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In The Ghetto - Eric B. & Rakim



     
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In The Ghetto Lyrics


Planet Earth was my place of birth
Born to be the soul controller of the universe
Besides the part of the map I hit first
Any a rhyme that I can adapt when it gets worstThe rough gets going, the going gets rough
When I start flowing, the mic might bust
The next state, I shake from the power I generate
People in Cali used to think it was earthquakes'Cause times was hard on the Boulevard
So I vote God and never get scarred and gauled
But it seems like I'm locked in hell
Looking over the edge but the are never fellA trip to slip 'cause my Nikes got grip
Stand on my own two feet and come equip
Any stage I'm seen on, a mic I fiend on
I stand alone and need nothing to lean onGoing for self wit a long way to go
So much to say but I still flow slow
I come correct and I won't look back
'Cause it ain't where you're from, it's where you're atEven the (ghetto)I learn to relax in my room and escape from New York
And return through the womb of the world as a thought
Thinking how hard it was to be born

Me being queen wit no physical formMillions have settled wit one destination
To reach the best part, it's life creation
9 months later, a job well done
Make way, 'cause here I comeSince I made it this far, I can't stop now
There's a will and a way and I got to know how
To be all I can be and more
And see all there is to see beforeCalled and go back to the essence
It's a lot to learn so I study my lessons
I thought the ghetto was the worst that could happen to me
I'm glad I listen when my father was rapping to me'Cause back in the days, they lived in caves
Exile from the original man, a straight way
Now that's what I call hard times
I rather be here to exercise the mindThen I take a thought around the world twice
From knowledge to born back to knowledge precise
Across the desert, that's how to store a radiant
But they couldn't cave me in 'cause I'm the AsiantReaching for the city, a Mecca, visit medina
Visions of Neffertiti then I seen a
Mind keeps traveling, I'll be back after I
Stop and think about the brothers and sisters in AfricaReturn the thought through the eye of a needle
For miles I thought and I just fought the people
Under the dark skies on a dark side
Not only there but right here's an apartheidSo now is the time for us to react
Take a trip through the mind and when you get back
Understand you're third eye seen all of that
It ain't where you're from, it's where you're atEven the (ghetto)
Even the (ghetto)No more props, I want property
In every borough, nobody's stopping me
Because I'm thorough, rhymes are making real estate for me to own
Wherever I bless a microphone007 is back and relaxing
On poignant reacting and ready for action
I'm so low key that you might not see me
Incognito and taking it easyQuiet, it's kept on a hush hush
In front of a crowd, I get loud, there's a bumrush
Be calm, keep a low pro, and play the background
Over the wack rapper, put the mic back downSo rip it, break it in half, go head and slam it
'Cause when it's time to build, I'm a mechanic
I'm bonding and mending, attaching and blending
So many solos, there is no endingPeople in my neighborhood, they know I'm good
From London to Hollywood, wherever I stood
Footprints remain on stage ever since
As I walk the street, I leave fossils and dentsWhen I had sex, I left my name on necks
My trademark was left throughout the projects
I used to get rich when I played celo
When I rolled 4, 5, 6, they go we knowSo I collect my cash then slide
I got my back, my gun's on my side
It shouldn't have to be like that
I guess it ain't where you're from, it's where you're atEven the (ghetto)
I'm from the (ghetto)
Word up, peace
Songwriters
BARRIER, ERIC (PKA ERIC B.)/GRIFFIN, WILLIAM (PKA RAKIM)Published by
Lyrics © Sony/ATV Music Publishing LLC, Universal Music Publishing Group Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

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Eric B. & Rakim were a hip-hop duo from New York City, New York, United States composed of DJ Eric Barrier (born November 8, 1965) and MC Rakim (born William Michael Griffin Jr.). The duo went on to release 4 studio albums with their 1987, Paid In Full being regarded as one the most influential albums in Hip Hop. In 1988, they released their second album titled, Follow The Leader. They later continued two release two more albums in 1990, Let The Rhythm Hit 'Em and in 1992, Don't Sweat The Technique in which they went on to split in that same year.

Eric B. & Rakim were almost universally recognized as the best DJ & MC duo. Not only was their chemistry superb, but individually, each represented the absolute peak in their respective skills. Eric B. was a hugely influential DJ and beatmaker whose taste for hard-hitting James Brown samples touched off a stampede through the Godfather of Soul's back catalog that continues up to the present day. Rakim, meanwhile, still tops fan polls as the greatest MC of all time. He crafted his rhymes like poetry, filling his lines with elaborate metaphors and complex internal rhymes, and he played with the beat like a jazzman, earning a reputation as the smoothest-flowing MC ever to pick up a mic. His articulation was clear, his delivery seemingly effortless, and his influence on subsequent MCs incalculable. Together, their peerless technique on the microphone and turntables upped the ante for all who followed them, and their advancement of hip-hop as an art form has been acknowledged by everyone from Gang Starr to the Wu-Tang Clan. While certain elements of their sound might come off as slightly dated today, it's also immediately clear how much of a hand Eric B. & Rakim had in leading hip-hop into the modern age.

Eric B. was born Eric Barrier in 1965 in Elmhurst, Queens; his future partner, William Griffin, Jr., was born in 1968 and also hailed from the suburbs of New York, specifically Wyandanch, Long Island. At age 16, Griffin converted to Islam and adopted the name Rakim Allah. Barrier played trumpet and guitar early on, but switched to the turntables in high school, and eventually landed a job as the mobile DJ for radio station WBLS. It was there that he met Rakim, and the two officially formed a partnership in 1985. Their first single -- "Eric B. Is President" (an ode to Barrier's DJ skills) b/w "My Melody" -- was released on the tiny Harlem-based indie label Zakia. It was a street-level sensation during the summer of 1986, and the duo was picked up by the larger 4th & Broadway imprint. The equally monumental singles "I Ain't No Joke" and "I Know You Got Soul" sampled James Brown and his cohort Bobby Byrd, respectively, and their utter funkiness began to revolutionize the sound of hip-hop. Moreover, Rakim's line "pump up the volume" on the latter track was in turn sampled itself, becoming the basis for M/A/R/R/S' hit of the same name.

In 1987, 4th & Broadway issued the duo's full-length debut, Paid in Full; accompanied by a mighty underground buzz, the record climbed into the Top Ten on the R&B LP charts (as would all of their subsequent albums). Additionally, the British DJ duo Coldcut remixed the title cut into a bona fide U.K. smash. The exposure helped make "Paid in Full"'s drum track one of the most sampled beats this side of James Brown's "Funky Drummer"; it provided the foundation for Milli Vanilli's "Girl You Know It's True," among many other, more credible hits. On the heels of Paid in Full, Eric B. & Rakim signed with MCA subsidiary Uni and consolidated their reputation with another landmark hip-hop album, 1988's Follow the Leader. The title cut took its place among the classic singles already in their canon, and Jody Watley soon tapped the duo for a guest spot on her 1989 single "Friends," which brought them into the pop Top Ten for the first and only time.

The 1990 follow-up Let the Rhythm Hit 'Em proved relatively disappointing from a creative standpoint, although 1992's slightly jazzier Don't Sweat the Technique was a more consistent affair that bolstered their legacy. As it turned out, the record also completed that legacy. The duo's contract with MCA was almost up, and they had discussed the possibility of each recording a solo album. Unfortunately, the resulting tension over the future of their partnership ultimately destroyed it. In the aftermath of the breakup, various legal issues prevented both parties from starting their solo careers for quite some time.

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Eric B. & Rakim