It starts with a rap of sorts – OK, call it one side of a mentalist conversation – over a churning beats’n’riff loop, which briefly segues into a 70s rock squealer, like the stage has been hijacked by Peter Frampton before breaking into sharp funk steps, a beautifully wired soul vocal and a rallying tune, like Sly & The Family Stone are in control. By the end of the 45 minutes and 12 tracks, you might have recognised something like a sleazy Hall & Oates; mercurially lopsided Celtic soul hip hop; light...

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