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105 - Aromabar



     
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105 Lyrics


Why the hell are we waitin' in line?
A billion cars in front and behind
We're going the way of the dinosaur
They'll make petrol out of us next time
But everything would be alright
If this coffin I'm in, was a kite
I'm heading on home to my TV set
I'm glad Sopranos are on Sunday night
Hey, you in the car in front of me
I got a message for you, could you pass it on to
The guy sitting in the car in front of you
Ask him to pass it along too
If we all drive 25
We're getting nowhere
If we all drive 75
We'll get there faster
If we all drive 105
We'll get to heaven on time

Bumper to bumper grumps
All waiting to get over the hump
Then we realize what's on the other side
And it's no wonder why we come undone
But I won't let it get me down
And I'll just take a look around
My windshield is a movie screen
And everybody's actin' like a clown
Hey, you in the car in front of me
I got a message for you, could you pass it on to
The guy sitting in the car in front of you
Ask him to pass it along too
If we all drive 25
We're getting nowhere
If we all drive 75
We'll get there faster
If we all drive 105
We'll get to heaven on time
And in the end zone we see a couch
With our TV dinner eyes
And if you see my window rolling down
I've got a chainsaw for a mouth
To cut you down to size
Hey, you in the car in front of me
I got a message for you, could you pass it on to
The guy sitting in the car in front of you
Ask him to pass it along too
If we all drive 25
We're getting nowhere
If we all drive 75
We'll get there faster
If we all drive 105
We'll get to heaven on time
If we all drive 25
We're getting nowhere
If we all drive 75
We'll get there faster
If we all drive 105
We'll get to heaven on time

Enjoy the lyrics !!!

Roland Hackl, Karin Steger, and Andreas Kinzl (aka DJ Scott) made up the Viennese trio Aromabar, a soft, slightly progressive trip-hop outfit that was unafraid to marry mood with conventional song structures. Like a chilled-out Saint Etienne, both traditional acoustic and electronic instruments were often employed, routing the songs toward unexpected beat territory, as in 1999's "Africa for Eu" or the sub-kitsch of their cover of Nick Kamen's "I Promised Myself," which had already been a favorite among many Euro-dance remixers.

Read more about Aromabar on Last.fm.


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Aromabar