DamnLyrics - The center provides all the lyrics

Bozo Weirdo Wacko Creep - David Baerwald



     
Page format: Left Center Right
Direct link:
BB code:
Embed:

Bozo Weirdo Wacko Creep Lyrics


Well, I'm not here to make a movie
I'm not here to write a song
I'm not here to fall in love
Too afraid of being wrong
I think it's time to leave this place
I think it's time to make a break
I think I think I think I know
what still matters what's at stake
Call me bozo
Weirdo wacko or creep
Just call me
Call me bozo
Weirdo wacko or creep
Just call me
Well, I'm as lonesome
as a man could ever be

There's a hole in me
the size of New Orleans
I'm just as freaky
as a man could ever be
I feel just like an apple
in a mango tree
I think it's time to leave this place
I think it's time to make a break
I think I think I think I know
what still matters what's at stake
Call me bozo
Weirdo wacko or creep
Just call me
Call me bozo
Weirdo wacko or creep
Just call me
I want a place
at the head of the line
I want you here
I don't want you there
Give me a call
You can spend my dime
Send me it's only fair
Because I miss you so
Because I miss you
I think it's time to leave this place
I think it's time to make a break
I think I think I think I know
what still matters what's at stake
Call me bozo
Weirdo wacko or creep
Just call me
Call me bozo
Weirdo wacko or creep
Just call me
Because I miss you so
Because I miss you
Because I miss you
Because I miss you so
Lyrics Submitted by Richard Gagnon

Enjoy the lyrics !!!
After the quick dissolution of David & David in the mid-'80s, David Baerwald began a solo career, releasing his solo debut, Bedtime Stories, in 1990. As with David & David's sole album, it was an album of deceptively laid-back pop; the calm production and subtle, memorable melodies hid the fact that Baerwald's characters were either inflicting or suffering from emotional pain. It was a triumph, winning raves from critics, but it sold very few copies. With his second album, 1993's Triage, Baerwald decided to have the music match the message, creating soundscapes that recalled a subdued, more pop-friendly Tom Waits. Again, the critical praise was substantial but the record sold even fewer copies than the first. A follow-up wouldn't be seen for nearly a decade, however; Baerwald took time out to work with other musicians and tweak his playing skills. He joined Sheryl Crow for her monumental Tuesday Night Music Club debut and was later nominated for a Golden Globe for Moulin Rouge's swan song, "Come What May." Finally, Baerwald bounced back with Here Comes the Folk Underground in 2002. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

View All

David Baerwald