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hurricane (by bob dylan and jacques levy) - Ani DiFranco



     
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hurricane (by bob dylan and jacques levy) Lyrics


Pistol shots ring out in the barroom night
Enter Patty Valentine from the upper hall
She sees the bartender in a pool of blood
Cries out, "My God, they killed them all"Here comes the story of the hurricane
The man, the authorities came to blame
For somethin' that he never done
Put in a prison cell, but one time he could-a been
The champion of the worldThree bodies lyin' there, does Patty see?
And another man named Bello, movin' around mysteriously
"I didn't do it," he says, and he throws up his hands
"I was only robbin' the register, I hope you understandI saw them leavin'" he says, and he stops
"One of us had better call up the cops"
And so Patty calls the cops
And they arrive on the scene with their red lights flashin'
In the hot New Jersey nightMeanwhile, far away in another part of town
Rubin Carter and a couple of friends are drivin' around
Number one contender for the middleweight crown
Had no idea what kinda shit was about to go down

When a cop pulled him over to the side of the roadJust like the time before and the time before that
In Paterson that's just the way things go
If you're black you might as well not show up on the street
'Less you wanna draw the heatAlfred Bello had a partner and he had a rap for the cops
Him and Arthur Dexter Bradley were just out prowlin' around
He said, "I saw two men runnin' out, they looked like middleweights
They jumped into a white car with out-of-state plates"And Miss Patty Valentine just nodded her head
Cop said, "Wait a minute, boys, this one's not dead"
So they took him to the infirmary
And though this man could hardly see
They told him that he could identify the guilty menFour in the mornin' and they haul Rubin in
Take him to the hospital and they bring him upstairs
The wounded man looks up through his one dyin' eye
Says, "Wha'd you bring him in here for? He ain't the guy"Yes, here's the story of the hurricane
The man the authorities came to blame
For somethin' that he never done
Put in a prison cell, but one time he could-a been
The champion of the worldFour months later, the ghettos are in flame
Rubin's in South America, fightin' for his name
While Arthur Dexter Bradley's still in the robbery game
And the cops are puttin' the screws to him
Lookin' for somebody to blame"Remember that murder that happened in a bar?"
"Remember you said you saw the getaway car?"
"You think you'd like to play ball with the law?"
"Think it might-a been that fighter that you saw runnin' that night?"
"Don't forget that you are white"Arthur Dexter Bradley said, "I'm really not sure"
Cops said, "A poor boy like you could use a break
We got you for the motel job and we're talkin' to your friend Bello
Now you don't wanta have to go back to jail, be a nice fellowYou'll be doin' society a favor
That sonofabitch is brave and gettin' braver
We want to put his ass in stir
We want to pin this triple murder on him
He ain't no gentleman Jim"Rubin could take a man out with just one punch
But he never did like to talk about it all that much
It's my work, he'd say, and I do it for pay
And when it's over I'd just as soon go on my wayUp to some paradise
Where the trout streams flow and the air is nice
And ride a horse along a trail
But then they took him to the jailhouse
Where they try to turn a man into a mouseAll of Rubin's cards were marked in advance
The trial was a pig-circus, he never had a chance
The judge made Rubin's witnesses drunkards from the slums
To the white folks who watched he was a revolutionary bumAnd to the black folks he was just a crazy nigger
No one doubted that he pulled the trigger
And though they could not produce the gun
The D.A. said he was the one who did the deed
And the all-white jury agreedRubin Carter was falsely tried
The crime was murder one, guess who testified?
Bello and Bradley and they both baldly lied
And the newspapers, they all went along for the rideHow can the life of such a man
Be in the palm of some fool's hand?
To see him obviously framed
Couldn't help but make me feel ashamed to live in a land
Where justice is a gameNow all the criminals in their coats and their ties
Are free to drink martinis and watch the sun rise
While Rubin sits like Buddha in a ten-foot cell
An innocent man in a living hellThat's the story of the hurricane
But it won't be over till they clear his name
And give him back the time he's done
Put in a prison cell, but one time he could-a been
The champion of the world
Songwriters
ANDERSON, TIM / FRANGIPANE, ASHLEYPublished by
Lyrics © Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd., Universal Music Publishing Group, BOB DYLAN MUSIC CO Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

Enjoy the lyrics !!!
Angela Maria "Ani" DiFranco was born on September 23rd, 1970 from parents with Italian and Canadian backgrounds. Both her father, Dante, and her mother, Elisabeth, were architects. She grew up in Buffalo, N.Y. and played her first gigs at the age of nine, playing in local bars in her hometown. She attended the Buffalo Academy for Visual and Performing Arts. She moved to New York City at 16 and in 1988 she made a demo which has become a highly sought-after fan item. She is now a prolific artist.

Ani’s lyrics focus, amongst other topics, on war, GLBT issues, sexual assault, the music industry and, recently, the joy of motherhood.
Early on, DiFranco saw how some talents were ignored while others were hyped up. Based on experiences in meeting with the industry she decided to stay independent and as a result she formed her own label: Righteous Babe Records(RBR among her followers). The label was formed in 1989, and a year later her self-titled debut hit the streets. From day one her popularity grew on a mouth to mouth basis. In 1991 her next relase "Not So Soft" came out, followed by yearly releases thereafter, with the exception of 2000, when she released only an EP called "Swing Set". This EP Includes a cover of Bob Dylan's "Hurricane".

Ani tours both with a band and as a solo artist. Her touring pace has often been extreme and in 2005-2006 she had to take a break from touring due to tendonitis. DiFranco's father died early in the summer of 2005; however, she continued her summer tour as a tribute to him. Ani received a Woman of Courage award at the 2006 NOW conference where she also announced that she was pregnant. On January 20th 2007, her daughter Petah Lucia DiFranco Napolitano was born. Ani Difranco gave birth in her home in Buffalo.

DiFranco has been toasted by the Buffalo News as the "Buffalo's leading lady of rock music." The News further said: "Through the Righteous Babe Foundation, DiFranco has backed various grassroots cultural and political organizations, supporting causes ranging from abortion rights to gay visibility."

Since 2003, Ani has been nominated four consecutive times for "Best Recording package" at the Grammy awards, one of which she won, in 2003 for "Evolve."

DiFranco's guitar playing is often characterized by a signature staccato style, rapid fingerpicking and use of a plethora of alternate tunings. She delivers many of her lines in a speaking style notable for its rhythmic variation. Her lyrics, which often include alliteration, metaphor, word play and a more or less gentle irony, have also received praise for their sophistication. The song "Talkin' Mrs. DiFranco Blues," by Dan Bern, strings together some of the most memorable lines from DiFranco's early career for comic effects.

Although DiFranco's music has been classified as both folk rock and alternative rock, she has reached across genres since her earliest albums. DiFranco has collaborated with a wide range of artists including pop musician Prince, folk musician Utah Phillips, funk and soul jazz musician Maceo Parker and rapper Corey Parker. She has used a variety of instruments and styles: brass instrumentation was prevalent in 1998's Little Plastic Castle, strings on the 1997 live album Living in Clip and 2004's Knuckle Down, and electronics and synths in 1999's To the Teeth and DiFranco's latest studio recording, Reprieve.

DiFranco herself noted that "folk music is not an acoustic guitar--that's not where the heart of it is. I use the word 'folk' in reference to punk music and rap music. It's an attitude, it's an awareness of one's heritage, and it's a community. It's subcorporate music that gives voice to different communities and their struggle against authority."

The combination of personal and political is partially responsible for DiFranco's early popularity among politically active college students, some of whom set up fan pages on the web to document DiFranco's career as early as 1994. Because DiFranco's rapid rise in popularity in the mid-1990s was fueled mostly by personal contact through her many live shows and as said above the word was spread from a fan to their friends and so on rather than mainstream press, fans often expressed a feeling of community with each other.

DiFranco has expressed political views outside of her music. During the 2000 U.S. presidential election, she encouraged voting for Ralph Nader in non-battleground states. She supported Dennis Kucinich in the 2004 Democratic primaries.

DiFranco has occasionally joined with Prince in discussing publicly the problems associated with major record companies. DiFranco is openly proud of her label, which employs a number of people in her hometown of Buffalo. In a 1997 open letter to Ms. magazine she expressed displeasure that what she considers a way to ensure her own artistic freedom was seen by others solely in terms of its financial success. Her label has set a standard for other young female singer/song writers.This has not just made her an icon for independent music, but it has also helped establish her as a true feminist which also see the importance of feminism among men. In her poem Reprieve she states that "feminism ain´t about equality, it´s about reprieve".

DiFranco performed with Cyndi Lauper on "Sisters of Avalon", a track from Lauper's 2005 collection The Body Acoustic. She also performed with fellow folk singer Dar Williams on "Comfortably Numb", a Pink Floyd cover song from Williams' 2005 album, My Better Self.

Her most recent work Canon is a career retrospective that gives the listener access to all of her albums through a careful handpicked selection which includes recorded versions of classics such as "Shameless", "Both Hands" and "Overlap" were 3 of the new recorded song versons on Canon. Difranco re-recorded the songs together with Allison Miller on drums and Todd Sickafose on bass.

Together with Canon, she relased a poetry book with her own painting called "Verses."

Her latest album is called "Red Letter Year," released in late 2008. Just prior to its release, Difranco said the following about the CD: "I’m really excited. I have a new band I’m working with, and they’re all over it. Actually, there are a lot of people. I have more guests and friends and other artists involved this time around than I have in a long time. It’s fuckin’ sprawling, this record. I’ve been working on it for a while now, taking a little bit more time because I’m on baby time now. My pace is a little bit slower, which I think is great in terms of making records. I think it will benefit the end result"

A new album entitled "Which Side Are You On?" was released on January 17, 2012.

FULL DISCOGRAPHY:

Which Side Are You On?
January 2012

Red Letter Year
September 2008

Canon
2007

Reprieve
2006

Knuckle Down
2005

Educated Guess
2004

Evolve
2003

So Much Shouting, So Much Laughter
2002

Revelling / Reckoning
2001

To the Teeth
1999

up, up, up, up, up, up
1999

Little Plastic Castle
1998

Living in Clip
1997

Dilate
1996

Not a Pretty Girl
1995

Out of Range
1994

Like I Said
1993

Puddle Dive
1993

Imperfectly
1992

Not So Soft
1991

Ani DiFranco
1990






Swing Set
2000

Little Plastic Remixes (vinyl)
1999

More Joy, Less Shame
1996

Live at Babeville (DVD)
2008


Trust
(DVD only)
2004

Render
(DVD / VHS)
2002







peace not war vol. 2
2004

for the lady
2004

not in our name
2004

peace not war
2003

seeds: the songs of pete seeger, vol. 3

going driftless : an artist's tribute to greg brown
2002

til we outnumber 'em
2000

fellow workers
1999

where have all the flowers gone: the songs of pete seeger
1998

the past didn't go anywhere
1996







Hamburg, Germany - 10.18.07
2008

Boston - 11.10.06
2007
Carnegie Hall - 4.6.02
2006
Rome - 11.15.04
2005

Madison - 1.25.04
2005

Chicago - 1.17.04
2005


Boston - 11.16.03
2005
Portland - 4.27.04
2004
Sacramento - 10.25.03
2004
Atlanta - 10.9.03
2004




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Ani Difranco