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Cover Girl - Jamie Foxx



     
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Cover Girl Lyrics


Yeah, yeah
It's the easy, queasy, beautiful, beautiful
Yeah, y'all know me
It's the queen bee, queasy, breezy, beautiful
Cover girl, a cover girl
I want a cover girl, a cover girl
One that goes and gets it, she won't wait for it
She can't fake, but she gets paid for it
Cover girl, a cover girl
I want a cover girl, a cover girl
One that goes and gets it, she won't wait for it
She can't fake, but she gets paid for it
Don't want an everyday girl
In my fantasy world
Gonna win, I won't lose
She gettin' money like ooh
She got cool like that
She got the rules like that

If she sees it and it fits
It ain't nothin' for her to get
This goes out to all my girls
Who got their own cash, uh-huh
'Cause you may need it for fun
This goes out to all my girls
Who buy everything that they own
I need you to be mine
Cover girl, a cover girl
I want a cover girl, a cover girl
One that goes and gets it, she won't wait for it
She can't fake, but she gets paid for it
Cover girl, a cover girl
I want a cover girl, a cover girl
One that goes and gets it, she won't wait for it
She can't fake, but she gets paid for it
My girl has got to be the boss
It's nothing for shorty to pay the cost
Game's so sick
Got it done, win a hit
She just works so hard
Cookin' with a black credit card
Baby girl's flying first class
Got the body, fat lips, fat ass
This goes out to all my girls
Who got their own cash, uh-huh
'Cause you may need it for fun
This goes out to all my girls
Who buy everything that they own
I need you to be mine
Cover girl, a cover girl
I want a cover girl, a cover girl
One that goes and gets it, she won't wait for it
She can't fake, but she gets paid for it
Cover girl, a cover girl
I want a cover girl, a cover girl
One that goes and gets it, she won't wait for it
She can't fake, but she gets paid for it
In the pretty face, you can't replace her
She gets her own on her own like a captain
That's the type of girl that I want by my side
That's the type of girl that I want in my life
In the pretty face, you can't replace her
She gets her own on her own like a captain
That's the type of girl that I want by my side
That's the type of girl that I want in my life
This is the face of this sexy gangsta rap
And right after that, I was the face for MAC
Cover Girl cut the check, I'll be the face for that
I'm the first lady, just face the fact
Queen bee, baby, your front page lady
All them other, put them back on page 80
Ask Jamie, your girl get unpredictable
Not your typical, Kim's so irresistible
Strut down 5th Ave like I'm on the runway
I collect more checks than an usher on Sunday
Honey girl take you to a whole 'nother world
Easy, greasy, beautiful, beautiful
Cover girl, a cover girl
I want a cover girl, a cover girl
One that goes and gets it, she won't wait for it
She can't fake, but she gets paid for it
Cover girl, a cover girl
I want a cover girl, a cover girl
One that goes and gets it, she won't wait for it
She can't fake, but she gets paid for it

Enjoy the lyrics !!!
Eric Morlon Bishop, Jr. (born December 13, 1967 in Terrell, Texas), better known by his stage name Jamie Foxx, is an Academy Award winning actor, Grammy Award winning multi-platinum selling R&B singer, and critically acclaimed comedian. As a singer he has three multi-platinum releases; 1994’s Peep This, 2005’s Unpredictable and 2008’s Intuition. His fourth studio album, Best Night of My Life, will be released December 21. Foxx received a star on the Hollywood Walk of Fame on September 14, 2007. He is perhaps best known for playing Ray Charles in the movie Ray and being featured on Kanye West’s hit single Gold Digger.

One of the most popular African-American comedians of the late 1990s, TV star turned screen actor Jamie Foxx first became known for his many roles on Keenen Ivory Wayans’ long-running comedy variety show In Living Color. Since then, Foxx has played both raucous and sensitive nice-guy roles in a number of films, and earned particular acclaim for his portrayal of a talented but egotistical quarterback in Oliver Stone’s Any Given Sunday.

Born Eric Bishop in the small town of Terrell, Texas, on December 13, 1967, Foxx was raised by his grandparents after his parents separated. He enjoyed a happy upbringing, going to church every day with his grandparents and excelling at everything from academics to music to football. During his teen years he had his first taste of the entertainment business as his church’s choir director and music director, and also started his own R&B band. Foxx studied music while a student at the U.S. International University in San Diego; it was during his college days that he got his start as a stand-up comedian. Attending a comedy club one night with some friends, he was encouraged to take the stage and perform some impersonations, which proved incredibly popular with the audience. Foxx’s enthusiastic reception led to his decision to move to L.A. and pursue a comedy career. At the age of 22 he was hired for In Living Color, and he subsequently landed a recurring role on Charles Dutton’s sitcom Roc in 1985.

Foxx was ultimately given his own show in 1996; that same year, he appeared in a supporting role in The Truth About Cats and Dogs, which cast him as a friend of Ben Chaplin. He was also featured in the boxing satire The Great White Hype, and the following year he got star billing opposite fellow comedian Tommy Davidson in the poorly received comedy Booty Call. After playing a DJ in Ice Cube’s The Players Club (1998), Foxx earned some of his best reviews to date for his role in Any Given Sunday (1999). He subsequently returned to straight comedy, starring in Antoine Fuqua’s crime comedy Bait as an ex-con trying to mend his ways, and as a man caught in a convenience stored robbery in Held Up.

In 2001, Foxx was given an opportunity to again flex the dramatic chops he displayed in Any Given Sunday with a role as Drew Bundi Brown in Michael Mann’s biopic Ali. Then, after a role in the barely seen 2003 Sylvester Stallone drama Shade, Foxx embarked on his busiest year yet. 2004 saw him star in no fewer than four films, the most noteworthy of them being the thriller Collateral. The tense summer flick not only saw Foxx again under the direction of Mann, but cast on an equal level with Hollywood uber-star Tom Cruise. His turn as a hapless cab driver who is forced into a menacing partnership slowly advancing Foxx’s dramatic screen presence, the role served as proof to many that his talents extended well beyond what many may have suspected. When it was announced shortly thereafter that Foxx would be donning the trademark sunglasses to essay the role of legendary blues pianist Ray Charles in Director Taylor Hackford’s eagerly anticipated biopic Ray, it was only a matter of time before audiences found out how deep Foxx’s talents as an actor truly ran. So effective was Foxx in recreating Charles’ unique style and unmistakable visage that many critics speculated an Oscar nomination may be in calling for the one-time funnyman turned dramatic powerhouse. When the star-studded evening in February did finally arrive and the envelope that would reveal the best actor of 2005 was breathlessly opened, Foxx did indeed take the prize — raising already stratospheric expectations regarding his future career to a fever pitch.

Foxx subverted expectations by capitalizing on his Oscar win with an R&B album that garnered respectable reviews and solid sales. He returned to films in the summer action flop Stealth — in a supporting role to would-be superstar Josh Lucas — and appeared as a leader of men in Sam Mendes’ Gulf War film Jarhead. In 2006 he reteamed with Michael Mann, starring as Tubbs in the big-screen adaptation of Miami Vice. Late in the year, he starred in the much-anticipated adaptation of the musical Dreamgirls, opposite fellow actor-musicians hyphenates Eddie Murphy and Beyoncé Knowles.

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Jamie Foxx