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Don't Even Try It - Dj Jazzy Jeff & The Fresh Prince



     
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Don't Even Try It Lyrics


Yo Jeff, what's shakin', man?
What's up, dude?
Hey man, you remember that girl I knew
I walking to school, man
The one who used to diss me everyday? Yeah
When the record came out she called me two days ago, man
Man, my phone is ringin' off the hook
With people askin' me for tapes and free records
I, man, I ain't with it, word man, bust this
This rap is for you people in the past who were against me
Who snatched up every opportunity to diss me
Put me down like I was nothin', treated me like a jerk
Now I'm seein' the pay-off of all my hard work
'Cause now that it's my records on the wheels
Somehow all of a sudden, it's a whole new deal
So for those in the past who dissed me, don't deny it
What, you're sorry? Huh, don't even try it
Word man, man, people are a trip, man

Put everybody down about what's up with that
Yo word, man, I gotta let 'em know, bust this
I used to know this girl by the name of Theresa
I did all I could to make her release her emotions to me
But she just wouldn't do it, she built up a wall
And I couldn't break through it
I used to walk to school everyday of the week
Watchin' Theresa walk on the other side of the street
One day I finally got my heart up to speak
But she dissed me and dismissed me with a smack on my cheek
So I bought six bottles of new fancy cologne
But all I got from Theresa was
(Leave me alone)
I bought new clothes to wear everyplace
But all Theresa would say was
(Get out of my face)
So I gave up this quest for Theresa
But then on the day my record was released
A strange thing happened when it came on the radio
Theresa broke her neck just to say
(Hello)
I looked at her, I said, "You must be foolish, why did you ignore me
On the way to school if you were interested?", she said
("Oh, I apologize")
I looked deep into her dark brown eyes I said
"You ignored me for months on and now
All of a sudden you wanna be my friend?
You didn't talk before so don't talk now, be quiet
What, you really like me? Huh, don't even try it"
Man, she had a lotta nerve, man
Word man, hey man, but she ain't had half
As much nerve as that old record producer, man
Remember when he dissed us, man?
What, what up?
When I first started rappin' I had one idea
And it was set in my mind very vivid and clear
I knew that I wanted to be a rap artist
I would give my all and work my hardest
But when I took my song to a record producer
He told me that I better go drink some rap juice
Or somethin' 'cause my song was really absurd
He said that it was the worst trash that he'd ever heard
You know my ego was shattered, he busted my groove
I could hear him crackin' up as I left the booth
(Ha, haaa)
I thought my song was good but he busted my bubble
The title was 'Girls Ain't Nothing But Trouble'
Luckily I found someone who had faith
He lifted my ego back up into place
His name was Dana Goodman
And he thought my song was on track
So two weeks later it was out on wax
It busted up the charts like a hydrogen bomb
Up, up, up, up it clim-clim-climbed
I made people eat the words that said I couldn't achieve
Now they had no choice but to believe in me
Then no sooner than my record came out
That same old producer started callin' my house
One night he called me 'bout at half past 12
He said, "I've got some cash if you wanna sell"
I said, "You big, stupid, half-wit idiot
I told you before that my record was a hit
But you just laughed like I was some kind of kid
Now don't you regret what you did?"
"I wish you'd get off my tip, yes, that's my request
You see, he who laughs last, always laughs best
Okay, I'll be reasonable, you wanna buy it?
Okay, I'll sell it, psych, don't even try it"
Ha, ha, that's how you gotta put it to him
Word man, that's how you gotta
You know what? Let me tell you something
I got dissed so hard, man, bust this
I'ma tell you, what's up?
Yo Prince, do you remember when we first started out
How we used to go to all the parties just to rock the house?
(Word man, I remember those good days well)
Why chill out, man, 'cause I got a story to tell
About five years ago, I began my quest
To be the best deejay in the whole U.S.
There was a lot of deejays strivin' for my spot
They would put me down every chance they got
Never cut me a break on any given night
They used to all look at me and say
(Pfsss, Jeff's aight)
(But when your 'Magnficient Cuts' were released)
(All of that laughter ceased)
Word
(When you and I used to do our shows)
(All the crowd would say was, "Ho, ho, ho")
Yeah, time after time we were tearin' it up
While you rocked the mic and I rocked the cut
But now that I'm makin' a name for myself
All those deejays are like
("Yo Jeff, what's up?")
But all that stuff is dead, no, I ain't with it
They approach me on the street and say
("Yo Jeff, how 'bout a ticket, man, to your very next show?")
But I say no and I tell 'em where they can go
I can't believe that they had the nerve to hop on my tip now
(Yeah man, word)
Just the other day homebody approached me on the street
And said,
("Yo Jeff, how 'bout a record for free?")
I said, man, the way you dissed me, you better go buy it
("But Jeff, we're friends)
For real? Don't even try it
Hey man, I'm tellin' you straight up
You know how it is, man
Man people, people are a trip, man
Maybe they'll know next time not to dis people
Knawmsayin?
We told 'em, we let 'em know
'Cause I ain't with it, man, that stuff is dead
Dig it, alright Jeff, chill, man, alright

Enjoy the lyrics !!!
DJ Jazzy Jeff & The Fresh Prince was a 1980s and 1990s rap duo. The vocalist of this duo, Will Smith, met Jeff Townes while trying to make a name for himself in West Philadelphia’s local party/rap scene. After joining forces, the team became local celebrities. Philadelphia-based Pop Art Records released their first single, Girls Ain’t Nothing but Trouble, in late 1985, a tale of misadventures with the opposite sex. The song sampled the theme of I Dream of Jeannie. Smith became known for lighthearted, storytelling raps and capable, through curse-free, 'battle' rhymes. Townes was known for his turntable acrobatics, and is credited by many as inventing a style of scratching called "transforming".

Based off this success, the duo were brought to the attention of Jive Records and Russell Simmons’. Their first album, Rock the House, debuted on Jive in the summer of 1987. The band found themselves on their first major tour with Run DMC, Public Enemy, and others, that same year. The album sold about 300,000 units. Their 1988 follow-up hit, He's the DJ, I'm the Rapper made them multi-platinum stars. Mostly recorded in the UK, the album was rap musics’s first double-vinyl LP release (also issued as a single cassette and CD). Parents Just Don’t Understand, the lead-off single, made them MTV household names, and tracks like Brand New Funk was received well by their fans. Rock The House was re-released to gold sales later that year.

Another single, Nightmare on My Street, showcased a fictional confrontation with movie villain Freddy Krueger. Coinciding with the release of the fourth Nightmare on Elm Street film (1988’s "The Dream Master"), New Line Cinema was not pleased. A video allegedly shot for the single was buried, and a disclaimer was hastily included on pressings of the album indicating that the record was not officially affiliated with any of the "Nightmare" films (ironically, Jive Records ended up releasing the soundtrack to the next film in the series, "The Dream Child").

1989 saw the release of And In This Corner..., which sold gold, but saw the duo slip in popularity. The crossover curse of various rap acts had come to pass, as their initial audience felt they had become too accessible; non-crossover rap acts like Big Daddy Kane and Boogie Down Productions had bigger street followings; meanwhile, pop radio had latched on to new faces like Tone Loc and Young MC, while non-radio followers became more enamored with hardcore acts like Ice-T and 2 Live Crew. In a bit of mild irony, the lead single, I Think I Can Beat Mike Tyson, featured the brawler in its video, but shortly after the band’s Grammy performance in 1990, Tyson lost his first fight with Buster Douglas.

Smith would later admit to a spendthrift attitude during this time, becoming near-broke, which led him to feel he had nothing to lose when a TV producer approached him to do a show on NBC. The Fresh Prince of Bel-Air boosted his profile, and pocketbook, giving him the leverage to stage a comeback album, Homebase, in 1991. The platinum album featured the lead-off single Summertime, which has become one of their most enduring hits. Code Red, their last studio LP as a duo, released in 1993 to gold sales. The duo made it to the very top of the Singles charts in 1993 with the single Boom! Shake The Room.

Shortly afterward, Smith began to look at acting full-time; his movie roles increased, finally getting his first lead role in 1995’s Bad Boys. 1996’s Independence Day cemented him as a major draw, and he left the Fresh Prince that same year. Strangely, he and Townes ended up being sued by Jive, who alleged that the duo still owed them albums. In an intervew, Smith has stated that while shooting the Men in Black movie, Smith approached Jive with the "Men in Black" single; they turned him down, saying that it couldn’t be a hit. In the aftermath of the movie and soundtrack’s success, the duo settled the lawsuit out of court. Hence, their Greatest Hits compilation includes two cuts from the M.I.B. soundtrack.

Since then, of course, Smith has released three Columbia/Sony albums under his own name; a separate "solo" hits cd was released in 2003. Jazzy Jeff, meanwhile, recorded an aborted album for Columbia in 1999 (including a song with Eminem), and then independently released The Magnificent in 2002. He has also become an R&B producer of note, overseeing releases by Jill Scott and others.

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Dj Jazzy Jeff & The Fresh Prince