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Wuthering Heights (Original Version) - Kate Bush



     
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Wuthering Heights (Original Version) Lyrics


Out on the wiley, windy moors
We'd roll and fall in green
You had a temper like my jealousy
Too hot, too greedy
How could you leave me
When I needed to possess you?
I hated you, I loved you, tooBad dreams in the night
They told me I was going to lose the fight
Leave behind my wuthering, wuthering
Wuthering HeightsHeathcliff, it's me, Cathy
Come home, I'm so cold!
Let me in-a-your windowHeathcliff, it's me, Cathy
Come home, I'm so cold!
Let me in-a-your windowOoh, it gets dark, it gets lonely
On the other side from you
I pine a lot, I find the lot
Falls through without you
I'm coming back, love

Cruel Heathcliff, my one dream
My only masterToo long I roam in the night
I'm coming back to his side, to put it right
I'm coming home to wuthering, wuthering
Wuthering HeightsHeathcliff, it's me, Cathy
Come home, I'm so cold!
Let me in-a-your windowHeathcliff, it's me, Cathy
Come home, I'm so cold!
Let me in-a-your windowOoh, let me have it
Let me grab your soul away
Ooh, let me have it
Let me grab your soul away
You know it's me, Cathy!Heathcliff, it's me, Cathy
Come home, I'm so cold!
Let me in-a-your windowHeathcliff, it's me, Cathy
Come home, I'm so cold!
Let me in-a-your windowHeathcliff, it's me, Cathy
Come home, I'm so cold!Heathcliff, it's me, Cathy
Come home, I'm so cold!
Songwriters
KATE BUSHPublished by
Lyrics © Sony/ATV Music Publishing LLC Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

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Kate Bush (born Catherine Bush on 30 July 1958 in Bexleyheath, Kent, England, now part of Greater London) is an English singer and songwriter known for her expressive four-octave soprano voice, idiosyncratic and literary lyrics, and eclectic and meticulous musical and production style. She debuted in 1978 with the surprise hit "Wuthering Heights", which was number one in the British music charts for four weeks.

Whilst learning the violin and piano at St. Joseph's Convent Grammar, she caught the ear of Pink Floyd's David Gilmour who funded some demos, ultimately leading to a deal with EMI (Pink Floyd's ultimate record company through the progressive Harvest imprint) when she was sixteen. Over the next two years EMI allowed her to hone her talents to and to finish school without releasing any material--while maintaining an exclusive contract. Bush's first releases were in 1978 with the single Wuthering Heights (which went to number 1 in the UK, a first for a female singer) followed by the album The Kick Inside.

Even from her earliest works, featuring piano as a primary instrument, Bush wove together many diverse influences, melding classical music, rock, and a wide range of folk sources, producing a unique amalgam which has continued throughout her career. Later recordings have moved farther from a rock base, however, notably with the release of The Dreaming in 1982, where she experimented heavily with the then-new technology of sampling.

Recorded in the same sessions as Bush’s reworking of old material, Director's Cut, Songfacts reports that 50 Words for Snow comprises seven songs “set against a background of falling snow.” The album was released through the singer’s personal imprint, Fish People, on November 21, 2011.

More than one reviewer has used the term "surreal" to describe much of her music, for many of the songs have a melodramatic emotional and musical surrealism that defies easy categorization. It has been observed that even the more joyous pieces are often tinged with traces of melancholy, and even the most sorrowful have elements of a unique vitality struggling against all that would oppress it. Her unapologetic use of her voice as an instrument conveying a broad range of emotional intensity and subtlety has characterized nearly all of her work.

Kate Bush has tackled sensitive and taboo subjects long before it had become fashionable to do so; "Kashka From Baghdad" is a song about a gay male couple; "Breathing" explores the results of nuclear fallout. Her lyrics are often literate and reference a wide array of subject matter, some of which is relatively obscure, such as Wilhelm Reich in "Cloudbusting", or G.I. Gurdjieff in "Them Heavy People".

The lush arrangements, complex production and intelligent, thoughtful lyrics found in her work can sometimes mask the fact that Kate Bush is a peculiarly witty writer and that comedy is not only a big influence on her — she has cited Monty Python, Woody Allen, Fawlty Towers and The Young Ones as particular favourites — but also a significant component of her work. In addition to her British peers, Bush has reportedly cited American musicians Frank Zappa and Devo as musical influences.

As a vocalist, she has also provided backing vocals or duets with Peter Gabriel, Roy Harper, Big Country and others. She is often cited as an influence on later artists, most especially female singers such as Jane Siberry, Happy Rhodes and Tori Amos.

Kate Bush has collected two Ivor Novello awards: in 1979 'Outstanding British Lyric' for "The Man With the Child in His Eyes" and 'Outstanding Contribution To British Music As A Songwriter' in 2002. In 1987 she scooped 'Best British Female Artist' at the Brit Awards. In 2001, Kate won Q Magazine's 'Classic Songwriter' award, revealing an unlikely fan in John Lydon who announced, in his acceptance speech for the 'Inspirational Artist Award,' "I'd like to say hello to Kate Bush, thank you, your music is f****ng brilliant".

Kate's song "Running Up That Hill", from the 1985 album Hounds of Love, has been covered by Placebo on a number of dates during their 2006 tour. The Futureheads, released a version of Kate's "Hounds of Love" as a single, which did rather well.

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Kate Bush