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Oedipus - Regina Spektor



     
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Oedipus Lyrics


I'm the king's thirty second son
Born to him in thirty seconds time
Born to him the night still young
Born to him with two eyebrows on
And that's all I was wearing
When I woke up staring at the world
My mom had been around the graves of queens
But not at all a sex machine
She liked to keep her body clean, clean
Thought the world to be quite obscene
But she retired to her chamber
And we remain quite strangers
And to see me made her awful sad
And to touch me made her awful sad
And to see me made her awful
And to touch me made her awful
I'm the king's thirty second son
And all it took was thirty seconds time

But a spoiled little prince I was not
Had a chamber maid and a chamber pot
And there's thirty-one others just like me
There's thirty-one others I can be
Sometimes I'd stand by the royal wall
The sky'd be so big that it broke my soul
And I stood on my toes to catch a glimpse
Of my mother's eyes and my mother's skin
And she retired to her chamber
And we remain quite strangers
And to see me made her awful sad
And to touch me made her awful sad
And to see me made her awful
And to touch me made her awful
And one morning I woke up
And I thought Oedipus, Oedipus, Oedipus, Oedipus
Then one morning I woke up and I thought Rex, Rex, Rex
Then one morning I woke up
And I thought Oedipus, Oedipus, Oedipus, Oedipus
Thirty-two's still a goddamn number
Thirty-two's still counts, gonna make it count
Gonna make it count, gonna oh oh
Thirty-two's still a goddamn number
Thirty-two still counts, gonna make it count
Gonna make it count gonna oh oh
Long live the king, long live the king
Long live the king, long live the king
Long live the king, long live the king
Long live the king, long live the
I'm the king's thirty second son
There's thirty-one others just like me
There's thirty-one others on the way
There's thirty-one others after that
Sometimes I stand by the royal gate
People screaming love and hate
And they scream and they scream
And they scream and they scream
Long live the king, long live the queen
And to see me made her awful sad
And to touch me made her awful sad
And to see me made her awful
And to touch me made her awful
And one morning I woke up
And I thought Oedipus, Oedipus, Oedipus, Oedipus
Then one morning I woke up and I thought Rex, Rex, Rex
Then one morning I woke up
And I thought Oedipus, Oedipus, Oedipus, Oedipus
Thirty-two's still a goddamn number
Thirty-two's still counts, gonna make it count
Gonna make it count, gonna oh oh
Thirty-two's still a goddamn number
Thirty-two's still a goddamn number
Thirty-two's still a goddamn number
Thirty-two's still a goddamn number
Thirty-two, thirty-two, thirty-two, thirty-two
Thirty-two, thirty-two, thirty-two
Long live the king
Long live the king
Long live the king
...

Enjoy the lyrics !!!
Regina Spektor was born on 18th February 1980, in Moscow, ex-USSR, and moved to the United States when she was nine. Spektor studied classical piano from the age of six, practising on a Petrof piano given to her mother by her grandfather. She was also exposed to the music of rock and roll bands such as The Beatles, Queen, and The Moody Blues by her father, who obtained such recordings in Eastern Europe and traded cassettes with friends in the Soviet Union. The family left the Soviet Union in 1989, when Regina was nine, during the period of Perestroika when Jewish citizens were permitted to emigrate. The seriousness of her piano studies led her parents to consider not leaving Russia, but they finally decided to emigrate, for religious and political reasons.

Travelling first to Austria and then Italy, the family settled in the Bronx, New York, United States where Spektor graduated from a middle school yeshiva. She then attended the Frisch Yeshiva High School in Paramus, New Jersey on a scholarship for two years, but, feeling out of place, eventually transferred to a secular public school, Fair Lawn High School, in Fair Lawn, New Jersey, where she finished the last two years of her high school career.

Spektor has stated that she was originally interested only in classical music, but that she later became interested in pop, rock, and punk as well.

Her father, a photographer, was also an amateur violinist. Her mother was a music professor in a Russian conservatory and now teaches at a public elementary school in Mount Vernon, New York.


In New York, Spektor gained a firm grounding in classical music from her piano teacher, Sonia Vargas, a professor at the Manhattan School of Music. Spektor studied with Vargas—whom Spektor's father had met through violinist Samuel Marder, Vargas's husband—until she was 17. Although the family had been unable to bring their piano with them from Russia, Spektor found a piano on which to practice in the basement of her synagogue, also utilizing tabletops and other hard surfaces for this purpose.

Although she had always made up songs around the house, Spektor first became interested in songwriting during a visit to Israel with the Nesiya Institute in her teenage years. Attracting attention from the other children on the trip for the songs she made up while hiking, she realized she had an aptitude for songwriting. Following this trip, she was first exposed to the work of Joni Mitchell, Ani DiFranco, and other singer-songwriters, which gave her the idea that she could create her own songs. She began writing her first a cappella songs around age 16, and wrote her first songs for voice and piano when she was nearly eighteen.

Spektor completed the four-year studio composition program of the Conservatory of Music at Purchase College in Purchase, New York, including one year's study in London, at the University of Middlesex - graduating with honours in 2001. Around this time, she also worked briefly at a butterfly farm in Luck, Wisconsin. She gradually achieved recognition through performances in the anti-folk scene in downtown New York City, most importantly at the East Village's Sidewalk Cafe, but also at the Living Room, Tonic, Fez, the Knitting Factory, and CB's Gallery. During this period, she sold her self-produced CDs 11:11 (2001) and Songs (2002) at such performances.

The All The Rowboats Songfacts states that What We Saw From The Cheap Seats, Spektor's sixth album, was recorded by the singer with Mike Elizondo in Los Angeles during the summer of 2011. It will be released on May 29, 2012.

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Regina Spektor