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Mahogany - Eric B. & Rakim



     
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Mahogany Lyrics


[Verse One:]
Me and Eric B was coolin' at the Paladium
Seen a all-world covered girl, I said "Hey lady I'm
Sorry if You're in a rush - Don't let me hold ya up
Or interveen or interrupt, but. . .
You got the look - I wanna get to know ya better
I had to let her know - but yo, I didn't sweat her
'Cause if you woulda seen what I was seein'
Almost looked Korean, but European.
When she spoke, her accent was self-explanatory -
Even her body language told the story
Her name was Mahogony - twin's name was Ebony
I said "My name is Ra - and this is Eric B"
Since the music was loud, I said "let's take a walk,
So we could talk and see New York.
Show time doesn't start until one o'clock
And once I entered your mind I wouldn't wanna stop

Caressin' ya thoughts till we was thinkin' the same
Calm ya nerves, massage ya brain
Each mic is a mineral, poetry's protein
Verse is a vitamin - Affects like Codine
So tell me how you feel and I'll reveal
A pill that'll heal ya pain - 'cause I'm real
She musta OD'd 'cause she couldn't resist
She spoke slowly when she told me this, she said
[Chorus:]
Over Me, She's goin' crazy
She'll rub me on my chest and call me Mr. Sexy
She said she'd have my kids and help me make my next G
Tell me I ain't finesse Mahogony . . .
[Verse Two:]
So I prescribed her, something to revive
And surprise her, she's liver and much more wiser
Than the light I shine when my brain cells spark,
Come to me so we can glow in the dark
And soon, you can represent the moon
As long as I keep ya in tune
I'll tell ya who ya are and why ya here
Take it in stride 'cause it might take a year
It's funny - how time flies when ya havin' fun
We got close and it was almost one
She kissed me slow, but you know how far a kiss can go
F*ck around and miss the show
So I told her to hold that thought real tight
We can finish where we left off later on tonite
Back to the scene of the crime on time
As they introduced the 'Fiend of the Rhyme'
She stood with a birds-eye view of me
Thinkin' of later on of what she would do to me
The back of the room I could see her eyes gloom
Patient, but hopin' that the show was over soon
As the place was ripped in half, she made her way to the front row
So I said "let's go"
I packed my mic as they screamed for an encore
The speakers were blown, plus my mic was sore
Besides I got places to go, ladies to see
And she could tell me how crazy she was over me
We drove off - she said she liked the way that I performed
And couldn't wait to get 'soft and warm', I said,
"I've been watchin' you, watchin' me
Looks I received made it hard to MC
I can take a hint, so I knew that she
Wanted my "Agony Agony Ag-on-y" in her bod-y
Showed her some sights, then I took her to the Condo
She was pipin' hot, but I kept my calm So
She asked how come I don't smile
I said, "Everything's fine, but I'm in a New York state of mind!"
As we reached the kingdom, she said bring some
Champagne, she'll entertain then sing some
Sentimental, songs real gentle,
It hit the spot and you know where it went to
As we embraced I felt her heart pumpin'
I knew she was in the mood for somethin'
So I laid on my back and relaxed
It wasn't the Perignon that made her collaspe
Over me
[Chorus]

Enjoy the lyrics !!!
Eric B. & Rakim were a hip-hop duo from New York City, New York, United States composed of DJ Eric Barrier (born November 8, 1965) and MC Rakim (born William Michael Griffin Jr.). The duo went on to release 4 studio albums with their 1987, Paid In Full being regarded as one the most influential albums in Hip Hop. In 1988, they released their second album titled, Follow The Leader. They later continued two release two more albums in 1990, Let The Rhythm Hit 'Em and in 1992, Don't Sweat The Technique in which they went on to split in that same year.

Eric B. & Rakim were almost universally recognized as the best DJ & MC duo. Not only was their chemistry superb, but individually, each represented the absolute peak in their respective skills. Eric B. was a hugely influential DJ and beatmaker whose taste for hard-hitting James Brown samples touched off a stampede through the Godfather of Soul's back catalog that continues up to the present day. Rakim, meanwhile, still tops fan polls as the greatest MC of all time. He crafted his rhymes like poetry, filling his lines with elaborate metaphors and complex internal rhymes, and he played with the beat like a jazzman, earning a reputation as the smoothest-flowing MC ever to pick up a mic. His articulation was clear, his delivery seemingly effortless, and his influence on subsequent MCs incalculable. Together, their peerless technique on the microphone and turntables upped the ante for all who followed them, and their advancement of hip-hop as an art form has been acknowledged by everyone from Gang Starr to the Wu-Tang Clan. While certain elements of their sound might come off as slightly dated today, it's also immediately clear how much of a hand Eric B. & Rakim had in leading hip-hop into the modern age.

Eric B. was born Eric Barrier in 1965 in Elmhurst, Queens; his future partner, William Griffin, Jr., was born in 1968 and also hailed from the suburbs of New York, specifically Wyandanch, Long Island. At age 16, Griffin converted to Islam and adopted the name Rakim Allah. Barrier played trumpet and guitar early on, but switched to the turntables in high school, and eventually landed a job as the mobile DJ for radio station WBLS. It was there that he met Rakim, and the two officially formed a partnership in 1985. Their first single -- "Eric B. Is President" (an ode to Barrier's DJ skills) b/w "My Melody" -- was released on the tiny Harlem-based indie label Zakia. It was a street-level sensation during the summer of 1986, and the duo was picked up by the larger 4th & Broadway imprint. The equally monumental singles "I Ain't No Joke" and "I Know You Got Soul" sampled James Brown and his cohort Bobby Byrd, respectively, and their utter funkiness began to revolutionize the sound of hip-hop. Moreover, Rakim's line "pump up the volume" on the latter track was in turn sampled itself, becoming the basis for M/A/R/R/S' hit of the same name.

In 1987, 4th & Broadway issued the duo's full-length debut, Paid in Full; accompanied by a mighty underground buzz, the record climbed into the Top Ten on the R&B LP charts (as would all of their subsequent albums). Additionally, the British DJ duo Coldcut remixed the title cut into a bona fide U.K. smash. The exposure helped make "Paid in Full"'s drum track one of the most sampled beats this side of James Brown's "Funky Drummer"; it provided the foundation for Milli Vanilli's "Girl You Know It's True," among many other, more credible hits. On the heels of Paid in Full, Eric B. & Rakim signed with MCA subsidiary Uni and consolidated their reputation with another landmark hip-hop album, 1988's Follow the Leader. The title cut took its place among the classic singles already in their canon, and Jody Watley soon tapped the duo for a guest spot on her 1989 single "Friends," which brought them into the pop Top Ten for the first and only time.

The 1990 follow-up Let the Rhythm Hit 'Em proved relatively disappointing from a creative standpoint, although 1992's slightly jazzier Don't Sweat the Technique was a more consistent affair that bolstered their legacy. As it turned out, the record also completed that legacy. The duo's contract with MCA was almost up, and they had discussed the possibility of each recording a solo album. Unfortunately, the resulting tension over the future of their partnership ultimately destroyed it. In the aftermath of the breakup, various legal issues prevented both parties from starting their solo careers for quite some time.

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Eric B. & Rakim