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Homely Girl - UB40



     
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Homely Girl Lyrics


It must have broke your poor little heart
When the boys used to say
"You looked better in the dark"
But now they'd give all they learnt in school
To be somewhere in the dark with you
(Oh ooo)The teacher would ask the questions
And you, would always raise your hand
But somehow you never got your turn
And my eyes would fill with water, inside I'd burn
Oh yes I didHomely girl, you used to be so lonely
You're a beautiful woman, oh homely girl
Homely girl you used to be so lonely
You're a beautiful woman, oh homely girlThere was a boy who used to sit beside you
Who'd like to hold that place his whole life through
Oooh you were beautiful to me
You had a heart no one could ever see, oh yes you didHomely girl, you used to be so lonely
You're a beautiful woman, oh homely girlI was the only one who offered
To carry your books

Took all the stares and laughter
The dirty looks
'Cause I saw then what they see now
They all want to ask you for a date
They don't know how, they don't know howHomely girl, you used to be so lonely
You're a beautiful woman, oh homely girl
Homely girl you used to be so lonely
You're a beautiful woman, oh homely girlAha, you used to be so lonely
You're a beautiful woman, oh homely girl
Aha, you used to be so lonely
You're a beautiful woman, oh homely girl
Aha, you used to be so lonely
You're a beautiful woman

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UB40 are a British dub / reggae pop music band formed in 1978 in Birmingham, England.

The band is one of the most culturally diverse dub reggae bands with musicians of English, Scottish, Irish, Yemeni and Jamaican parentage. The band is named from the paper form issued by the UK government's Department of Health and Social Security at the time of the band's formation for claiming unemployment benefit (UB40 = Unemployment Benefit, Form 40).

UB40 were influenced by the many Blues Parties they attended as teenagers in the multiracial Balsall Heath area of Birmingham, their love of ska and reggae inspired such original tracks as King, Madam Medusa, Food for Thought, Signing Off and One in Ten.

Their early music style was unique, with a heavy influence of analogue synthesizers, psychedelic rock guitar, saxophone and dub producer techniques which were later perfected by the late Pablo Falconer.

Ali and Robin Campbell have a musical heritage, being sons of Ian Campbell, a folk musician.

The band purchased its first instruments with compensation money Ali Campbell received after a bar fight. They have had a number of hits, most commercially and to amusement of the band, "Red Red Wine", a cover version of a Neil Diamond song (in an arrangement similar to that of Tony Tribe's version). Their most successful single release is the cover of the Elvis Presley ballad Can't Help Falling in Love which was intended to be the main title to the 1992 Sharon Stone movie Sliver and was a Number One hit across Europe and in the U.S.

Many of UB40's recordings were inspired by 1960s ska and early lovers rock songs that would have otherwise been forgotten in the public eye. Their new injection of life into so many old Jamaican hits has resulted in many musicians' and producers' renewed popularity and income.

UB40's early music often tackled social issues such as racism and unemployment.

Other artists that UB40 have collaborated with include: Pato Banton, Madness, Bitty McLean, Chrissie Hynde, Robert Palmer, Hunterz, Japanese artist Mikidozan, French artist Nuttea, Lady Saw and Afrika Bambaataa.

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