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You Are What You Is - Frank Zappa



     
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You Are What You Is Lyrics


Frank zappa (guitar, synclavier)
Steve vai (guitar)
Ray white (guitar, vocals)
Tommy mars (keyboards)
Chuck wild (piano)
Arthur barrow (bass)
Scott thunes (bass)
Jay anderson (string bass)
Ed mann (percussion)
Chad wackerman (drums)
Ike willis (vocals)
Terry bozzio (vocals)
Dale bozzio (vocals)
Napoleon murphy brock (vocals)
Bob harris (vocals)
Johnny "guitar" watson (vocals)Ensemble: (displaying dummy #1)
Do you know what you are?Thing-fish:
Dat what I ast ya!Ensemble:

You are what you is you is what you amThing-fish:
And dat de trufe!Ensemble:
(a cow don't make ham...)Thing-fish:
I meant dat now!Ensemble:
You ain't what you're notThing-fish:
Not even hardly...Ensemble:
So see what you gotThing-fish:
And you got a lot o' lookin' t'do, junior!Ensemble:
You are what you isThing-fish:
Dat entirely too correct!Ensemble:
An' that's all it 'tis!Thing-fish:
Uh-huhhhh!Ensemble:
A foolish young manThing-fish:
Bring dat dummy ovuh heah 'n show it to 'em!Ensemble:
Stashed away in san quentim ate de mys'try potatoesThing-fish:
Told ya 'bout dem 'taters!Ensemble:
Evil prince was inventin' now he talk like de thing-fishThing-fish: (manipulating the dummy)
("hmmmm, saffiiiee!")Ensemble:
An' he look like a mammy!Thing-fish: (manipulating the dummy)
("see de mammy, now! see de mammy, now!")Ensemble:
His fav'rit co-log-numm...Thing-fish:
Smell like...Sister potato head bobby brown, sister ghenghis adonis osmosis, sister jasmine noxema tapioca:
Chitlins!Ensemble:
Is de one dey call 'sammy'!Thing-fish:
One-adam-twelve...see de mammy...Ensemble:
He finally layin'Thing-fish:
Armed 'n dangerous, reproach wit cautium!Ensemble:
De whole thang down, 'cept de nivea lotium!Thing-fish:
Rub it on good, now!Ensemble:
An de royal crown!Thing-fish:
Take good care o' dat "ash"!Ensemble:
Do you know what you are?Thing-fish:
You's a wimp...she's a shrew!Ensemble:
You are what you isThing-fish:
Got dat?Ensemble:
You is what you amThing-fish:
One-adam-twelve, see de mammy agin'!Ensemble:
(a cow don't make ham...)Thing-fish:
And it never will...Ensemble:
You ain't what you're not,Thing-fish:
Unless science do somethin' 'bout it!Ensemble:
So see what you got!Thing-fish:
I know dey woikin' on it...Ensemble:
You are what you is,Thing-fish:
Underneath virginia!Ensemble:
An' that's all it 'tis!Thing-fish:
Boog-boogmmm, dano..."mammy one"! they toss dummy #1 into the wings, an d introduce dummy #2 to harry & rhonda. their torture-chairs, (on a rolling platform), are wheeled to center
E. the action takes place all around them.Ensemble: (showing dummy #2)
A foolish young man
Of de negro persuasion
Devoted his life
To become a caucasian
He stopped eating pork
He stopped eating greens
He trade his dashikiSister owl-gonkwin-jane cow-hoon: (manipulating the dummy)
("uhuru!")Ensemble:
For some jordache jeans!He learned to play golf
An' he got a good score
Now he says to himself:
"i ain't no..."Thing-fish:
"nignint!"Ensemble:
No more...hey! hey! hey!"Thing-fish:
One-adam-twelve, see de "nignint" wit knife... proceed wif cautium...knife may be open...Ensemble:
Bwana ma-coo-bahHarry:
All right! let's go!Ensemble:
Mercedes bainnnzzzzz!Ensemble:
Who is who?Sister owl-gonkwin-jane cow-hoon: (singing)
I don't know...Ensemble:
'n what is whatSister owl-gonkwin-jane cow-hoon:
Somethin' I just don't know...Ensemble:
'n why is thisSister owl-gonkwin-jane cow-hoon:
Tell me now...Ensemble:
AppropriotSister owl-gonkwin-jane cow-hoon:
That's a funny pronunciation, if'n ever I heard one!Ensemble:
If you don't likeSister owl-gonkwin-jane cow-hoon:
Where'd you get that word?Ensemble:
What you has gotSister owl-gonkwin-jane cow-hoon:
Appropriot? the word is not!Ensemble:
Drop it in the dirtSister owl-gonkwin-jane cow-hoon:
Drop it, yeah!Ensemble:
'n let it rotSister owl-gonkwin-jane cow-hoon:
I can smell it now!Ensemble:
Someone elseSister owl-gonkwin-jane cow-hoon:
Here de come, here de come!Ensemble:
Will surely comeSister owl-gonkwin-jane cow-hoon:
I told you he was comin'!Ensemble:
'n pick it upSister owl-gonkwin-jane cow-hoon:
That's right!Ensemble:
'cause he wants someSister owl-gonkwin-jane cow-hoon:
An' he wants it for free!Ensemble:
And when one daySister owl-gonkwin-jane cow-hoon:
There will come a day!Ensemble:
You wonder whoSister owl-gonkwin-jane cow-hoon:
I wonder too!Ensemble:
You used to wasSister owl-gonkwin-jane cow-hoon:
Who I was, anyway!Ensemble:
'n what you doSister owl-gonkwin-jane cow-hoon:
I used to work at the post office!Ensemble:
You'll scratch your headSister owl-gonkwin-jane cow-hoon:
But I don't wanna un-do my doo!Ensemble:
'n look aroundSister owl-gonkwin-jane cow-hoon:
To see what's goin' on!Ensemble:
But what you lostSister owl-gonkwin-jane cow-hoon:
Can't seem to find it!Ensemble:
Will not be foundSister owl-gonkwin-jane cow-hoon:
A mercedes benz!Ensemble:
Do you know what you are?Sister owl-gonkwin-jane cow-hoon:
I know!Ensemble:
You are what you isSister owl-gonkwin-jane cow-hoon:
I'm the kinda guy...Ensemble:
You is what you amSister owl-gonkwin-jane cow-hoon:
That ought to be drivin'Ensemble:
A cow don't make hamSister owl-gonkwin-jane cow-hoon:
A four-fifty slc...Ensemble:
You ain't what you're notSister owl-gonkwin-jane cow-hoon:
A big ol' red one!Ensemble:
So see what you gotSister owl-gonkwin-jane cow-hoon:
With some golf clubs stickin' out de trunk!Ensemble:
You are what you isSister owl-gonkwin-jane cow-hoon:
I'm gwine down to de links on saturday mornin'!Ensemble:
An' that's all it isSister owl-gonkwin-jane cow-hoon:
Gimme a five dollar bill!Ensemble:
You are what you isSister owl-gonkwin-jane cow-hoon:
And an overcoat too...Ensemble:
An' that's all it isSister owl-gonkwin-jane cow-hoon:
Where's my waitress, yeahhhh!Ensemble:
You are what you isSister owl-gonkwin-jane cow-hoon:
Robbie, take me to greek town!Ensemble:
An' that's all it isSister owl-gonkwin-jane cow-hoon:
I'm harder than yer husband; harder than yer husband!Ensemble:
You are what you isSister owl-gonkwin-jane cow-hoon:
I'm goin' down to white street, to the mudd club, y'all!Ensemble:
An' that's all it isSister owl-gonkwin-jane cow-hoon:
I'm goin' down 'n work the wall! 'n work the floorEnsemble:
You are what you isSister owl-gonkwin-jane cow-hoon:
'n work the pipe, 'n work the wall some more!Ensemble:
An' that's all it is

Enjoy the lyrics !!!
Frank Vincent Zappa (1940-1993) was an American composer, guitarist, singer, bandleader and producer. He was one of the most prolific musicians of his time, releasing over fifty albums of original material spanning over a thirty-five year career.

Born on 21st December 1940 in Baltimore, Maryland, Zappa's earliest influences were 1950s pop and rock (such as doo-wop and rhythm and blues), and 20th-century classical composers including Igor Stravinsky and Edgard Varèse. His output was divided between adventurous instrumental compositions and succinct, catchy rock songs with ribald, satirical, or comically absurd lyrics. On stage he demanded virtuosity and spontaneity from his musicians, and employed many performers who would later go on to achieve fame in their own rights. He directed and released a number of films featuring himself, his musicians and entourage, including 200 Motels and Baby Snakes.

His career started in 1955. His earliest recordings date from the mid-1960s, and include collaborations with his school friend Captain Beefheart. In 1965 he joined a bar-band called The Soul Giants, quickly dominating its musical direction and rechristening it The Mothers. Their first release (as The Mothers of Invention; the name alteration requested by their record company) was the 1966 double album Freak Out!. The line-up of the Mothers gradually expanded to accommodate Zappa's increasingly ambitious and avant-garde music, but by 1969 he decided to work outside the band structure, focusing on his solo career, and effectively disbanding the Mothers in 1971.

The beginnings of his solo career in the late sixties and early seventies was characterised by a strong free jazz influence, with albums containing little, if any, lyrical content, such as Hot Rats, Waka/Jawaka and The Grand Wazoo. Towards the mid-seventies his albums became more rock-orientated, with a combination of jazz fusion instrumentation and rock song structures. This more accessible sound bore reasonable mainstream appeal, especially with the release of the well-advertised albums Over-Nite Sensation and Apostrophe (') (which both went Gold), but Zappa's unpredictably eclectic output never led to solid mainstream recognition. He receieved uniformly lukewarm reviews from popular music publications such as Rolling Stone throughout his career. In his late seventies' output, the gulf between his humorous songs and more lengthy, complex instrumental music widened, and albums, such as Zappa In New York, Joe's Garage: Acts I, II & III, and Sleep Dirt displayed, by track, both sides firmly segregated.

Zappa saw a second run of success in the early eighties with the release of many albums with predominantly comedic rock songs, but later continued to experiment with virtually every style of music through the eighties, and was productive as ever until his death. His output in this later-career period included two albums of strikingly original classical music with the London Symphony Orchestra, an electronic take on 18th-century chamber music (written by the obscure Italian composer 'Francesco Zappa', no relation), an album of synclavier compositions (misleadingly titled Jazz From Hell which garnered a Grammy award), a double-CD release of electric guitar instrumental music (the laconically titled Guitar) and a plenitude of official live releases, revisiting fan-favourites as well as showcasing Zappa's talent for reinventing the music of others; his version of Stairway To Heaven becoming a word-of-mouth favourite.

Zappa produced almost all of his own albums, spending many hours in the studio recording and manipulating tracks, and was always at the forefront of emerging technologies; from tape editing, collage, multitrack and overdubbing in the sixties to digital recording, electronic instruments and sampling in the eighties. Conversely, Zappa was also a obsessive self-archivist, recording virtually every one of his live performances, and often using live recordings of new material without needing to enter the studio. The archive of tapes at his family home in Los Angeles continues to be a source of posthumous releases for the Zappa Family Trust. He was also noted as a spotter of talent and his shifting line-up of musicians included Lowell George, Jean-Luc Ponty, Terry Bozzio, Chad Wackerman, George Duke, Mike Keneally, Adrian Belew and Steve Vai, as well as giving Alice Cooper his first break in music and working again with his old collaborator Captain Beefheart when his career was in decline.

In the late 1980s he became active in politics, campaigning against the PMRC's music censorship scheme and acting as culture and trade representative for Czechoslovakia in 1989; and considered running as an independent candidate for president of the US.

His death in Los Angeles, California, on 4th December 1993 came three years after he was diagnosed with prostate cancer.

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Frank Zappa