Rome, Italy, 1994. Exposed and encouraged by a broadly artistic family, a young Dave De Rose first started making tracks on a Studio M Roland Sequencer he'd bought to practice his drums to. His studio monitoring system consisting of a junk 40W bass amp, then bouncing the material down to tapes that got played in friends cars, family home stereos and on a merry-go-round at a summer countryside fair in Collemare, L'Aquila. The tapes have long been lost but it is believed that the sound could be described as synthetic-blast-beat-jungle-core…


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