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It's Time To Break Down - The Supremes



     
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It's Time To Break Down Lyrics


For your lovin', oh, oh, yeah
Oh, oh, yeah, when you touch me
I'm at the crossroads of life
And I don't know if I should go left or right
My mind is confused, my heart is, too
Why your voice is ringin', ringin' in my ear
It's time to break down, time to say yeah
Time to take time (time to take time)
Give my heart a chance to breathe
Feel this fire inside of me
I'll never be free (from wanting you)
My heart is your prisoner, yeah
You're like a light in my pathway
You're like a fire that gets higher day after day
I pretend I don't see this spell you cast over me
But the truth is you see all upon my face

It's time to break down, time to say yeah
Oh baby, time to take time (time to take time)
Ooh, I'll never be free from wanting you
My heart is your prisoner, ooh-ooh
It's time to break down
Say yeah when you touch me, baby
Break down for your lovin'
Mm, say yeah, oh yeah
Oh yeah, ooh, yeah, yeah
Break down for your lovin'
Say yeah, ooh, baby
Break down for your lovin'
Say yeah when you touch me
Break down, break down
Say yeah when you touch me
Oh yeah, say yeah when you touch me
Break down for your lovin'
Say yeah when you touch me, baby
Break down for your lovin'
Say yeah when you touch me
Break down for your lovin'
Say yeah!
Mm, your touch is inspirational
Ooh, for your lovin'
Break down for your lovin'
Say yeah
Break down for your lovin'
Say yeah when you touch me, baby
Oh, yeah, ooh, say yeah when you touch me
Your touch inspirational
Oh, break down for your lovin'
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Lyrics powered by lyrics.tancode.com
written by Wilson, Frank Edward / Hendley, Ellenora
Lyrics © EMI Music Publishing

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The Supremes were a very successful motown all-female singing group active from 1959 until 1977, performing at various times doo-wop, pop, soul, broadway showtunes, psychedelia, and disco. One of Motown's signature acts, The Supremes were the most successful African-American musical act of the 1960s, recording twelve #1 hits between 1964 and 1969, many of them written and produced by Motown's main songwriting and production team, Holland-Dozier-Holland. The crossover success of the Supremes during the mid-1960s paved the way for future black soul and R&B acts to gain mainstream audiences both in the United States and overseas.

Founded in Detroit, Michigan, United States in 1959, The Supremes began as a quartet called The Primettes. Founding members Florence Ballard, Mary Wilson, Diana Ross, and Betty McGlown, all from the Brewster-Douglas public housing project in Detroit, were the sister act to The Primes (later The Temptations). In 1960, Barbara Martin replaced McGlown, and the group signed with Motown in 1961 as The Supremes. Martin left at the end of 1961, and Ross, Ballard, and Wilson carried on as a trio. After they achieved success in the mid-1960s with Ross as the lead singer, Motown president Berry Gordy renamed the group Diana Ross & the Supremes in 1967, and replaced Ballard with Cindy Birdsong. Ross left the group for a solo career in 1970, and was replaced by Jean Terrell. After 1972, the lineup of the Supremes changed frequently, with Lynda Laurence, Scherrie Payne, and Susaye Greene all becoming members before the group ended its eighteen-year existence in 1977.

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The Supremes