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Hold Your Position - Ub40



     
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Hold Your Position Lyrics


Now here comes the great musical thing called `hold your position`
Rasta, them style ya a just levelment uncle seen
Hold me position, just a hold me position
I ya, hold me position, just a hold me position
Go on, hold me position, just a hold me position
Just like jesus christ in the valley of decision
Devil come along and tru to deceive man through him
Got him plan from the older one
Him had to hold him position, had to hold him position yeh
Hold him position, had to hold him position
Well rhythm like this makes me and me daughter
Go down at the dance, bubble on the corner
When the rhythm is sweet, we a go hold tighter
Rub-adub like this makes you go one
So you hold your position
Say you hold you position aya
Hold your position, say hold your position
Things and time was a getting slow let off the rhythm

Let the good time roll
Don`t bother go a slow and stay a back row
I man come to make the rythm
Just a rock and flow, because me hold me position
Just a hold me position
Special request to 39 acker tree, frontline, everyman on kime
Ub40 say come and rhyme
Yes, daddy stone, me in the dance hall style
So we really come to make it versatile
Because one of a kind we come to blow your mind
So you should hold you position
Yes, hold your position, aya
Hold your position, hold your position hold your position(cont`d)
Stones
Skank steady, skank steady
I tell you rock the rhythm
You should skank down steady
You know you say, it heavier than lead
Kinda tougher than tough
You know that jab, jab overs
Since he stands over us
So hold your position
Hold your position
Move to the east, and you could a move to the west
Lyrics like this jab know never go jest
Say chunk ice water say right to your chest
Intercity, outer city everywhere the best you better
Hold you position, just hold your position
Hold you position, say hold your position
Well rhythm like this is really so hot
Let off the vilse because a legal shot
Because we hold our position
Yes, we hold our position aya
Hold our position yes, hold our position
Hold on tight never let go
Tee, ta, tee, say them all in a row
Donkey want water, you should hold him
Joe hold on tight and never let go
Hold your position, just hold your position
Hold your position a ya, just hold your position
Wah dat, hold your position
I say hold your position settle hold your position john
Hold you position aunty, hold your position
Say hold your position go on
Hold your position, tell them rhythm so crucial
Rhythm so nice like sugar, like a spice
Cause when we a come a dance give you rough, nough, choice
A youth like me should a drive rolls royce
Sugar my tea

Enjoy the lyrics !!!
UB40 are a British dub / reggae pop music band formed in 1978 in Birmingham, England.

The band is one of the most culturally diverse dub reggae bands with musicians of English, Scottish, Irish, Yemeni and Jamaican parentage. The band is named from the paper form issued by the UK government's Department of Health and Social Security at the time of the band's formation for claiming unemployment benefit (UB40 = Unemployment Benefit, Form 40).

UB40 were influenced by the many Blues Parties they attended as teenagers in the multiracial Balsall Heath area of Birmingham, their love of ska and reggae inspired such original tracks as King, Madam Medusa, Food for Thought, Signing Off and One in Ten.

Their early music style was unique, with a heavy influence of analogue synthesizers, psychedelic rock guitar, saxophone and dub producer techniques which were later perfected by the late Pablo Falconer.

Ali and Robin Campbell have a musical heritage, being sons of Ian Campbell, a folk musician.

The band purchased its first instruments with compensation money Ali Campbell received after a bar fight. They have had a number of hits, most commercially and to amusement of the band, "Red Red Wine", a cover version of a Neil Diamond song (in an arrangement similar to that of Tony Tribe's version). Their most successful single release is the cover of the Elvis Presley ballad Can't Help Falling in Love which was intended to be the main title to the 1992 Sharon Stone movie Sliver and was a Number One hit across Europe and in the U.S.

Many of UB40's recordings were inspired by 1960s ska and early lovers rock songs that would have otherwise been forgotten in the public eye. Their new injection of life into so many old Jamaican hits has resulted in many musicians' and producers' renewed popularity and income.

UB40's early music often tackled social issues such as racism and unemployment.

Other artists that UB40 have collaborated with include: Pato Banton, Madness, Bitty McLean, Chrissie Hynde, Robert Palmer, Hunterz, Japanese artist Mikidozan, French artist Nuttea, Lady Saw and Afrika Bambaataa.

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