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Aids & Armageddon - David Baerwald



     
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Aids & Armageddon Lyrics


I get six to many fingers and a subatomic coat
I took my babay out to dinner but all she wanted
was dope on the way to the abortion
she said babies take hope I said all you ever do
is just sit around and mope aboutAids and Armageddon
Armageddon and Aids
well I don't want to talk about it
cause I think I might have got it
anyway I just got laid
Armageddon and AidsI dream assassination I hallucinate cash
I'm afraid of my own future I'm disgusted with my past
I wake up dreaming every morning
about some chemical blast my brain
filled up with questions that I'm too afraid to ask
I just don't wanna knowAids and Armageddon
Armageddon and Aids
well I don't want to talk about it
cause I think I might have got it

and anyway I just got paid
that's Aids and Armageddon
Armageddon and AidsWell she was in hiding
from the powers that be
she viewed living
as dying ungracefully
our love affair ended
the day she tried to kill me
she said you know
you're gonna die
I said yeah but not yetSo I wound up in Las Vegas
to earn some alimony cash
I made an honest dollar
looking trhough my
neighbors trash
but these jaded jet set wastrels
always pounding at my door
they'd talk about Gandhi
then go looking for some hoes

Enjoy the lyrics !!!
After the quick dissolution of David & David in the mid-'80s, David Baerwald began a solo career, releasing his solo debut, Bedtime Stories, in 1990. As with David & David's sole album, it was an album of deceptively laid-back pop; the calm production and subtle, memorable melodies hid the fact that Baerwald's characters were either inflicting or suffering from emotional pain. It was a triumph, winning raves from critics, but it sold very few copies. With his second album, 1993's Triage, Baerwald decided to have the music match the message, creating soundscapes that recalled a subdued, more pop-friendly Tom Waits. Again, the critical praise was substantial but the record sold even fewer copies than the first. A follow-up wouldn't be seen for nearly a decade, however; Baerwald took time out to work with other musicians and tweak his playing skills. He joined Sheryl Crow for her monumental Tuesday Night Music Club debut and was later nominated for a Golden Globe for Moulin Rouge's swan song, "Come What May." Finally, Baerwald bounced back with Here Comes the Folk Underground in 2002. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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David Baerwald