo', how they dope that they wall fo'?
Jumpin on 'em hoes, they floss the hoes
We carry choppers stole us on homies with calicos
With the funk kick wishin' y'all holy copy with those
Banged out, thanged out, everybody hangin' out
Whole crews anybody sayin' we bust used
Go back, blast the gas about to shootin' us
For cabbage work hoes and hundred fo's
And there you have it, that's how it go
From top to bottom, half heart, half money nigga
Oh, don't get it fucked up
I still got money for my first trip out of town, haha, you dig

Enjoy the lyrics !!!
Dedrick Rolison, (born August 9, 1971), better known by his stage name Mack 10 is an American rapper and actor. He was a member of hip hop trio Westside Connection, along with Ice Cube and WC. When the West Coast first rose atop the rap industry in the mid-'90s, Mack 10 emerged as one of the coast's most promising talents alongside his longtime associate Ice Cube. The two Los Angeles rappers co-wrote "Foe Life," Mack 10's 1995 breakthrough hit, and united a year later with WC to form the trio Westside Connection, a West Coast gangsta rap supergroup. The Westside Connection album became a sizable hit, rocketing to number two on the Billboard album chart and boasting the anthemic "Bow Down." Mack 10 continued his affiliation with Ice Cube on each successive album while at the same time launching a label of his own, Hoo Bangin' Records. As the '90s came to a close, the rapper's popularity dipped a bit, and he signed with leading Dirty South label Cash Money Records in 2001, where his career underwent some unlikely twists.


Born Dedrick D'Mon Rolison in 1971, Mack 10 perpetually represented Inglewood, California throughout his career, the Los Angeles neighborhood he called home. His professional rap career began in 1995 when he signed with Priority, the premier label for West Coast rap at the time, and released his self-titled album. The West Coast gangsta movement was peaking around this time, and Mack 10 capitalized on the trend with "Foe Life," a song he wrote with Ice Cube, one of the West Coast's reigning talents. The partnership struck gold, and the song became a coastal anthem, opening the door for a successive single, "On Them Thangs." Mack 10 then partnered with Ice Cube again a year later to form the West Coast supergroup Westside Connection along with another Los Angeles rapper, WC. The three had united for a standout song on Mack 10's debut album, "Westside Slaughterhouse," and hoped to reprise their camaraderie for the Westside Connection album. They certainly did so, recording the boastful lead single "Bow Down," which taunted the East Coast, along with several other songs discussing the East-West tension that dominated rap at the time.


Mack 10 followed the number two-charting Westside Connection album with his second album, Based on a True Story, and its lead single, "Backyard Boogie," in 1997. The album became his most successful, peaking at number 14 on the Billboard album chart, and confirmed his quick ascendance to fame. Moreover, the album is generally considered to be Mack 10's career highlight: it features a modest number of guests (Snoop Dogg, E-40, Ice Cube), top-notch G-funk-era producers (Ant Banks, Soopafly), and little of the filler that would begin to populate his successive releases. Mack 10 returned a year later with another Top 20 album, Recipe, which is notable for its abundance of guests. In fact, only one song featured Mack 10 alone; every other song featured at least one guest, if not more; everyone from Master P and Mystikal to Jermaine Dupri and Ol' Dirty Bastard. Following the extravagencies of Recipe in 1997, Mack 10's career began to slowly spiral downward, much like the West Coast gangsta rap scene he rode to fame. His only release in 1998 was Hoo Bangin': Mix Tape, more of a showcase for the many up-and-coming rappers on his Hoo Bangin' label than for himself, and listeners weren't very interested. When Mack 10 finally did return with another full-length of his own, The Paper Route, in 2000, three years after Recipe, listeners similarly weren't very interested.

The relative disappointment of The Paper Route brought Mack 10's souring relationship with Priority Records to an end, and along came Cash Money Records, who happily signed the rapper to a contract. The partnership seemed somewhat unlikely. Cash Money was a leading Dirty South label with a small roster of in-house rappers such as Juvenile and Lil Wayne; however, the label was looking to expand its roster as well as its reach, and Mack 10 offered it a great opportunity to unite the West Coast and Dirty South. The resulting album, Bang or Ball (2001), neither topped the charts nor garnered substantial attention despite boasting "Hate in Yo Eyes," a Dr. Dre production that interpolated the Bee Gees' "Stayin' Alive." The album nonetheless signaled a new direction for Mack 10, who sounded surprisingly comfortable working with one of the Dirty South's premier producers, Manny Fresh. Less than a year later in summer 2002 came Mack 10 Presents da Hood, a Hoo Bangin' release prominently featuring numerous up-and-coming West Coast rappers: K-Mac, Deviossi, Skoop, Cousteau, and Techniec. More importantly, though, the album featured "L.A. for Ya," an anthemic song that was customized for the West Coast's leading radio stations as well as for Lakers and Clippers home games. The customized versions worked, and the song garnered quite a bit of airplay on the West Coast, making it one of Mack 10's biggest hits in years. Ghetto, Gutter and Gangster appeared in 2003 followed by Hustla's Handbook two years later

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Mack 10