Arguably now a spent force, ac acoustics briefly flirted with a breakthrough in the mid-late 1990s. They were widely championed by the music press and by peers such as Placebo. At their peak they combined dense, fuzz-heavy riffage with cryptic, poetic lyrics[1], before later introducing keyboards and moving into a sparser, more repetition-based direction. Initially, they owed a debt to The Jesus and Mary Chain — blending furious white-noise with early Pavement-style experimentation and augmenting their two guitar, bass and drums instrumentation with saxophones and violins.

Read more about A.C. Acoustics on Last.fm.


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