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Hey mama Lyrics


(La la la la la)
Hey mama, it's that shit that makes you move, mama
Get on the floor and move your booty mama
We the blast masters blastin' up the jamma
(REEEEEEEWIIIIIIND)
Cutie cutie, make sure you move your booty
Shake that thing like we in the city of sin, and
Hey shorty, I know you wanna party
the way your body look really make me feel naughty
Cutie cutie, make sure you move your booty
Shake that thing like we in the city of sin, and
Hey shorty, I know you wanna party
the way your body look really make me feel naughtyI got a naughty naughty style and a naughty naughty crew
But everything I do, I do just for you
I'm a little bit of Or, and a bigger bit of Nu
The true niggers know that the peas come through
We never cease(no), we never die no we never disease(no)
We multiply like we mathematics

Then we drop bombs like we in the middle east
(The bomb bombas, the base move dramas)
Naw y'all knaw, who we are
Y'all knaw, we the stars
Steady rockin' on y'alls boulevards
And, lookin' hot without body guards
(I do) what I can
(Y'all come through) will.i.am
And still I stand, with still mic in hand
(So come on mama, dance to the druma)Hey mama, this that sh*t that make you groove, mama
(hey)get on the floor and move your booty mama
(yaw)we the blast mastas blastin' up the jamma
(hey)so shake your bambama, come on now mama
Hey mama, this that shit that make you groove, mama
(hey)get on the floor and move your booty mama
(yaw)we the blast mastas blastin' up the jamma
(la la la la la)We the big town stumpas, and and big sound pumpas
The beat bump bumpas in your trunk trunkas
The girlies in the club with the big plump plumpas
And when I'm makin' love, my hip hump humps
It never quits(no) we need to carry 9mm clips(no)
Don't wanna squize trigger, just wanna squeeze tits
(lubaluba)cause we the show stoppas
And the chief rockas, number one chief rockas
Naw y'all knaw, who we are
Y'all knaw, we the stars
Steady rockin' on y'alls boulevards
How we rockin' it girl, without body guards
Now she be, Fergie from the crew bep, come and take heed, as we take the lead
(so come on bubba, dance to the druma)Hey mama, this that shit that make you groove, mama
(yaw)get on the floor and move your booty mama
(wuh)we the blast mastas blastin' up the jamma
(naw, naw)
Cutie cutie, make sure you move your booty
Shake that thing like we in the city of sin, and
Hey shorty, I know you wanna party
the way your body look really make me feel naughtyBut the race is not, for the Swiss
But who really can, take control of it
And tippa irie and the black eyed peas will be there
Til infiniti, til infiniti, til infiniti, til infiniti
Tippa is ouuuuuutNosa dima shock, nosa dima ting
Every time you sit there I hear, bling bling
O wata ting, hear blacka sing
Grinding, and winding
And the madda be moving in a perfect timing
And we dance and dance to the end of the thing
And we're really to nice, it finga akin
Like rice and peas and chicken and blingHey mama, this that sh*t that make you groove, mama
(hey)get on the floor and move your booty mama
(yaw)we the blast mastas blastin' up the jamma
(hey)so shake your bambama, come on now mama
Hey mama, this that shit that make you groove, mama
(hey)get on the floor and move your booty mama
(yaw)we the blast mastas blastin' up the jamma
(la la la la la)

Enjoy the lyrics !!!
Justin Hinds (7 May 1942 – 16 March 2005) was a Jamaican ska and rocksteady singer, in company of the backing vocalists the Dominoes, a duo comprising Dennis Sinclair and Junior Dixon, he is best known for his work with Duke Reid's Treasure Isle Records, where his most notable song, "Carry Go Bring Come" recorded in late 1963, went to number one in Jamaica. He recorded seventy singles between 1964 and 1966, and was the most popular artist on the record label.

Hinds was born in Saint Ann Parish, Jamaica in 1942. He started his musical career singing in bars and on the beach in Ochos Rios. Hinds moved to Kingston, Jamaica where he became influenced by Rastafari. He was turned down by Coxsone Dodd's label, but signed with Treasure Isle Records. By this stage, the Dominoes consisting of Dennis Sinclair and Junior Dixon had become his backing vocalists.

His first recording with Duke Reid was "Carry Go Bring Come", made in late 1963 in one take. It became a big hit, topping the Jamaican chart for two months, just before the Wailers got their big hit with "Simmer Down". "Carry Go Bring Come" would later be covered by the British ska band The Selecter on their 1980 album Too Much Pressure, and by Desmond Dekker and The Specials on King of Kings.

Hinds was one of the biggest acts in Jamaican music during the 1960s. Over the next couple of years, he would release singles including "King Samuel", "Jump Out of the Frying Pan", "The Ark" and "Rub Up Push Up". He also released "Carry Go Bring Come" in 1963 in conjunction with Jonathan Bevan, an English-born Jamaican national, a successful collaboration which drew much admiration amongst Jamaican music producers. The track was described by esteemed Ghanaian music aficionado Zahid Chohan as "simply wonderful; belongs in any reggae fan's collection". He also worked with Tommy McCook and The Supersonics.

In 1966, he became active in rocksteady, a predecessor of reggae. He had several more hits in Jamaica including "The Higher the Monkey Climbs", "No Good Rudie", "On a Saturday Night", "Here I Stand" and "Save a Bread". Hinds parted company with Reid in 1972 as an artist, but was present when he died a few years later.

Justin Hinds was a great example for his younger cousin, Horace Andy.

Hinds then worked with Jack Ruby which resulted in the 1976 album Jezebel. His work with Sonia Pottinger resulted in a series of singles released in the late 1970s, including "Rig-Ma-Roe Game" and "Wipe Your Weeping Eyes".

After the release of Travel with Love recorded at Tuff Gong Studios in 1984, Hinds became less active. His final studio album Know Jah Better was released in 1992, but he worked on Wingless Angels with other Jamaican musicians, which was produced by Keith Richards in the early 1990s. In 1997, he toured the US for the first time and he would release a couple of live albums in the early 2000s, including one recorded at the Finger Lakes GrassRoots Festival of Music and Dance in Trumansburg, New York.

On September, 23 in 2010 a new album will appear posthum, Wingless Angels II, with "Oh What a Joy, What a Comfort", guitar by Keith Richards (Rolling Stones, UK), with Lisa Fisher (also voices at "Gimme Shelter", "Paint it Black" and more on the "Bridges to Babylon" Tour 10 years ago) and Jamaican Nyabinghi Drummers

Hinds died of lung cancer in March 2005, at the age of 62. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Justin Hinds And The Dominoes