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Evidence Lyrics


Lipstick impressions on my white collar shirt
Number on a matchbook so I'll get a hold of her
Oh, that's all the proof I needI can smell her perfume on my passenger seat
A strand of long blonde hair that don't belong to me
Oh, it's not a dreamI can't believe it's really happening
My eyes can see, yeah
It's not an illusion, I didn't imagine this
I've got the evidence, let me tell ya nowMy machine is blinkin' from a message she left
Her voice sounds so sweet I can't erase it yet
Oh, I probably never willI bought a picture for five dollars that she talked me into
I was head over heels, cramped up in the booth
Oh, I've got it on filmStill I can't believe it's really happening
My eyes can see, yeah
It's not an illusion, I didn't imagine this
I've got the evidence, yeah I've got the evidenceI can't believe it's really happening
My eyes can see, yeah
It's not an illusion, I didn't imagine this
I've got the evidence, yeah I've the evidence

I've got the evidence

Enjoy the lyrics !!!
Larry Appelbaum, the recording lab supervisor at the Library of Congress, came across this tape by accident while transferring the library's tape archive to digital. What a find. Forget the Five Spot recording that sounds like it was recorded inside of a tunnel from the far end. The sound here is wonderfully present and contemporary. More importantly, this band -- which also included drummer Shadow Wilson and bassist Ahmed Abdul-Malik -- had it right on November 29, 1957, at Carnegie Hall. The John Coltrane on this date is far more assured than he had been four months earlier on the Five Spot date and on the initial Prestige side Thelonious Monk with John Coltrane. He'd been with Monk for four months and had absorbed his complex, multivalent musical system completely. It's clear from the opening track, "Monk's Mood," where the pair play in duet, that Coltrane is confident and moving into his own. Monk feels that confidence with his nearly Baroque entrance on the tune. This is a hard-swinging band with two front-line players who know how to get the best from one another. Coltrane knows the music inside out and his solos reflect an early version of his sheets of sound methodology. Check the joyous "Crepuscule with Nellie" for the hard evidence. Coltrane's cue and Monk's arpeggios are wondrous, swinging, and full of fire and joy. Trane's fills on the melody that leads into his solo are simply revelatory, and the solo itself is brilliant. Or check Wilson's cymbal work on "Nutty" before the band kicks it in full force. Even on the knottiest of Monk's tunes, "Epistrophy," Trane shines and takes charge of his instrument while being utterly receptive to the continual shape-shifting Monk put into his compositions in a live setting. There are nine tunes here (an incomplete version of "Epistrophy" finishes the set) taken from early and late performances. These 51 minutes of music leave the Live at the Five Spot date in the dust. This is one of those "historic" recordings that becomes an instant classic and is one of the truly great finds in jazz lore. It documents a fine band with its members at the peak of their powers together. The package also contains voluminous liner notes by the likes of Ira Gitler, Amiri Baraka, Ashley Khan, Stanley Crouch, and others. This is a must-have. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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The Thelonious Monk Quartet with John Coltrane