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Daniel Cowman - Regina Spektor



     
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Daniel Cowman Lyrics


On the day that Daniel Cowman stopped existing
The world should've ended right then and there
At precisely four-fifteen when he stopped existing
The world should've ended--how could it go on?
How could it go on when I don't exist? I don't exist...and now that we got that straight, doesn't mean that I can fly
Doesn't mean that I can go do whatever I want
Now that we got that clear, and you know that I'm not here
Doesn't mean that I can go do whatever I pleasethe premature ejaculation of his death sentence
Hit Daniel in the face like a big round spitball
And everything got hazy in the courtroom
And then he stood up and then he sat back down
Another two times in a row
And everything got real slow like a gunshot in the movies
And he remembered heroin boy walking through the door
Bouncing off the walls and the floor
Taking off his belt, taking off his pants
Filling up the bathtub, getting ready to go in for a swim
Singing, I don't exist...and he start remembering...

The heroin boy'd walk through the door
And he was screaming and everybody was, like,
What're you screaming as if it's the end of the world?
And he was, like, well it is
And I was sitting in the corner with my pants down
And I was sure someone next door was blowing up balloons
And they was red and orange
And there was this one lady at the bar and she was trying to buy gin
And this other lady at the bar and she was trying to sell gin
And it worked out good for the boths of them
And heroin boy started taking off his belt
Started taking off his pants, started taking off his shoes
Filling up the bathtub, getting ready to go in for a swim
I says, no--you're gonna drown
And he says, no--I can't drown
Simply because...shhhh...
A man destined to hang can never drown
A man destined to drown can never burn
A man destined to fry can never, ever, ever
Die in any other way
Frying--lucky that I'm dying by hanging and not drowning
Songwriters
Spektor, ReginaPublished by
Lyrics © Sony/ATV Music Publishing LLC Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

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Regina Spektor was born on 18th February 1980, in Moscow, ex-USSR, and moved to the United States when she was nine. Spektor studied classical piano from the age of six, practising on a Petrof piano given to her mother by her grandfather. She was also exposed to the music of rock and roll bands such as The Beatles, Queen, and The Moody Blues by her father, who obtained such recordings in Eastern Europe and traded cassettes with friends in the Soviet Union. The family left the Soviet Union in 1989, when Regina was nine, during the period of Perestroika when Jewish citizens were permitted to emigrate. The seriousness of her piano studies led her parents to consider not leaving Russia, but they finally decided to emigrate, for religious and political reasons.

Travelling first to Austria and then Italy, the family settled in the Bronx, New York, United States where Spektor graduated from a middle school yeshiva. She then attended the Frisch Yeshiva High School in Paramus, New Jersey on a scholarship for two years, but, feeling out of place, eventually transferred to a secular public school, Fair Lawn High School, in Fair Lawn, New Jersey, where she finished the last two years of her high school career.

Spektor has stated that she was originally interested only in classical music, but that she later became interested in pop, rock, and punk as well.

Her father, a photographer, was also an amateur violinist. Her mother was a music professor in a Russian conservatory and now teaches at a public elementary school in Mount Vernon, New York.


In New York, Spektor gained a firm grounding in classical music from her piano teacher, Sonia Vargas, a professor at the Manhattan School of Music. Spektor studied with Vargas—whom Spektor's father had met through violinist Samuel Marder, Vargas's husband—until she was 17. Although the family had been unable to bring their piano with them from Russia, Spektor found a piano on which to practice in the basement of her synagogue, also utilizing tabletops and other hard surfaces for this purpose.

Although she had always made up songs around the house, Spektor first became interested in songwriting during a visit to Israel with the Nesiya Institute in her teenage years. Attracting attention from the other children on the trip for the songs she made up while hiking, she realized she had an aptitude for songwriting. Following this trip, she was first exposed to the work of Joni Mitchell, Ani DiFranco, and other singer-songwriters, which gave her the idea that she could create her own songs. She began writing her first a cappella songs around age 16, and wrote her first songs for voice and piano when she was nearly eighteen.

Spektor completed the four-year studio composition program of the Conservatory of Music at Purchase College in Purchase, New York, including one year's study in London, at the University of Middlesex - graduating with honours in 2001. Around this time, she also worked briefly at a butterfly farm in Luck, Wisconsin. She gradually achieved recognition through performances in the anti-folk scene in downtown New York City, most importantly at the East Village's Sidewalk Cafe, but also at the Living Room, Tonic, Fez, the Knitting Factory, and CB's Gallery. During this period, she sold her self-produced CDs 11:11 (2001) and Songs (2002) at such performances.

The All The Rowboats Songfacts states that What We Saw From The Cheap Seats, Spektor's sixth album, was recorded by the singer with Mike Elizondo in Los Angeles during the summer of 2011. It will be released on May 29, 2012.

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Regina Spektor