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A Million Ways - Dirty Vegas



     
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A Million Ways Lyrics


An' I woke up in the strangest dream
To a world that seems so long, long
Fallen angel spoke with me
With her open wings, she said, "Come on, come on"
An' I can't stop this fever, liberty comes over me
And there's a million ways I've tried
To say these words to you for so long, long
A hundred million stars that shine
But you're the only one that I want, want
Every passin' moment can't you see
There's a million ways tonight
Angel take me by the hand
Help me understand what I've learned, learned
That every woman and every man
Has a precious seed that they burned, burned, burned
An' I can't stop this fever, liberty comes over me
And there's a million ways I've tried
To say these words to you for so long, long

(Come on now)
A hundred million stars that shine
But you're the only one that I want, want
(Come on now)
I can't wait forever, time is runnin' out
An' I can't wait forever, your life is runnin' down
Every passin' moment
Can't you see there's a million ways tonight
Come on now
Come on now
Come on now
There's a million ways I've tried
To say these words to you for so long, long
(Come on now, come on now)
Hundred million stars that shine
But you're the only one that I want, want
(Come on now, come on now)
There's a million ways I've tried
To say these words to you for so long, long
A hundred million stars that shine
You're the only one that I want, want

Enjoy the lyrics !!!
Dirty Vegas is an electronic/dance/club trio from London, made up of Steve Smith, Paul Harris, and Ben Harris. (no relation) The group first gained public attention in North America when one of their songs, Days Go By, was used in a Mitsubishi Eclipse commercial. This song is their biggest hit to date.

The group's first album, the self-titled Dirty Vegas, contained a mix of electronic/club instrumentals and similar tracks with vocals by Steve Smith. This album was influenced by The Crystal Method and The Chemical Brothers, but with a slightly more laid-back approach. Songs like Throwing Shapes or The Brazilian would sound at home on an album by either of these two contemporaries.

Their second studio album, One, moved away from club music, and featured a style reminiscent of an adult contemporary album; none of the tracks went on to become hits. Some fans were put off by the drastic departure from their first album, while other fans welcomed the change.

The band reports that their third studio outting should strike a balance between the two, leaning toward the club style again.

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Dirty Vegas