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Initiation - At The Drive-in



     
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Initiation Lyrics


[Intro: Wiz Khalifa]
Sledgero
You've always been a fool man, but you're stupid for this one
[Verse 1: Wiz Khalifa]
This is for my young niggas, this is for my paid niggas
This is for my wild niggas, this is for my gang members
This is for the ones that don't care 'bout bein' hood niggas
This is for them badasses, this is for them good niggas
This is for them fly niggas, this ain't for them broke niggas
This is for high niggas, roll one up and smoke, nigga
This is for them boss niggas that be gettin' paper
This is for them real niggas, this ain't for them fakers
[Hook: Wiz Khalifa]
This is for them Taylors [x16]
Yeah I got it, so I flaunt it
And I bought it cause I want it

Screamin' fuck a bitch nigga and a hater
This is for them
[Verse 2: Wiz Khalifa]
This is for them lil niggas that be goin' so hard
That be on they grind, know exactly where they post are
Tryin' to get they cheese, tryin' to get they pocket so large
This for niggas over-seas, this is for them dope boys
This is for them joint-smokers, this is for them gin-sippers
This ain't for no ho niggas, this ain't for no bitch niggas
This is for them rich niggas that be gettin' paper
All I do is ball, nigga, that's my human nature
This is for them niggas who know that they got strong pack
If it ain't strong, we don't blow that
If it ain't strong, it's gon' go back
Money so long, that shit throw-back
And my nigga, this shit paid for, I don't owe that
It's a movie dog, it's a Kodak
And I'm so gone, see you later
This ain't for y'all
[Hook]
[Verse 3: Lola Monroe]
Monroe, Taylor Gang's?
For dough, four more coupes then blow mo'
It's about to go down like a credit score
Your broke ass can't even use debit, whore
Versacci decor from the bed to the floor
Have several seats or exit door
Pussy sweet, shoot me
We ain't gettin' money, Jew me
Whole time your pockets' tighter than a new weave
Fuck 'em, we gon' roll up like two sleeves
Taylor Gang, ? to bang
Y'all pussy weed blanks from failure range
They could never duplicate my Taylor frames
It's the Taylor ring, got a Taylor dame
For the season, oh snap
And focus on my head shots
And I ain't never loafin', you won't catch me with bread knots
Eenie, meenie, minie fuckin' mo
All these birds be goosin', so I be duckin' hoes
N-never had an issue givin' bitches my ass to kiss
Wiz told me get 'em so I'm comin' out blastin' bitch
[Hook]
[Outro: Amber Rose]
Hey baby, it's me
Um, I know you out there performin' right now, but
I just wanted to leave you a little message
To let you know how much I love you
And I miss you
And I wish you were home with me right now
But I'm so proud of you
And I'm so happy that you're doin' so well out there
I miss you baby, I miss you so much
I can't wait to see you
I love you, muah, bye

Enjoy the lyrics !!!
At the Drive-In is an American post-hardcore band from El Paso, Texas, active from 1993 to 2001. They were known for their extremely energetic stage shows which hearkened back to the 1980s hardcore scene. They were also recognized for their blend of surrealistic lyrics, unorthodox guitar melodies and unpredictable shifts in tempo and rhythm.

Founded by Jim Ward (guitars) & Cedric Bixler Zavala (vocals - at the time a member of punk band, foss, in which he played drums). ATD-I's first studio recording was Hell Paso (Western Breed), an EP issued in 1994. They would play their first show on October 15, 1994 at The Loretto Fair with Catch Okra, an El Paso music group, in El Paso, Texas. Much touring would quickly develop a following as intense in loyalty as the band was on stage.

The band was also very determined to get shows in their early days, even going to the point where they would pretend to be a polka chapel band to be put on a local television show called "Let's Get Real" in El Paso. At the Drive-In's reputation for energetic live performances outlasted their career, a faint hint captured on various live video recordings. It was this reputation, the release of perhaps their best-known album (Relationship of Command) and their small hit radio single "One Armed Scissor" (which had a music video in circulation on MTV) that contributed largely to the very positive attention they received in the rock press towards the end of their career. Spin Magazine named Relationship of Command one of their top 10 albums of that year, and in 2010 NME placed it number 12 in its top 50 albums of the decade. The bands first nationally televised performance was on FarmClub. A now defunct television show which aired late at night on the USA network. After that performance they also appeared on Later with Jools Holland, Late Night With Conan O'Brien and The Late Show With David Letterman, performing their single "One Armed Scissor" on national television. According to some sources, At the Drive-In struggled to recreate their intense live experience in the studio. At one point they tried to circumvent this problem by recording their second CD, In/Casino/Out (1998), as a live studio album; this was in contrast to the band's first album Acrobatic Tenement, which, although undoubtedly a hardcore punk album, lacked the energy seen in later works.

Not only notoriously energetic and wild at shows, At the Drive-In were noted by the music press for the afros of Cedric Bixler-Zavala and Omar Rodriguez-Lopez. The hairstyle became synonymous with the pair's image. However, the two have been very vocal about image. Omar said in one interview, "I hate photoshoots, I get so bored. The way I look has nothing to do with the music I make, so who cares if I have big glasses and an afro? People should just put on our CD."

Breakup

In 2001, at the peak of their popularity and following a world tour, At the Drive-In broke up, initially referring to the split as an "indefinite hiatus."

Cedric Bixler took full responsibility for the breakup for the band, saying repeatedly in interviews that he felt almost as if ATDI were holding him back, and that he didn't want his music to be confined to 'punk' or 'emo' or 'hard-tits-core' - that it should encompass many different genres and be even more progressive, alternative, and "against-the-grain". Bixler and Rodriguez-Lopez had stated that they wanted their next album to sound like Pink Floyd's Piper at the Gates of Dawn, while the other members of the band were intent on progressing in a more typical rock direction. Following the break-up of ATDI, Omar and Cedric would start The Mars Volta. This project was a departure from their previous work, as it pursued the prog-rock sound that they had been interested in. Meanwhile, the other members of ATDI - Jim Ward, Paul Hinojos, and Tony Hajjar - would continue on to form the band Sparta. Hinojos has since left Sparta to join Bixler and Rodriguez in The Mars Volta as the Sound Manipulator (Keeley Davis has since become the new guitarist for Sparta). At the Drive-In's experimental and emotional work made them unique amongst their contemporaries.

De Facto

De Facto (formerly De Facto Cadre Dub) was the alias for Cedric Bixler and Omar Rodriguez's reggae/dub side project since the early days of At the Drive-In. Essentially after ATD-I shows Cedric would play drums like he had in the El Paso Pussycat, Omar would play Bass as he did when he first joined ATD-I, and Ikey on keyboards back in El Paso, Texas (they relocated to Long Beach, CA in 2001). The group's ten-song full-length, Megaton Shotblast, appeared on GSL in late 2001. De Facto broke up when Jeremy Ward the vocalist (though there was little singing on their albums) and sound engineer died of a drug overdose in 2003.


Reunion

The 9th January 2012 the band announced on twitter a message, with these words: THIS STATION IS …NOW…OPERATIONAL. They will be playing the 2012 Coachella Music Festival.

At The Drive-In Was:

Cedric Bixler-Zavala - vocals
Jim Ward - guitar, vocals
Omar Rodriguez-Lopez - guitar on all, bass guitar on Acrobatic Tenement
Paul Hinojos - bass
Tony Hajjar - drums

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At The Drive-in