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She Got Her Own - Jamie Foxx



     
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She Got Her Own Lyrics


A dedication to the independent woman
To the one working hard for hers
That is just my way to let you know, I see you, baby
And I brought a friend along
To help me show my appreciation the right way
Ladies, Mr. Jamie Foxx, Mr. Foxx, ladies
I love her 'cause she got her own
She don't need mine, so she leave mine alone
There ain't nothin' that's more sexy
Than a girl that want, but don't need me
Young independent, yeah, she work hard
But you can tell from the way that she walk
She don't slow down 'cause she ain't got time
To be complaining, shawty gon' shine
She don't expect nothin' from no guy
She plays aggressive, but she's still shy
But you never know her softer side
By lookin' in her eyes

Knowing she can do for herself
Makes me wanna give her my world
Only kinda girl I want
Independent queen workin' for her throne
I love her 'cause she got her own
She got her own
I love her 'cause she got her own
She got her own
I love it when she say
It's cool, I got it, I got it, I got it
I love it when she say
It's cool I got it, I got it, I got it
I love her 'cause she got her own
She don't need mine, so she leave mine alone
There ain't nothin' that's more sexy
Than a girl that want, but don't need me
Lovely face, nice thick thighs
Plus she got drive that matches my drive
Sexy thing, she's mcfly
All the while payin' the bills on time
She don't look at me like, captain save 'em
Gold diggin', no, she don't do that
Now she lookin' me like inspiration
She wanna be complimentin' my swag
And everythin' she got, she work for it, good life made for it
She take pride in sayin' that she paid for it
Only kinda girl I want
Independent queen workin' for her throne
I love her 'cause she got her own
She got her own
Oh, I love her 'cause she got her own
She got her own
Hey, I love it when she say
It's cool, I got it, I got it, I got it
Ohh, she sayin'
She got it, I got it, I got it
Don't make me laugh, boo, never did that bad, too
Make you even have to but even if I had to
Ask my better half to, you be more than glad to
When I do that math, boo, you always try to add two
I need someone who'd ride for me
Not someone who'd ride for free
She said, boy, I don't just ride
She'll pull up beside of me
I had to ask her what she doin' in that caddy
She said, 'cause you my baby
I'd be stuntin' like my daddy
And there's not many, who catch my eye
We both wearing Gucci, she match my fly
And that's why, I suppose to keep her closer
Right by the side, toast and to host her
And that she went low so, case you didn't know so
You can save your money, dawg, shawty getting dough so
What she care with his cars, you can call her Miss. Boss
I got it backwards, criss cross, shawty got her own
Now all my ladies that don't need a man for nothing
Except some of that good lovin'
Let me hear you say ooh, ooh, ooh, ooh
Now my fellas know you need to stop the frontin'
If you lovin' independent woman
Let me hear you say ooh, ooh, ooh, ooh
I love her' cause she got her own
Got her own
Hey, I love her 'cause she got her own
She got her own
I love it when she say
It's cool, I got it, I got it, I got it
I love it when she say
Ohh, I got it, I got it, I got it

Enjoy the lyrics !!!
Eric Morlon Bishop, Jr. (born December 13, 1967 in Terrell, Texas), better known by his stage name Jamie Foxx, is an Academy Award winning actor, Grammy Award winning multi-platinum selling R&B singer, and critically acclaimed comedian. As a singer he has three multi-platinum releases; 1994’s Peep This, 2005’s Unpredictable and 2008’s Intuition. His fourth studio album, Best Night of My Life, will be released December 21. Foxx received a star on the Hollywood Walk of Fame on September 14, 2007. He is perhaps best known for playing Ray Charles in the movie Ray and being featured on Kanye West’s hit single Gold Digger.

One of the most popular African-American comedians of the late 1990s, TV star turned screen actor Jamie Foxx first became known for his many roles on Keenen Ivory Wayans’ long-running comedy variety show In Living Color. Since then, Foxx has played both raucous and sensitive nice-guy roles in a number of films, and earned particular acclaim for his portrayal of a talented but egotistical quarterback in Oliver Stone’s Any Given Sunday.

Born Eric Bishop in the small town of Terrell, Texas, on December 13, 1967, Foxx was raised by his grandparents after his parents separated. He enjoyed a happy upbringing, going to church every day with his grandparents and excelling at everything from academics to music to football. During his teen years he had his first taste of the entertainment business as his church’s choir director and music director, and also started his own R&B band. Foxx studied music while a student at the U.S. International University in San Diego; it was during his college days that he got his start as a stand-up comedian. Attending a comedy club one night with some friends, he was encouraged to take the stage and perform some impersonations, which proved incredibly popular with the audience. Foxx’s enthusiastic reception led to his decision to move to L.A. and pursue a comedy career. At the age of 22 he was hired for In Living Color, and he subsequently landed a recurring role on Charles Dutton’s sitcom Roc in 1985.

Foxx was ultimately given his own show in 1996; that same year, he appeared in a supporting role in The Truth About Cats and Dogs, which cast him as a friend of Ben Chaplin. He was also featured in the boxing satire The Great White Hype, and the following year he got star billing opposite fellow comedian Tommy Davidson in the poorly received comedy Booty Call. After playing a DJ in Ice Cube’s The Players Club (1998), Foxx earned some of his best reviews to date for his role in Any Given Sunday (1999). He subsequently returned to straight comedy, starring in Antoine Fuqua’s crime comedy Bait as an ex-con trying to mend his ways, and as a man caught in a convenience stored robbery in Held Up.

In 2001, Foxx was given an opportunity to again flex the dramatic chops he displayed in Any Given Sunday with a role as Drew Bundi Brown in Michael Mann’s biopic Ali. Then, after a role in the barely seen 2003 Sylvester Stallone drama Shade, Foxx embarked on his busiest year yet. 2004 saw him star in no fewer than four films, the most noteworthy of them being the thriller Collateral. The tense summer flick not only saw Foxx again under the direction of Mann, but cast on an equal level with Hollywood uber-star Tom Cruise. His turn as a hapless cab driver who is forced into a menacing partnership slowly advancing Foxx’s dramatic screen presence, the role served as proof to many that his talents extended well beyond what many may have suspected. When it was announced shortly thereafter that Foxx would be donning the trademark sunglasses to essay the role of legendary blues pianist Ray Charles in Director Taylor Hackford’s eagerly anticipated biopic Ray, it was only a matter of time before audiences found out how deep Foxx’s talents as an actor truly ran. So effective was Foxx in recreating Charles’ unique style and unmistakable visage that many critics speculated an Oscar nomination may be in calling for the one-time funnyman turned dramatic powerhouse. When the star-studded evening in February did finally arrive and the envelope that would reveal the best actor of 2005 was breathlessly opened, Foxx did indeed take the prize — raising already stratospheric expectations regarding his future career to a fever pitch.

Foxx subverted expectations by capitalizing on his Oscar win with an R&B album that garnered respectable reviews and solid sales. He returned to films in the summer action flop Stealth — in a supporting role to would-be superstar Josh Lucas — and appeared as a leader of men in Sam Mendes’ Gulf War film Jarhead. In 2006 he reteamed with Michael Mann, starring as Tubbs in the big-screen adaptation of Miami Vice. Late in the year, he starred in the much-anticipated adaptation of the musical Dreamgirls, opposite fellow actor-musicians hyphenates Eddie Murphy and Beyoncé Knowles.

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