Glasgow’s finest exponents of guitar and Hammond pop have produced a new album that sets the standard for others to follow. It goes from the hard and direct - the introduction to “Doublespeak” is a particularly memorable moment - to the more melodic and laid back, such as “After The Watershed” and “Eye Contact (Parts 1 - 4)”. My favourites on the album are the harder “Sometimes I”, which boasts some particularly strong vocals, and the straight ahead approach of “She Gets Around/Home”, with full on guitar and organ.

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