Described as “electrifying… an attractive score … “ “cutting-edge…to whom the term ‘young composer’ and ‘the pianist’ can hardly do justice ” (by New York Times), “ineffably quaking… stirs a scene” (by La Presse, Montréal); “…a work loaded with subtle lament, spanning from chaotic sonorous atmosphere to structured improvisation…” (by Cervantino, Mexico), “...reconciles savageness and quietness ..." (by Volkeskrant, Amsterdam), "...

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