Jean Cras (pronounced [ʒɑ̃ kʁaz]) (22 May 1879 - September 14, 1932) was a 20th century French composer and career naval officer. His musical compositions were inspired by his native Brittany, his travels to Africa, and most of all, by his sea voyages. As a naval commander he served with distinction in the Adriatic Campaign during World War I.

Cras met Henri Duparc, the famous French composer, early in his career, and the two became lifelong friends. Duparc called Cras "the son of my soul". Though Cras's duties in the French navy left him little time to devote to his musical work he continued to compose throughout his life, mainly writing chamber music and songs. Much of his most ambitious work, the opera Polyphème, was written and orchestrated during the war, however the majority of his musical output dates from after the war. Today, his string trio and string quartet are his best known works.

His lyric tragedy, Polyphème is considered his masterpiece. The opera was acclaimed at its premiere in 1922, giving Cras a burst of notoriety in the French press. The title character is Polyphemus, who, according to Greek mythology, is the eldest Cyclops and son of Poseidon. It tells the well-known story of the attempt by Polyphemus (baritone) to steal Galatea (soprano) from Acis (tenor). In the original myth Polyphemus eventually kills Acis by rolling a rock onto him. Albert Samain, the librettist, humanized Polyphemus by having him become aware of the feelings shared by two lovers and thus, decide not to crush them. Ultimately, the cyclops wanders into the sea to find death because the couple's happiness horrifies him. The music is impressionistic, restless, and highly chromatic, in the spirit of Chausson and Duparc. The influence of Debussy's opera Pelléas et Mélisande is also noticeable. (A fine recording of this opera was released in 2003, with Bramwell Tovey conducting the Luxembourg Philharmonic Orchestra and Armand Arapian in the title role.)

Cras's later work developed a more acerbic style comparable to that of Bartok, though formally close to Cesar Frank. He considered chamber music to be his forte, writing that "this refined musical form has become for me the most essential". The String Trio in particular integrates a wide range of styles, including North African influences. It was a described as a 'miraculous' work by André Himonet in 1932, achieving "perfectly balanced sonority and a plenitude of expression between which one dare not choose." The Trio for Strings and Piano also blends African and Eastern melodic patterns with Breton musical traditions into a coherent whole. The critic Michel Fleury compares his work to the Japonist style of the artist Henri Rivière revealing "a stylised Breton land, as though it had been passed through the sieve of his varied experiences gained in the four quarters of the globe." Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.