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DJ Play A Love Song - Jamie Foxx



     
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DJ Play A Love Song Lyrics


I know you see me lookin' at you
And I know he know you lookin' at me
Well, damnDJ won't you play this girl a love song?
She really needs to hear this freakin' love song
She's lookin' at me kinda hard, I can tell that things
Ain't right on the home front
What she really needs is a G like me
To beat a beat, beat it, beat itI can see how you want it, baby
Wish ya man wasn't here with ya, baby
I can see curiosity, gotcha wanna try me
Homeboy, can't please ya
On this wall, in the open baby
You wouldn't care if the crowd was watchin', baby
You want it, I know it
Gotta notion to pull your ass up outta hereDJ won't you play this girl a love song?
She really needs to hear this freakin' love song
She's lookin' at me kinda hard, I can tell that things
Ain't right on the home front

What she really needs is a G like me
To beat a beat, beat it, beat itDJ won't you play this girl a love song?
She really needs to hear this freakin' love song
She's lookin' at me kinda hard, I can tell that things
Ain't right on the home front
What she really needs is a G like me
To beat a beat, beat it, beat itBaby, I got things that I wanna say
Won't you meet me in the bathroom?
We can pull a freaky episode
I got my beretta if the nigga come through
Baby, I know he ain't treatin' you right
Lady, look at your bad ass
Turn around, turn around, damn you fineDJ won't you play this girl a love song?
She really needs to hear this freakin' love song
She's lookin' at me kinda hard, I can tell that things
Ain't right on the home front
What she really needs is a G like me
To beat a beat, beat it, beat itDJ won't you play this girl a love song?
She really needs to hear this freakin' love song
She's lookin' at me kinda hard, I can tell that things
Ain't right on the home front
What she really needs is a G like me
To beat a beat, beat it, beat itTell me why he did you wrong
Need to get up with the Twista after sippin' on Patron
Stroke it when I hold them legs up
He can take you out to dinner and look like a playa
I'm a give it to you good up in the elevator
He be actin' all soft when he get in them draws
I'm a break you off and fuck you up against the wall
Finna move up in that slot 'cuz I'm somethin' he notAnd he don't know what he got, I'm in the drop top
To get the twat I got a knot, no more runnin' from the cops
Now I'm rollin' with Foxx because the block's hot
But I'm always a G 'cuz I come from the streets
And I got heat for whoever thinkin' they want some
No more fuckin' with them lames, now you rollin' with a thug
So tell that nigga to beat it, beat itDJ won't you play this girl a love song?
She really needs to hear this freakin' love song
She's lookin' at me kinda hard, I can tell that things
Ain't right on the home front
What she really needs is a G like me
To beat a beat, beat it, beat itDJ won't you play this girl a love song?
She really needs to hear this freakin' love song
She's lookin' at me kinda hard, I can tell that things
Ain't right on the home front
What she really needs is a G like me
To beat a beat, beat it, beat itDJ play this girl a song
Turned her out, damn that clown, ain't been down
DJ play this girl a song, song, song

Enjoy the lyrics !!!
Eric Morlon Bishop, Jr. (born December 13, 1967 in Terrell, Texas), better known by his stage name Jamie Foxx, is an Academy Award winning actor, Grammy Award winning multi-platinum selling R&B singer, and critically acclaimed comedian. As a singer he has three multi-platinum releases; 1994’s Peep This, 2005’s Unpredictable and 2008’s Intuition. His fourth studio album, Best Night of My Life, will be released December 21. Foxx received a star on the Hollywood Walk of Fame on September 14, 2007. He is perhaps best known for playing Ray Charles in the movie Ray and being featured on Kanye West’s hit single Gold Digger.

One of the most popular African-American comedians of the late 1990s, TV star turned screen actor Jamie Foxx first became known for his many roles on Keenen Ivory Wayans’ long-running comedy variety show In Living Color. Since then, Foxx has played both raucous and sensitive nice-guy roles in a number of films, and earned particular acclaim for his portrayal of a talented but egotistical quarterback in Oliver Stone’s Any Given Sunday.

Born Eric Bishop in the small town of Terrell, Texas, on December 13, 1967, Foxx was raised by his grandparents after his parents separated. He enjoyed a happy upbringing, going to church every day with his grandparents and excelling at everything from academics to music to football. During his teen years he had his first taste of the entertainment business as his church’s choir director and music director, and also started his own R&B band. Foxx studied music while a student at the U.S. International University in San Diego; it was during his college days that he got his start as a stand-up comedian. Attending a comedy club one night with some friends, he was encouraged to take the stage and perform some impersonations, which proved incredibly popular with the audience. Foxx’s enthusiastic reception led to his decision to move to L.A. and pursue a comedy career. At the age of 22 he was hired for In Living Color, and he subsequently landed a recurring role on Charles Dutton’s sitcom Roc in 1985.

Foxx was ultimately given his own show in 1996; that same year, he appeared in a supporting role in The Truth About Cats and Dogs, which cast him as a friend of Ben Chaplin. He was also featured in the boxing satire The Great White Hype, and the following year he got star billing opposite fellow comedian Tommy Davidson in the poorly received comedy Booty Call. After playing a DJ in Ice Cube’s The Players Club (1998), Foxx earned some of his best reviews to date for his role in Any Given Sunday (1999). He subsequently returned to straight comedy, starring in Antoine Fuqua’s crime comedy Bait as an ex-con trying to mend his ways, and as a man caught in a convenience stored robbery in Held Up.

In 2001, Foxx was given an opportunity to again flex the dramatic chops he displayed in Any Given Sunday with a role as Drew Bundi Brown in Michael Mann’s biopic Ali. Then, after a role in the barely seen 2003 Sylvester Stallone drama Shade, Foxx embarked on his busiest year yet. 2004 saw him star in no fewer than four films, the most noteworthy of them being the thriller Collateral. The tense summer flick not only saw Foxx again under the direction of Mann, but cast on an equal level with Hollywood uber-star Tom Cruise. His turn as a hapless cab driver who is forced into a menacing partnership slowly advancing Foxx’s dramatic screen presence, the role served as proof to many that his talents extended well beyond what many may have suspected. When it was announced shortly thereafter that Foxx would be donning the trademark sunglasses to essay the role of legendary blues pianist Ray Charles in Director Taylor Hackford’s eagerly anticipated biopic Ray, it was only a matter of time before audiences found out how deep Foxx’s talents as an actor truly ran. So effective was Foxx in recreating Charles’ unique style and unmistakable visage that many critics speculated an Oscar nomination may be in calling for the one-time funnyman turned dramatic powerhouse. When the star-studded evening in February did finally arrive and the envelope that would reveal the best actor of 2005 was breathlessly opened, Foxx did indeed take the prize — raising already stratospheric expectations regarding his future career to a fever pitch.

Foxx subverted expectations by capitalizing on his Oscar win with an R&B album that garnered respectable reviews and solid sales. He returned to films in the summer action flop Stealth — in a supporting role to would-be superstar Josh Lucas — and appeared as a leader of men in Sam Mendes’ Gulf War film Jarhead. In 2006 he reteamed with Michael Mann, starring as Tubbs in the big-screen adaptation of Miami Vice. Late in the year, he starred in the much-anticipated adaptation of the musical Dreamgirls, opposite fellow actor-musicians hyphenates Eddie Murphy and Beyoncé Knowles.

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Jamie Foxx