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I've Been Missing You - Ub40



     
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I've Been Missing You Lyrics


It's not because I've just been caught
It's not as if I planned this
I didn't give a single thought
One big misunderstanding
I see how things look from your side
I see how you're hurting
The reason that I didn't hide
One big misunderstanding
So I blew it again just like I always do
It's too late for sorry, this much is true
I did what I did
Just to make my way through
One more day far away from you
And I've been missing you
It's not the first won't be the last time
I've been caught red-handed
To tell the truth I cannot lie
One big misunderstanding

I haven't got an alibi
And I can't stop them talking
Cross my heart and hope to die
One big misunderstanding
So I blew it again just like I always do
For the things that I did I'm saying sorry to you
But I did what I did and I paid my dues
I've been missing you
It's not the first won't be the last time
I've been caught red-handed
To tell the truth I cannot lie
One big misunderstanding
I haven't got an alibi
And I can't stop them talking
I cross my heart and hope to die
One big misunderstanding
I blew it again just like I always do
For the things that I did I'm saying sorry to you
But I did what I did and I paid my dues
Oh, I've been missing you

Enjoy the lyrics !!!
UB40 are a British dub / reggae pop music band formed in 1978 in Birmingham, England.

The band is one of the most culturally diverse dub reggae bands with musicians of English, Scottish, Irish, Yemeni and Jamaican parentage. The band is named from the paper form issued by the UK government's Department of Health and Social Security at the time of the band's formation for claiming unemployment benefit (UB40 = Unemployment Benefit, Form 40).

UB40 were influenced by the many Blues Parties they attended as teenagers in the multiracial Balsall Heath area of Birmingham, their love of ska and reggae inspired such original tracks as King, Madam Medusa, Food for Thought, Signing Off and One in Ten.

Their early music style was unique, with a heavy influence of analogue synthesizers, psychedelic rock guitar, saxophone and dub producer techniques which were later perfected by the late Pablo Falconer.

Ali and Robin Campbell have a musical heritage, being sons of Ian Campbell, a folk musician.

The band purchased its first instruments with compensation money Ali Campbell received after a bar fight. They have had a number of hits, most commercially and to amusement of the band, "Red Red Wine", a cover version of a Neil Diamond song (in an arrangement similar to that of Tony Tribe's version). Their most successful single release is the cover of the Elvis Presley ballad Can't Help Falling in Love which was intended to be the main title to the 1992 Sharon Stone movie Sliver and was a Number One hit across Europe and in the U.S.

Many of UB40's recordings were inspired by 1960s ska and early lovers rock songs that would have otherwise been forgotten in the public eye. Their new injection of life into so many old Jamaican hits has resulted in many musicians' and producers' renewed popularity and income.

UB40's early music often tackled social issues such as racism and unemployment.

Other artists that UB40 have collaborated with include: Pato Banton, Madness, Bitty McLean, Chrissie Hynde, Robert Palmer, Hunterz, Japanese artist Mikidozan, French artist Nuttea, Lady Saw and Afrika Bambaataa.

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