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I Know - Sarai



     
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I Know Lyrics


I'm about to shock the world, bring it to ya now
Jaws drop when you see this girl
Big like, whoa gotcha shook like I ain't know
Girls that look like that could flow
'Causin chaos, Sarai off the Richter now
Spit it from the heart drop it in proper style
Got you shakin' and bumpin'
Everybody on the floor if you workin' with somethin'
Vibe go right through ya
What that groove do to ya
Sound so sick through the stereo
Flamin' out the box scaldin' hot
Ice water couldn't stop, hits burnin' ya block
Edgy Pop, Lil' Rock wit that real hip hop
Till ya body drop, gotta pause to breathe
Got those that didn't believe rockin' wit me now
I know you can't handle me, I know ya'll ain't ready for me
This chick here ya'll 'bout to see, gonna change the situation

I know you can't handle me, I know ya'll ain't ready for me
Got ya'll up now waitin' to see, ya'll ain't really ready for me
And didn't even see me comin'
Beats steady bumpin', I just broke em' off somethin'
See em' frontin' with a whole lotta nothin'
Like they was doin' they thing but really wasn't
See, I ain't pressed for the spot light
Camera keep flashin' while I'm stuck at the stop light
Yo, what the hell just happened?
All ya'll followin' me just for rappin'
Damn, I got the world in a frenzy
Haters gone envy, that don't offend me
With ya little attitude, please don't tempt me
Get ya gassed just to leave ya tank empty
I ain't gonna come if you sweat me
If ya really want, ya got to come and get me
Dog, I make ya shake and twist drop
And bounce and repeat the hook that I spit out
I know you can't handle me, I know ya'll ain't ready for me
This chick here ya'll 'bout to see, gonna change the situation
I know you can't handle me, I know ya'll ain't ready for me
Got ya'll up now waitin' to see, ya'll ain't really ready for me
On 22's peelin', pull up to the clizzub
It's packed to the ceilin'
Bunch of guys goin' off like lil' girl
On the side showin' off like
ATL in the house be the teens wearin' jeans
Rockin' gold in they mouth
Kingston upstate New York
Lil' place up north where the style is raw
Hit me up 2-way or the celli
6-4's when I roll out to L.A.
Comin' to a party near you
No matter where I go it's about what I do
Now that ya know that I'm bringin' it
Let me know what's up, tell me if you feelin' it
One time, now back to the song
Everybody hands up, back and forth sing along now
I know you can't handle me, I know ya'll ain't ready for me
This chick here ya'll 'bout to see, gonna change the situation
I know you can't handle me, I know ya'll ain't ready for me
Got ya'll up now waitin' to see, ya'll ain't really ready for me
I know you can't handle me, I know ya'll ain't ready for me
This chick here ya'll 'bout to see, gonna change the situation
I know you can't handle me, I know ya'll ain't ready for me
Got ya'll up now waitin' to see, ya'll ain't really ready for me

Enjoy the lyrics !!!
A native of upstate New York, Sarai may have been weaned on MTV in the 1980s, but by the 1990s she had turned to rap and hip-hop as her life's soundtrack. A fascination with words meant that Sarai wrote poetry from an early age, but it was only when she was a teenager that she first rhymed to a beat while gossiping with her girlfriends.

After a chance meeting with producer L.J. Sutton (a.k.a. Chocolate Starr) in Atlanta, Sarai was on her way to the big leagues. Sarai's potential and sex appeal led to her getting snapped up by Epic Records, making her the first white female rapper to have a major recording contract.

Sarai Howard was born in 1981, and grew up in Kingston, New York, a working-class city in upstate Ulster County. Sarai, along with her older brother Michael, was raised by her mother Teresa in a single-parent household. The family moved repeatedly, and Sarai attended many different local schools and held down dozens of part-time jobs.

Teresa's musical interests included The Police and Fleetwood Mac, and for a while, Sarai's taste in tunes mirrored her mother's. "I'm a straight MTV baby," Sarai later explained.

But it was Sarai's brother, more a fan of genre pioneers Public Enemy, Run-D.M.C. and NWA, who first introduced her to rap and hip-hop. Soon Sarai was into Jay-Z, Tupac and Notorious BIG. Meanwhile, by the time Sarai was in high school, she was acting in plays, singing in the choir, and writing poetry.

When Sarai was 15, she improvised a joke rhyme about some of the other girls in their town while hanging out with her friends. Sarai's rapping continued as a hobby for a few years after that, as she was finishing high school and making plans to attend a community college in Kingston.

At 17, when Sarai and one of her friends were vacationing in Atlanta, Sarai was discovered. Sarai's friend struck up a conversation with some men at a gas station; when they said they worked at a nearby recording studio, Sarai impressed them with her flow, and was taken to meet producer L.J. Sutton, a.k.a. Chocolate Starr.

Before long, Sarai was traveling to Atlanta regularly for meetings and demo recordings.

In 2000, she moved south permanently to chase her dream of being a rapper. After two more years of laying the groundwork, Sarai landed a deal with Epic Records, becoming the first white female rapper to be represented by a major label.

In 2003, Sarai released her debut album, The Original, featuring the singles "Pack Ya Bags" and "Ladies." Radio DJs quickly took to calling her "Feminem," referring to the trailblazing Eminem. "I don't like it," commented Sarai at the time, "but I like him."

Although "Pack Ya Bags" and "Ladies" had some chart success, critics and fans were lukewarm about Sarai's talent. She couldn't quite shake her reputation as a novelty act -- a white girl in an industry dominated by black men.

More recently, Sarai has tried her hand at acting, taking a role in National Lampoon's Pledge This!.

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Sarai