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Come Out To Play - UB40



     
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Come Out To Play Lyrics


He used to think that it was neat
When he hung out on the street
Now that it's his daily beat, he's not so sure
'Cause he's come to depend
On a street with a dead end
And he'll sell you his best friend, so he can score[Chorus]
Boys and girls come out to play
The junk mans on the streets to say
He'll make your dreams feel real today
And steal your minds tomorrowNow his thoughts don't seem so clear
His whole life is filled with fear
His habit cost him dear in every way
His girl can't take the heatBut his friends all cross the street
Still the needle keeps him sweet
If he can pay for one more dayHis bones have got no meat
He's unsteady on his feet
And he doesn't get to eat, not every day
What started out for kicks

Has become a daily fix
And his girlfriend's turning tricks to pay his way[Chorus]Boys and girls come out to play
The junk man's on the streets to say
He'll make your dreams feel real today
And steal your minds tomorrow
Songwriters
Wilson, Terry / Virtue, Michael / Brown, Jim / Travers, Brian / Hassan, Norman / Falconer, Earl / Campbell, Robin / Campbell, AliPublished by
Lyrics © Sony/ATV Music Publishing LLC, Universal Music Publishing Group Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

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UB40 are a British dub / reggae pop music band formed in 1978 in Birmingham, England.

The band is one of the most culturally diverse dub reggae bands with musicians of English, Scottish, Irish, Yemeni and Jamaican parentage. The band is named from the paper form issued by the UK government's Department of Health and Social Security at the time of the band's formation for claiming unemployment benefit (UB40 = Unemployment Benefit, Form 40).

UB40 were influenced by the many Blues Parties they attended as teenagers in the multiracial Balsall Heath area of Birmingham, their love of ska and reggae inspired such original tracks as King, Madam Medusa, Food for Thought, Signing Off and One in Ten.

Their early music style was unique, with a heavy influence of analogue synthesizers, psychedelic rock guitar, saxophone and dub producer techniques which were later perfected by the late Pablo Falconer.

Ali and Robin Campbell have a musical heritage, being sons of Ian Campbell, a folk musician.

The band purchased its first instruments with compensation money Ali Campbell received after a bar fight. They have had a number of hits, most commercially and to amusement of the band, "Red Red Wine", a cover version of a Neil Diamond song (in an arrangement similar to that of Tony Tribe's version). Their most successful single release is the cover of the Elvis Presley ballad Can't Help Falling in Love which was intended to be the main title to the 1992 Sharon Stone movie Sliver and was a Number One hit across Europe and in the U.S.

Many of UB40's recordings were inspired by 1960s ska and early lovers rock songs that would have otherwise been forgotten in the public eye. Their new injection of life into so many old Jamaican hits has resulted in many musicians' and producers' renewed popularity and income.

UB40's early music often tackled social issues such as racism and unemployment.

Other artists that UB40 have collaborated with include: Pato Banton, Madness, Bitty McLean, Chrissie Hynde, Robert Palmer, Hunterz, Japanese artist Mikidozan, French artist Nuttea, Lady Saw and Afrika Bambaataa.

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