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I Ain't No Joke - Eric B. & Rakim



     
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I Ain't No Joke Lyrics


I ain't no joke, I use to let the mic smoke
Now I slam it when I'm done and make sure it's broke
When I'm gone no one gets on 'cuz I won't let
Nobody press up and mess up the scene I set
I like to stand in a crowd and watch the people wonder, damn
But think about it then you'll understand
I'm just an addict, addicted to music
Maybe it's a habit, I gotta use it
Even if it's jazz or the quiet storm
I hook a beat up convert it in to hip-hop form
Write a rhyme in graffiti in, every show you see me in
Deep concentration 'cuz I'm no comedian
Jokers are wild if you wanna be tame
I treat you like a child then you're gonna be named
Another enemy, not even a friend of me
'Cuz you'll get fried in the end when you pretend to be
Competing 'cuz I just put your mind on pause
And I can beat you when you compare my rhyme wit' yours

I wake you up and as I stare in your face you seem stunned
Remember me, the one you got your idea from?
But soon you start to suffer the tune'll get rougher
When you start to stutter that's when you had enough of
Biting it’ll make you choke, you can't provoke
You can't cope, you should of broke because I ain't no joke
I got a question, as serious as cancer
Who can keep the average dancer
Hyper as a heart attack, nobody's smiling
'Cuz you're expressing the rhyme that I'm styling
This is what we all sit down to write
You can't make it so you take it home, break it and bite
Use pieces and bits of all the hip-hop hits
Get the style down packed then it's time to switch
Put my tape on pause and add some more to yours
Then you fake it, you're ready for the neighborhood chores
The E M C E E don't even try to be
When you come up to speak, don't even lie to me
You like to exaggerate, dream and imaginate
Then change the rhyme around that can aggravate me
So when you see me come up, freeze
Or you'll be one of those seven MC's
They think that I'm a new jack but only if they knew that
They who think wrong are they who can't do that
Style that I'm doing, they might ruin
Patterns of paragraphs based on you and
Your offbeat DJ, if anything he play
Sound familiar, I'll wait till E say
Play 'em, so I'ma have to dis and bro
You could get a smack for this, I ain't no joke
I hold the microphone like a grudge
B'll hold the record so the needle don't budge
I hold a conversation 'cuz when I invent
I nominated my DJ the president
When I'm see I'll, people freestyle, going steadily
So pucker up and whistle my melody
But whatever you do, don't miss one
They'll be another rough rhyme after this one
Before you know it, you're following and fiending
Waiting for the punch line to get the meaning
Like before the moral of my story I'm telling
Nobody beats the R, so stop yelling
Save it, put it in your pocket for later
'Cuz I'm moving the crowd and B a record fader
No interruptions till the mic is broke
When I'm gone, then you can joke
'Cuz everything is real on a serious tip
Keep playing and I get furious quick
And I take you for a walk through hell
Freeze your dome then watch your eyeballs swell
Guide you out of triple stage darkness
When it get dark again then I'ma spark this
Microphone 'cuz the heat is on, you see smoke
And I'm finish when the beat is gone, I'm no joke

Enjoy the lyrics !!!
Eric B. & Rakim were a hip-hop duo from New York City, New York, United States composed of DJ Eric Barrier (born November 8, 1965) and MC Rakim (born William Michael Griffin Jr.). The duo went on to release 4 studio albums with their 1987, Paid In Full being regarded as one the most influential albums in Hip Hop. In 1988, they released their second album titled, Follow The Leader. They later continued two release two more albums in 1990, Let The Rhythm Hit 'Em and in 1992, Don't Sweat The Technique in which they went on to split in that same year.

Eric B. & Rakim were almost universally recognized as the best DJ & MC duo. Not only was their chemistry superb, but individually, each represented the absolute peak in their respective skills. Eric B. was a hugely influential DJ and beatmaker whose taste for hard-hitting James Brown samples touched off a stampede through the Godfather of Soul's back catalog that continues up to the present day. Rakim, meanwhile, still tops fan polls as the greatest MC of all time. He crafted his rhymes like poetry, filling his lines with elaborate metaphors and complex internal rhymes, and he played with the beat like a jazzman, earning a reputation as the smoothest-flowing MC ever to pick up a mic. His articulation was clear, his delivery seemingly effortless, and his influence on subsequent MCs incalculable. Together, their peerless technique on the microphone and turntables upped the ante for all who followed them, and their advancement of hip-hop as an art form has been acknowledged by everyone from Gang Starr to the Wu-Tang Clan. While certain elements of their sound might come off as slightly dated today, it's also immediately clear how much of a hand Eric B. & Rakim had in leading hip-hop into the modern age.

Eric B. was born Eric Barrier in 1965 in Elmhurst, Queens; his future partner, William Griffin, Jr., was born in 1968 and also hailed from the suburbs of New York, specifically Wyandanch, Long Island. At age 16, Griffin converted to Islam and adopted the name Rakim Allah. Barrier played trumpet and guitar early on, but switched to the turntables in high school, and eventually landed a job as the mobile DJ for radio station WBLS. It was there that he met Rakim, and the two officially formed a partnership in 1985. Their first single -- "Eric B. Is President" (an ode to Barrier's DJ skills) b/w "My Melody" -- was released on the tiny Harlem-based indie label Zakia. It was a street-level sensation during the summer of 1986, and the duo was picked up by the larger 4th & Broadway imprint. The equally monumental singles "I Ain't No Joke" and "I Know You Got Soul" sampled James Brown and his cohort Bobby Byrd, respectively, and their utter funkiness began to revolutionize the sound of hip-hop. Moreover, Rakim's line "pump up the volume" on the latter track was in turn sampled itself, becoming the basis for M/A/R/R/S' hit of the same name.

In 1987, 4th & Broadway issued the duo's full-length debut, Paid in Full; accompanied by a mighty underground buzz, the record climbed into the Top Ten on the R&B LP charts (as would all of their subsequent albums). Additionally, the British DJ duo Coldcut remixed the title cut into a bona fide U.K. smash. The exposure helped make "Paid in Full"'s drum track one of the most sampled beats this side of James Brown's "Funky Drummer"; it provided the foundation for Milli Vanilli's "Girl You Know It's True," among many other, more credible hits. On the heels of Paid in Full, Eric B. & Rakim signed with MCA subsidiary Uni and consolidated their reputation with another landmark hip-hop album, 1988's Follow the Leader. The title cut took its place among the classic singles already in their canon, and Jody Watley soon tapped the duo for a guest spot on her 1989 single "Friends," which brought them into the pop Top Ten for the first and only time.

The 1990 follow-up Let the Rhythm Hit 'Em proved relatively disappointing from a creative standpoint, although 1992's slightly jazzier Don't Sweat the Technique was a more consistent affair that bolstered their legacy. As it turned out, the record also completed that legacy. The duo's contract with MCA was almost up, and they had discussed the possibility of each recording a solo album. Unfortunately, the resulting tension over the future of their partnership ultimately destroyed it. In the aftermath of the breakup, various legal issues prevented both parties from starting their solo careers for quite some time.

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Eric B. & Rakim