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Can't Wait to Be With You - DJ Jazzy Jeff & The Fresh Prince



     
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Can't Wait to Be With You Lyrics


[Chorus 1 - Christopher Williams] (Fresh Prince)
(I can't wait to be with you, uh)
I can't wait to be with you (yeah)
I can't wait to see you (uh)
I can't wait to be with you (haha)
Loving you is all I want to do[Verse 1 - Fresh Prince] (Christopher Williams)
10 o'clock my flight lands
Can't wait to hold the palm of your hand
Been 7 long days, since the last that I saw you
And every free moment I get, I got to call you
Takin' every chance, to glance at your cute face
And lookin' at your 8 by 10 in my suitcase
Ain't been with my honey in a long while
And when I get a hold of you, mmm child (oh, yeah)
No tellin' what I might do
Cause I would be like a kid that got a toy and it's brand new
Can't wait to hold you, can't wait to see you
Can't wait to treat you, can't wait to be with you (oh, yeah)[Chorus 2 - Christopher Williams] (Female voice) [Fresh Prince]

(Can't wait, can't wait) [uh] I can't wait to be with you
(Can't wait, can't wait) {yeah] I can't wait to see you
(Can't wait, can't wait) [uh] I can't wait to be with you [haha]
Loving you is all I want to do
[Verse 2 - Fresh Prince] (Christopher Williams)
Bein' in love is like an amusement ride, G (woo)
I feel like it's a party inside me
Smile on my face, and there's a twinkle in my eye
Time to go to work, but it's so hard to say goodbye (oh, oh)
And as I think of you, it's like I had a drink or two
I feel dizzy, damn where is she?
Pick up the phone and call you about three (Female voice: hello)
Yeah baby it's me, just to hear your voice, just the thought of you
Got me trippin', it's why I just bought a new
Cellular phone, so I don't have to postpone
When my beeper goes off, no more runnin' to a pay phone
Your astoundin', it's why I'm expondin'
So vivacious, and baby your face is
That of a goddess, it's makin' me feel numb
A fe fi fo fum, yo baby come and get some
Of the man, the myth, so debonair
What said while fair, is a pair
We extraordinary, me and you as a team, it's kinda swell ain't it
Love is hole and I tripped, then I feel in it (oh, that's why)
From the mountain, to the valley, to the deep blue sea
All I can do is hope and pray, you want to be with me
I'm sayin' this from my heart, that's how you know that it's true
Yo, I can't wait to be with you
[Chorus 3 - Christopher Williams] (Female voice) [Fresh Prince]
Girl I know it's true
(Can't wait, can't wait), I can't wait to be with you
(Can't wait, can't wait), I can't wait to see you
I can't wait to see you baby [uh]
(Can't wait, can't wait), [uh] I can't wait to be with you
(Can't wait, can't wait), Loving you is all I want to do[Fresh Prince - talking over chorus and during Williams' solo singing]
Alright check it out, break
Yeah, uh huh, oh yeah
That's how I like it
That's how I like it
Woof, woof, woof, woof[Christopher Williams - singing solo]
HEY, OH YEAH, OH WEE, YEAH[Verse 3 - Fresh Prince] (Christopher Williams)
Yeah, presto chango I wish I was a magacian
Snap my fingers or tap my heels and then
Abra cadabra, righ there beside you
But it's seemin' and dreamin', that's all I can do
I'm in an airport, an hour until flight time
Can't wait to have you direct in my sight line
Got a warm feelin' in my chest, thinkin' of your soft caress
I miss you so much and it ain't enough to just reach out and touch
I want to hold your hand, in my hand
And walk and talk barefoot in the sand
(And I can't wait) to just see your smile
(And I can't wait) to be alone for a while
(And I can't wait) to do the things we do
I can't wait, I can't wait, oh I can't wait to be with you[Chorus 4] Christopher Williams (female voice) [Fresh Prince]
Oh, can't wait
(Can't wait, can't wait) [uh], I can't wait to be with you
I can't wait to be with you
(Can't wait, can't wait) [yeah], I can't wait to see you
Just to see you
(Can't wait, can't wait) [yeah], I can't wait to be with you
Baby just hold you
Loving you is all I want to do(Can't wait, can't wait), I can't wait to be with you, can't wait
(Can't wait, can't wait), I can't wait to see you
(Can't wait, can't wait), loving you is all I want to do
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DJ Jazzy Jeff & The Fresh Prince was a 1980s and 1990s rap duo. The vocalist of this duo, Will Smith, met Jeff Townes while trying to make a name for himself in West Philadelphia’s local party/rap scene. After joining forces, the team became local celebrities. Philadelphia-based Pop Art Records released their first single, Girls Ain’t Nothing but Trouble, in late 1985, a tale of misadventures with the opposite sex. The song sampled the theme of I Dream of Jeannie. Smith became known for lighthearted, storytelling raps and capable, through curse-free, 'battle' rhymes. Townes was known for his turntable acrobatics, and is credited by many as inventing a style of scratching called "transforming".

Based off this success, the duo were brought to the attention of Jive Records and Russell Simmons’. Their first album, Rock the House, debuted on Jive in the summer of 1987. The band found themselves on their first major tour with Run DMC, Public Enemy, and others, that same year. The album sold about 300,000 units. Their 1988 follow-up hit, He's the DJ, I'm the Rapper made them multi-platinum stars. Mostly recorded in the UK, the album was rap musics’s first double-vinyl LP release (also issued as a single cassette and CD). Parents Just Don’t Understand, the lead-off single, made them MTV household names, and tracks like Brand New Funk was received well by their fans. Rock The House was re-released to gold sales later that year.

Another single, Nightmare on My Street, showcased a fictional confrontation with movie villain Freddy Krueger. Coinciding with the release of the fourth Nightmare on Elm Street film (1988’s "The Dream Master"), New Line Cinema was not pleased. A video allegedly shot for the single was buried, and a disclaimer was hastily included on pressings of the album indicating that the record was not officially affiliated with any of the "Nightmare" films (ironically, Jive Records ended up releasing the soundtrack to the next film in the series, "The Dream Child").

1989 saw the release of And In This Corner..., which sold gold, but saw the duo slip in popularity. The crossover curse of various rap acts had come to pass, as their initial audience felt they had become too accessible; non-crossover rap acts like Big Daddy Kane and Boogie Down Productions had bigger street followings; meanwhile, pop radio had latched on to new faces like Tone Loc and Young MC, while non-radio followers became more enamored with hardcore acts like Ice-T and 2 Live Crew. In a bit of mild irony, the lead single, I Think I Can Beat Mike Tyson, featured the brawler in its video, but shortly after the band’s Grammy performance in 1990, Tyson lost his first fight with Buster Douglas.

Smith would later admit to a spendthrift attitude during this time, becoming near-broke, which led him to feel he had nothing to lose when a TV producer approached him to do a show on NBC. The Fresh Prince of Bel-Air boosted his profile, and pocketbook, giving him the leverage to stage a comeback album, Homebase, in 1991. The platinum album featured the lead-off single Summertime, which has become one of their most enduring hits. Code Red, their last studio LP as a duo, released in 1993 to gold sales. The duo made it to the very top of the Singles charts in 1993 with the single Boom! Shake The Room.

Shortly afterward, Smith began to look at acting full-time; his movie roles increased, finally getting his first lead role in 1995’s Bad Boys. 1996’s Independence Day cemented him as a major draw, and he left the Fresh Prince that same year. Strangely, he and Townes ended up being sued by Jive, who alleged that the duo still owed them albums. In an intervew, Smith has stated that while shooting the Men in Black movie, Smith approached Jive with the "Men in Black" single; they turned him down, saying that it couldn’t be a hit. In the aftermath of the movie and soundtrack’s success, the duo settled the lawsuit out of court. Hence, their Greatest Hits compilation includes two cuts from the M.I.B. soundtrack.

Since then, of course, Smith has released three Columbia/Sony albums under his own name; a separate "solo" hits cd was released in 2003. Jazzy Jeff, meanwhile, recorded an aborted album for Columbia in 1999 (including a song with Eminem), and then independently released The Magnificent in 2002. He has also become an R&B producer of note, overseeing releases by Jill Scott and others.

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Dj Jazzy Jeff & The Fresh Prince